Ajouter une intrigue dans votre langueA homeless woman named Hannah drifts into the lives of the kindly Ward family, in a small Indiana town in 1919. Hannah makes herself useful as a cook and housekeeper and stays with the Wards... Tout lireA homeless woman named Hannah drifts into the lives of the kindly Ward family, in a small Indiana town in 1919. Hannah makes herself useful as a cook and housekeeper and stays with the Wards... but her real interest is in meeting their neighbor, teenager Peter Trimble. It turns o... Tout lireA homeless woman named Hannah drifts into the lives of the kindly Ward family, in a small Indiana town in 1919. Hannah makes herself useful as a cook and housekeeper and stays with the Wards... but her real interest is in meeting their neighbor, teenager Peter Trimble. It turns out that Peter is the son she bore out of wedlock and gave up for adoption, and now Hannah ... Tout lire
- Nommé pour 1 oscar
- 3 victoires et 2 nominations au total
- Dr. Thompson
- (as J. Farrell McDonald)
- Milkman
- (uncredited)
- Clerk
- (uncredited)
- Snowball Thrower
- (uncredited)
- Mover
- (uncredited)
- Sally's Friend
- (uncredited)
Avis en vedette
It shows very sadly how much ground we've lost as a society that the character of Hannah Parmalee masterfully played with quiet, subtle restraint by Fay Bainter is regarded by some modern observers as priggish, preachy, sappy and too good to be true. That's how cynical we've become in the face of nobility these days. Unselfishness and refined sensibilities are regarded as "sappy."
The story is intensely Christian in tone, because it centers on the tremendous strength and power one gains from considering the needs and feelings of others before one's own. What we are supposed to glean from the story is the idea that by not fighting for our rights and not demanding justice for ourselves we can win a reward much greater than the one we originally sought. Doing the right thing and not taking the paths of least resistance transcends grief, gives added strength and often leads to greater heights than one ever dreamed of reaching.
There is a sweetness and yes a naiveté in this story that is frankly refreshing. The lush romantic musical score written by the same composer who did Gone With The WInd provides a beautiful, perfectly realized, expressive accompaniment to every scene. Music of this high quality gives added dignity and significance to the film elevating it almost to the status of art.
In this noisy age of unbridled vulgarity, cheap sensationalism, excessive noise, and dissolute, despairing characters acting brutal, selfish, inconsiderate, exploitative and callous towards one another the QUIETUDE and profound depth of feeling in this movie is balm for the soul.
Offering to save the family money (she sees immediately they are struggling), they take her offer and come to love her like family. She comes up with ideas like selling their old useless furniture for cash, gives Claude Rains a spot in the basement to work in peace on his experiments (he is a professor by day and an inventor by night). She is wise and has the instinct to know when something is going to go wrong trying to save the family whatever heartache she can.
When Jackie Cooper (spoiled rich boy) takes a job as Rains assistant, it is the beginning of his life changing him into a fine young man. Only by accident does he cause Rains harm thru an error of judgment. But justice prevails, as Hannah tells Rains to turn the other cheek and go on.
Hannah stumbling upon this house at a time when they are in need of help provides her the opportunity to get what she came for. That being said - all is well at the end. When you see her walking off in the snowy storm, the same way she came in, one cannot help but feel sorry for her - hoping that she would turn around and stay, but doing so would cause her too much pain. Like some of the other poster's, I taped this out of curiosity, and wound glued for the entire film. Definitely a keeper.
In many of Jackie Cooper's films he played characters who were much younger than his actual age (ex: O'Shaunessy's Boy (1935), in real life he was about 12 or 13, but in the film, he is playing someone who is about 10 or 11, same in Dinky and in Tough Guy (1936), he was really 13 or 14, but in the film he is probably between the ages of 9-11). So, in White Banners it was nice seeing him someone his own age and he gave a touching and challenging performance. I also must commend Fay Bainter (1938 Academy Award nominee Best Actress (Banners) and supporting actress (Jezebel)), for she gave an excellent performance as a mother who sacrifices the best for her child. Also the rest of the cast was great. An excellent film!
Le saviez-vous
- AnecdotesFay Bainter was nominated for a best actress "Oscar" for this film. The same year she was nominated for best supporting actress for Jezebel (1938), the first time an actress had been nominated in both categories. She won for "Jezebel".
- ConnexionsFeatured in Breakdowns of 1938 (1938)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Pod jarmom života
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1