ÉVALUATION IMDb
7,1/10
2,3 k
MA NOTE
Une chanteuse de boîte de nuit inspire un médecin à simuler son propre meurtre, ce qui entraîne de nombreuses complications.Une chanteuse de boîte de nuit inspire un médecin à simuler son propre meurtre, ce qui entraîne de nombreuses complications.Une chanteuse de boîte de nuit inspire un médecin à simuler son propre meurtre, ce qui entraîne de nombreuses complications.
- Director
- Writers
- Stars
John Alvin
- San Francisco Bay Ferry Boat Dispatcher
- (voice)
- (uncredited)
Jerry Baulch
- Newspaper Man
- (uncredited)
Brooks Benedict
- Patron at Dinardo's
- (uncredited)
Avis en vedette
A shy family man (Kent Smith) meets a sultry but classy nightclub singer (Ann Sheridan), and despite the man's lovely wife (Rosemary DeCamp) and two sweet kids, he soon begins having an affair. It's a pretty standard set up, but the strength of the film is in its first hour, where we see the tension between family and lover, get shots on location in San Francisco from James Wong Howe, and enjoy strong performances from the cast.
Sheridan especially is delightful, with the perfect mix of flirtation and principles, romance and world-weariness. At one point she tells the doctor that "I may not have been handled with care, but I'm not shopworn," meaning she's been around and had lovers, but she's not easy. Seeing her perform her first number in a flouncy little sheer top, and warbling lines like "As long as he desires his arms about me, who cares what people say?" between a few tears in her second is wonderful; I love her voice. Her hats are pretty wild too, especially late in the film.
The film has a softness to it for a noir, but that's something I kind of liked, and there's certainly darkness in just how quickly the family man begins forgetting his own kids. There's another man involved (Robert Alda, Alan's father), which adds an interesting wrinkle. Unfortunately, however, the film scuttles itself with a ludicrous ending. The final 15 minutes defy belief and the film tries to put a happy face on them besides, both of which were mistakes, which dropped my rating a bit. It's still enjoyable though, and if for nothing else, watch it for Ann Sheridan.
Sheridan especially is delightful, with the perfect mix of flirtation and principles, romance and world-weariness. At one point she tells the doctor that "I may not have been handled with care, but I'm not shopworn," meaning she's been around and had lovers, but she's not easy. Seeing her perform her first number in a flouncy little sheer top, and warbling lines like "As long as he desires his arms about me, who cares what people say?" between a few tears in her second is wonderful; I love her voice. Her hats are pretty wild too, especially late in the film.
The film has a softness to it for a noir, but that's something I kind of liked, and there's certainly darkness in just how quickly the family man begins forgetting his own kids. There's another man involved (Robert Alda, Alan's father), which adds an interesting wrinkle. Unfortunately, however, the film scuttles itself with a ludicrous ending. The final 15 minutes defy belief and the film tries to put a happy face on them besides, both of which were mistakes, which dropped my rating a bit. It's still enjoyable though, and if for nothing else, watch it for Ann Sheridan.
. . . Ann Sheridan, that is. And they didn't call her the "Oomph Girl" for nothing.
She's worldly (mostly underworld) straight- forward, knows the score, and completely direct. What's more, you believe and trust her . . . nothing underhanded here.
At one point she, as Nora Prentis says, "I may not have been handled with care, but I'm not shop-worn." That about sums her up.
There's no other quite like Sheridan, and she can make a wisecrack in a flash, partly for levity and partly to hold off wolves. Furthermore, it works pretty much all the time.
In "Nora Prentis" Sheridan's perfectly cast as a nightclub singer who walks into an affair with a married man. Kent Smith is fine as her suitor. Vincent Sherman's the competent director, and James Wong Howe's the fine photographer.
We're treated to Ann's beautiful contralto voice (in a lovely ballad, "Who Cares What People Say") and to the rest of Warner Bros. stock company, including Robert Alda.
"Nora Prentis' " characters work because they're endowed with both strong and weak qualities. No one's clearly victim or villain here, just quite ordinary people who get trapped in tragic circumstances.
She's worldly (mostly underworld) straight- forward, knows the score, and completely direct. What's more, you believe and trust her . . . nothing underhanded here.
At one point she, as Nora Prentis says, "I may not have been handled with care, but I'm not shop-worn." That about sums her up.
There's no other quite like Sheridan, and she can make a wisecrack in a flash, partly for levity and partly to hold off wolves. Furthermore, it works pretty much all the time.
In "Nora Prentis" Sheridan's perfectly cast as a nightclub singer who walks into an affair with a married man. Kent Smith is fine as her suitor. Vincent Sherman's the competent director, and James Wong Howe's the fine photographer.
We're treated to Ann's beautiful contralto voice (in a lovely ballad, "Who Cares What People Say") and to the rest of Warner Bros. stock company, including Robert Alda.
"Nora Prentis' " characters work because they're endowed with both strong and weak qualities. No one's clearly victim or villain here, just quite ordinary people who get trapped in tragic circumstances.
Ann Sheridan gives an effective performance as the title character who has not had much luck when it comes to love. Unfortunately her luck only gets worse.
Kent Smith's character Dr. Talbot completely turns his life inside out and upside down in order to be with Ann Sheridan. (If there is anyone worth turning your life inside out for, it's Ann Sheridan ;-).
A worthy entry in the Film Noir canon, Nora Prentiss reveals two characters desperate to find happiness...but at what cost?
This film also has one of my favorite lines from a movie poster:
Would You Keep Your Mouth Shut If You Were Nora Prentiss?
Kent Smith's character Dr. Talbot completely turns his life inside out and upside down in order to be with Ann Sheridan. (If there is anyone worth turning your life inside out for, it's Ann Sheridan ;-).
A worthy entry in the Film Noir canon, Nora Prentiss reveals two characters desperate to find happiness...but at what cost?
This film also has one of my favorite lines from a movie poster:
Would You Keep Your Mouth Shut If You Were Nora Prentiss?
**SPOILERS** Straight laced at his practice as a big city, San Francisco, doctor and wonderful family man Richard Talbot, Kent Smith,has never done anything more serious in his life then being late at his doctors office. That was all to change when one evening going to his car he ran into singer Nora Prentiss, Ann Sheridan. Nora has a fainting spell falling on the street and bruising herself. Bringing Nora up to his office Richard after treating her starts to slowly fall madly in love with Nora. That leads to him throwing away his very successful practice his family, wife and two children, and later even his life, which in the movie he loses twice. Where in the end Richard faces the California gas chamber for first degree murder. The movie "Nora Prentiss" is about a mans obsession. That obsession leads him into such depths of depression and depravity that he destroys everything he held near and dear to himself in order to keep the woman, Nora Prentiss, that drove him into this madness and in the end loses her as well. Nora for her part is totally unaware of how far her lover was willing to go to keep her from disappearing out of his life. Spending money like crazy on Nora and using the excuse of working late at the office so that his wife Lucy, Rosemary DeCamp, won't suspect his almost nightly lateness from home Richard is still very reluctant to divorce his wife, on what possible grounds? Then like heaven sent a patient of his Walter Bailey, John Ridgely, who not only fits Richards hight and weight but is even Richard's age,43, pops into his office one night and collapses and dies from a heart attack! Going to call the police to pick up the body Richard get this bright idea to switch identities and thus bury his past, as Dr. Richard Talbot, and start a new life as whoever he chooses with who he feels is the love of his life Nora Prentiss. Nora who was leaving for New York for a job as a singer at the Sea Gull Cafe run by her very close friend and former employer Phil Dinardo,Robert Alda, runs into Richard who excitedly tells Nora that he's divorcing his wife and within weeks when his divorce papers go through they'll be able to get married. Rchard in fact disposed of Bailey's body with his wedding ring on him to make it look like he was the one who was killed. In New York living like a fugitive from the law Richard has Nora becomes a bit annoyed of his constant secrecy and avoidance of people. It soon gets to the point where she's forced to live with Richard in a hotel room and only having her job at Phil's nightclub as the only contact with the outside world. Richard, now calling himself Robert Tompson, for his part constantly keeps up with the news back home in San Francisco and learns that his "death" is being investigated by the police as a murder suspect with evidence found at his office; The cops found a letter of divorce that he partly burned that's interpreted as a blackmail note. Also at the accident scene the police found a can of gasoline with his fingerprints on it. Richard finally lose it when he finds Nora, who by then he already confessed what he did, in her dressing room with Phil! That has him go into a jealous rage and attacks the startled nightclub owner. This causes the police to chase Richard all through the streets of Manhattan ending up in a fiery accident in Central Park with his face badly burned. With Phil not pressing charges and Richard getting a face-over, plastic surgery, it now looks like he and Nora can finally get married and put his life as Doctor Richard Talbot behind him. It's then his being fingerprinted by the police for car theft and those fingerprints matched those back in San Franciso on the can of gasoline come up as a match! This made Richard the number one suspect in his own murder! how's that for ultimate justice. Now with nothing to look forward to with his wife and family as well as Nora out of his life forever Richard, or as he's known now as Robert Thompson, can only sit in his dark prison cell and count the days leading up to his scheduled execution. He can also see what a mess he made of his life by reaching for something that he should have known was well out of his reach Nora Prentiss.
The forgotten Warner Brothers melodrama "Nora Prentiss" was one of the biggest hits of Ann Sheridan's career. Finely directed by Vincent Sherman who guided Joan Crawford and Bette Davis in several hit films, this is a sad, haunting yet somehow realistic story about a married doctor (a great performance by Kent Smith) who fatefully bumps into a nightclub singer (Sheridan) and soon falls madly in love with her. His illicit love of Sheridan leads to his downfall. Some may find the plot a bit contrived but an excellent script and the superb heartfelt performances of Sheridan and Smith make it work beautifully. THe ending is quite a knockout.
Le saviez-vous
- AnecdotesSheilah Graham reported that Ann Sheridan had an infection in one ear during production, and during the final shots of the film, could only be photographed from one side.
- GaffesWhen the surgeons are washing up for an operation, before gloves, the elder surgeon touches the door before going inside the surgery room, which would break sterility.
- Citations
Dr. Richard Talbot: [finishing her bandage] There, it doesn't look bad.
Nora Prentiss: The bandage or the leg?
Dr. Richard Talbot: Young lady, I...
Nora Prentiss: Can't you decide, doctor?
Dr. Richard Talbot: Well, I made the bandage. I didn't make the leg.
[Nora laughs]
- ConnexionsEdited into The Green Fog (2017)
- Bandes originalesWould You Like a Souvenir?
Music by M.K. Jerome
Lyrics by Jack Scholl and Eddie Cherkose
Performed by Ann Sheridan
[Nora sings the song during her act]
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La sentencia
- Lieux de tournage
- The Embarcadero, San Francisco, Californie, États-Unis(outside ferry building)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 51 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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