Charlie Chan at Treasure Island

The infamous Zodiac Killer might have been inspired by this film. The most probable suspect, who has since passed away, used to love this movie and became obsessed with it. If you watch the film and then read about the Zodiac case, you'll see eerie patterns in the writings of the Zodiac Killer and the character of Dr Zodiac in the film. I can easily see how a young kid could be influenced by the creepy Dr Zodiac and the way he taunted authorities..just like the Zodiac Killer would do decades later with similar phrases. Anyway, the film is easily one of the best in the series and still manages to entertain and frighten a bit. I urge you to view this one!

This worthy addition to the Charlie Chan canon is chock full of the usual genre gimmicks: lightening storms, seances and Confucianism. The inscrutable Sydney Toler travels to the Century of Progress Exhibition in San Francisco to investigate the apparent suicide of a friend. Naturally his "number two son" Jimmy tags along to provide comic relief. Young Cesar Romero plays a skeptical ghost-buster. Pauline Moore is typically shrill and hysterical. There is no sign of Mantan Moreland at all, thank heavens. Director Norman Foster and cinematographer Virgil Miller suffuse everything with ominous gloom. By any standard, this mystery-thriller is a complete success. If you need further chills, it might interest you to know that California's uncaptured Zodiac Killer is believed to have modeled certain elements of his M.O. upon the villain of this film.

I recently bought this video on Ebay. I'm told it's hard to find in stores. I recall the Dr Zodiac scenes being frightening as a kid and you know, there are still scenes in this that give me the creeps.

The scene where the female psychic keeps sensing evil (evil looking like two eyeballs illuminated in the darkness) and that nasty looking Dr Zodiac gave me nightmares. I wonder why they don't make a Charlie Chan movie today with some Asian actor finally playing Charlie.

Before history gets rewritten (incorrectly) on more of these comments, this movie was set at the Golden Gate International Exposition (sometimes erroneously known as the San Francisco World's Fair) which was held in San Francisco on what was known as Treasure Island in 1939 and 1940. (There is still a small museum of Expo artifacts in the horseshoe-shaped Administration Building.) It was not the "Century of Progress Exhibition" as some people have thought. That was the 1933 Fair held in Chicago! The real footage of this Exposition is terrific, especially the aerial views. I think the writers used the backdrop of the Expo to their advantage. The magic show was very entertaining and the clairvoyant was eerie. All in all, this is one of the best of the Chan series.

A lot of people think this was Sidney Toler's best Charlie Chan film. I don't know about that, but it is one of his better ones, that's for sure. It featured a lot of suspense, along with action and humor - a good bit of everything that makes the Chan movies popular among its fans.

Charlie travels to San Francisco to find out if a friend of his really committed suicide or was murdered. Son "Jimmy" (Sen Yung) comes along for the ride, for some help and some humor. The story revolves around the occult, a familiar theme in films back in the '30s and '40s. Charlie provides an a solid challenge to the charlatans who practice the occult and bilk people out of their money believing in that hocus-pocus. While Chan disproves that stuff, there is one case of a woman definitely having mind-reading abilities that our Chinese friend acknowledges.

A very young (and almost unrecognizable the first time I saw this) Caesar Romero plays a magician, and skeptic ghost-buster and something I can't say without giving away the ending. He was a likable guy and a good edition to the movie.

In all, a fun 75 minutes. Now, if we could just get this to come out DVD.