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IMDbPro

Quelque part en Europe

Titre original : Valahol Európában
  • 1947
  • 1h 40m
ÉVALUATION IMDb
7,6/10
1,1 k
MA NOTE
Quelque part en Europe (1947)
Drama

Ajouter une intrigue dans votre langueA band of runaways and orphans of the war scour the countryside in search of food and shelter. They invade and then taken in by a musician and former concert pianist who's hiding out in a ru... Tout lireA band of runaways and orphans of the war scour the countryside in search of food and shelter. They invade and then taken in by a musician and former concert pianist who's hiding out in a ruined castle. After the initial altercation between them the gang accepts his guidance and ... Tout lireA band of runaways and orphans of the war scour the countryside in search of food and shelter. They invade and then taken in by a musician and former concert pianist who's hiding out in a ruined castle. After the initial altercation between them the gang accepts his guidance and he wins their respect by protecting them from the elements. However, disgruntled townsfolk... Tout lire

  • Director
    • Géza von Radványi
  • Writers
    • Béla Balázs
    • Judit Fejér
    • Félix Máriássy
  • Stars
    • Artúr Somlay
    • Miklós Gábor
    • Zsuzsa Bánki
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,6/10
    1,1 k
    MA NOTE
    • Director
      • Géza von Radványi
    • Writers
      • Béla Balázs
      • Judit Fejér
      • Félix Máriássy
    • Stars
      • Artúr Somlay
      • Miklós Gábor
      • Zsuzsa Bánki
    • 6Commentaires d'utilisateurs
    • 5Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos15

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    Rôles principaux12

    Modifier
    Artúr Somlay
    • Piotr Simon, the old man
    • (as Artur Somlay)
    Miklós Gábor
    Miklós Gábor
    • Hosszú
    Zsuzsa Bánki
    • Éva
    • (as Zsuzsa Bánky)
    György Bárdy
    • Police Commissioner
    László Horváth
    • Kuksi
    István Rozsos
    László Kemény
    Abraham Ronai
    • Ficsur
    • (as András Rónay)
    György Bodó
    Károly Bicskey
    András Tollas
    Endre Harkányi
    • Director
      • Géza von Radványi
    • Writers
      • Béla Balázs
      • Judit Fejér
      • Félix Máriássy
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs6

    7,61.1K
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    10

    Avis en vedette

    7brogmiller

    The worst captivity is Misery.

    Bela Balazs returned to Hungary after the War to help rebuild its film industry. He scripted this film which has been classified by some as an example of 'socialist realism' because he was a committed Marxist. This is debatable as Balazs was dismissed amid hardening political attitudes and died alas, in 1949. If one has to attach a label then I think that of 'neorealism' is far more appropriate as I sense there is more than a passing nod here to Rossellini's 'Rome, Open City' of 1945. It also calls to mind de Sica's 'Shoeshine' of 1946 especially in its depiction of the children. Just a theory of course. The children in this have been utterly dehumanised by the horrors of war. They are gradually made to feel worthwhile and given hope for the future by the philosophy and civilising influence of Artur Somlay as an elderly classical musician despite their initially wanting to hang him! The run down castle that they have made their home is attacked by fascists and to give themselves courage they whistle the 'Marseillaise' that he has taught them. A truly marvellous moment. The scene where Suszsa Banki as Eva shoots her abuser is a splendid piece of film making. Director Geza Radvanyi and his cinematographer Barnabas Hegyi have given us some wonderful images here especially in the grouping of the children. The editing alas leaves a lot to be desired and the score is rather intrusive especially in the earlier sequences. Radvanyi changed his style in the 1950's with varying results but he would never again match this in terms of immediacy, vitality and above all, 'heart'. Good to know that the talent and vision of Bela Balazs were recognised in 1957 by the founding of a studio bearing his name.
    1tomcat-350-27521

    A terrible piece of postwar communist propaganda

    Besides of doused with Communist propaganda - part of the foreplay which led to a terrible dictatorship in a few years, yet still playing nice and democratic - this is also a terribly bad movie. Those who think I might be wrong because it was voted among the best Hungarian movies, think again. Of course it was - in the Communist times. If you view it that way, then it's indeed a good movie, it fulfills all the requirements of Stalin's and Rakosi's approval. But anyway...

    There is no established storyline in this piece of awfulness. The kids run away from an orphanage. For some reason the orphanage contains a theme park with a panopticum of Nazi leaders, in which Hitler is melting during a bombing raid. After a set of forced symbolics, our heroes are on the road - leading nowhere. They meet an old musician who teaches them about how great the French Revolution was, and we also see a former Nazi putting away his uniform and taking up a new role in a new society. And so, what else? The entire story leads nowhere, it's shallow and illogical.

    Technically the movie is also a disaster. There are basic editing mistakes, eg. there is a scene which was inserted reversed (see the boat under the bridge actually going backwards), the camera sometimes goes out of focus, equipment gets visible, animals stare at the crew (ie. a dog in the foreground). It's a school example of how the Communists recruited all-thumbs amateurs to replace the great experts of Hungarian movie industry who all fled abroad or died during the war. In its time this movie was heralded as the "greatest movie of all times", its makers were celebrated countrywide, and this lie is kept alive even today, with all the hype around this crap. It's OK to watch if you wish to see something North Korea would produce these days, in a contemporary fashion. But as a movie - forget about it.
    1nihaoma-2

    just awful

    Ugh, I hated this movie! It's a crappy communistic propaganda, nothing else.

    The old wise man is teaching the kids humanism and French revolution, even though this movie was done after the Russians invaded Hungary (I'm sorry, "freed" us), and stayed here for almost 50 years. So you can imagine how much freedom we had here! The Russian army raped over 100 thousand women in the country in '44. They killed a lot of civilians too.

    Besides, the movie is full of editing mistakes. There is barely any story here, just not obnoxious kids and grownups. Shitty music score as well. I can't understand how can they consider this as one of the best Hungarian movies?

    Do not watch it if you don't want to be brainwashed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Voted as one of the "12 Best Hungarian Films" ("New Budapest 12") by Hungarian filmmakers and critics in 2000.
    • Citations

      Kuksi: What are you writing?

      Piotr Simon, the old man: Sheet.

      Kuksi: What's the use of that?

      Piotr Simon, the old man: That makes music.

      Kuksi: And what's the use of that?

      Piotr Simon, the old man: Huh, you can ask me some very hard questions. How do I say? If something hurts you that very much, or something is so beautiful that it cannot be told by words, then it is told by this way.

      [begins to play the piano]

      Piotr Simon, the old man: It is heard more easily, you understand?

      Kuksi: No.

      Piotr Simon, the old man: Listen to me. There was once a young man in a far-far away land somewhere in France, who would have a lots of things to say to the people. He sat down to the piano and did this.

      [he begans to plan 'Le Marsellaise']

      Piotr Simon, the old man: Didn't you hear this before?

      Kuksi: No.

      Piotr Simon, the old man: Neither of you heard it?

      [no answer just sharp looks]

      Piotr Simon, the old man: It doesn't matter. Nobody has heard it back then. But one day someone walked by in front of the young man's window and heard it. Then another one, then another one. One of them whistled it, another one sang it. More and more people began to sing it. The song has been given wings. And when a giant crowd sang it, they answered with cannon fire. And with bigger and bigger cannon fire, with tanks and machine guns. But the song always remained stronger. It was spread all around the world. Because everywhere the people understood what that young man wanted to say.

      Ficsur: And what did your young men wanted to say?

      Piotr Simon, the old man: He wanted to say: freedom. This is not a child's play, this is the favourite game of the grown-ups. If they try to take it away from them, there's always a great trouble in the world. That's what only so few people understands. That's my favourite game also.

      Péter: Nice little game. We have played it enough on the country roads. Freedom. We have nearly died of starvation!

      Piotr Simon, the old man: You weren't free! You had to tramp, to steal, to rob or else you would die in hunger. Freedom is when you are not forced to suffer, to do bad things and to hurt others. The greatest captivity is poverty.

    • Connexions
      Featured in Fejezetek a film történetéböl: A magyar film 1945-1957 (1990)
    • Bandes originales
      La Marseillaise
      (uncredited)

      Music by Claude Joseph Rouget de Lisle (1792)

      Played on the piano and taught to the children

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    Détails

    Modifier
    • Date de sortie
      • 23 décembre 1947 (Hungary)
    • Pays d’origine
      • Hungary
    • Langue
      • Hungarian
    • Aussi connu sous le nom de
      • It Happened in Europe
    • société de production
      • MAFIRT
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 40 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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