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Song of the South

  • 1946
  • G
  • 1h 34m
ÉVALUATION IMDb
6,9/10
16 k
MA NOTE
James Baskett, Bobby Driscoll, and Luana Patten in Song of the South (1946)
Regarder Trailer
Liretrailer1 min 09 s
2 vidéos
99+ photos
Animal AdventureAnimationComedyFamilyFantasyMusical

Ce film mélangeant animation et prises de vues réelles met en scène trois contes de Harris inclus dans une histoire dramatique se déroulant dans le vieux Sud américain, avec d'anciens esclav... Tout lireCe film mélangeant animation et prises de vues réelles met en scène trois contes de Harris inclus dans une histoire dramatique se déroulant dans le vieux Sud américain, avec d'anciens esclaves et leurs anciens maîtres dans une plantation de coton.Ce film mélangeant animation et prises de vues réelles met en scène trois contes de Harris inclus dans une histoire dramatique se déroulant dans le vieux Sud américain, avec d'anciens esclaves et leurs anciens maîtres dans une plantation de coton.

  • Directors
    • Harve Foster
    • Wilfred Jackson
  • Writers
    • Dalton S. Reymond
    • Morton Grant
    • Maurice Rapf
  • Stars
    • Ruth Warrick
    • Bobby Driscoll
    • James Baskett
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,9/10
    16 k
    MA NOTE
    • Directors
      • Harve Foster
      • Wilfred Jackson
    • Writers
      • Dalton S. Reymond
      • Morton Grant
      • Maurice Rapf
    • Stars
      • Ruth Warrick
      • Bobby Driscoll
      • James Baskett
    • 257Commentaires d'utilisateurs
    • 49Commentaires de critiques
    • 54Métascore
  • Voir l’information sur la production à IMDbPro
    • A remporté 1 oscar
      • 2 victoires et 1 nomination au total

    Vidéos2

    Trailer
    Trailer 1:09
    Trailer
    Unsung Black Heroes of Film History
    Clip 4:30
    Unsung Black Heroes of Film History
    Unsung Black Heroes of Film History
    Clip 4:30
    Unsung Black Heroes of Film History

    Photos161

    Voir l’affiche
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    + 157
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    Rôles principaux23

    Modifier
    Ruth Warrick
    Ruth Warrick
    • Sally
    Bobby Driscoll
    Bobby Driscoll
    • Johnny
    James Baskett
    James Baskett
    • Uncle Remus…
    Luana Patten
    Luana Patten
    • Ginny
    Lucile Watson
    Lucile Watson
    • Grandmother
    Hattie McDaniel
    Hattie McDaniel
    • Aunt Tempy
    Erik Rolf
    Erik Rolf
    • John
    • (as Eric Rolf)
    Glenn Leedy
    • Toby
    Mary Field
    Mary Field
    • Mrs. Favers
    Anita Brown
    • Maid
    Georgie Nokes
    • Jake Favers
    • (as George Nokes)
    Gene Holland
    • Joe Favers
    Nick Stewart
    • Br'er Bear
    • (voice)
    • (as 'Nicodemus' Stewart)
    Johnny Lee
    • Br'er Rabbit
    • (voice)
    Helen Crozier
    • Mother Possum
    • (voice)
    Jessie Cryer
    • Laughter
    • (uncredited)
    Babette De Castro
    • Bird Voices
    • (voice)
    • (uncredited)
    Cherie De Castro
    • Bird Voices
    • (voice)
    • (uncredited)
    • Directors
      • Harve Foster
      • Wilfred Jackson
    • Writers
      • Dalton S. Reymond
      • Morton Grant
      • Maurice Rapf
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs257

    6,916K
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    Avis en vedette

    Sargebri

    Political Correctness at Its Worst

    When I was about five years old, I saw this film with my older cousins who were in their twenties at the time and I don't remember hearing them saying anything negative about it. This is ironic, because I am African-American. Everyone must remember that this film was released in the 1940's before the civil rights movement and before "Roots". Now because of political correctness, we have all but forgotten this classic film, which was one of the first to combine live action and animation. Even though I do agree that this film does show slavery in a positive light you also should look at the fact that it dared to show the friendship between an African-American and a Caucasian, something that would never have even been thought about in those days. Next thing you know, someone might get the bright idea to ban "The Cosby Show" because it supposedly doesn't portray how the average black person really lives.
    davidbowden51

    The True Meaning of Song of the South

    I am a lifelong Southerner. No one can gainsay that slavery was a terrible thing. It is our great national sin. But to dump all of that on these delightful folk stories seems to me a bit much.

    I saw Song of the South as a small child. I didn't once think how dumb Uncle Remus was; I thought how dumb the smart aleck fox was! According to the foreword in my copy of Joel Chandler Harris' volume, these stories came from Africa originally where the characters were the lion, the jackal and whatever else they used. They are the Aesop's fables of a whole culture and they deal with how one who is weak and powerless--say a slave or a small child trying to survive his parents' problems--can deal with a world and come out with a whole skin. The race is not always to the swift nor the battle to the strong is the whole theme of the Uncle Remus tales. And everybody's gotta have a laughing place if they want to stay sane in this old world.

    Good on you, Uncle Remus! Good on you!
    8saint_pat

    An unjustly maligned film

    I am really annoyed by Disney's decision to withhold Song of the South from release. They seem to think that by banning this film they could appease the charge of spreading racism. In fact, by banning this film they have given the false impression that Song of the South is a racist film that would corrupt children.

    As a previous viewer pointed out, the film does NOT depict slavery. It takes place in the years following the civil war. Yes, it shows blacks as servants of whites, but this did indeed occur didn't it? Nor does it depict blacks as entirely submissive servants to whites. Look at the way Uncle Remus defies Johnny's mother by covering for him. Uncle Remus has his own subtle ways of rebelling against his white employers. What's more, Uncle Remus is not a racist caracature. He is a kind and smart man with a lot of common sense.

    The film even takes on race relations in the friendship Johnny strikes up with Uncle Remus and a black boy. We end of disapproving of Johnny's mother's narrow minded attitude toward their relationship. This is probably the closest the non-political Disney studios could come to making a liberal film.

    It's incredible therefore that it is the NAACP that protested this film whenever it was released instead of the KKK. The NAACP reminds me more of little Johnny's white prejudiced mother than campaigners for racial equality.

    I am even more angered by Disney's decision to keep this film off the video shelves. They probably could have gotten Song of the South out on video after it's 1986 release with minimal controversy. Instead, by banning this film they have helped to harden opinions on both sides between those who want to keep this film off the video shelves (many of whom probably haven't even seen it), and those who want it released. They have made a political firestorm of their own creation.
    9zetes

    Think it over before you react

    This film will never receive a clean bill of political correctness, but neither will any film made before the 1960s. In fact, Song of the South presents some of the least offensive portraits of African Americans you can find from the time. If you really need to compare, go find any other film starring Hattie McDaniel – start with Gone With the Wind – and note how much more dignity she has in the Disney movie. Uncle Remus (James Baskett, who is utterly, utterly exceptional) is perhaps the most charming character you'll find. He's much more stereotypical of an elderly man than a black man. A smart man with strong morals and a clever way of delivering them, he seems to see things more clearly than anyone else in the film. No, Uncle Remus is a kind man who loves humanity, and this love is infectious. The movie made me very happy to be alive. A more politically correct version of the film would have him rebelling against white society with violence. It's kind of sad that we can't abide blacks and whites actually getting along, preaching brotherhood. The live action bits are very good (although I think Bobby Driscoll is a bit weak in the lead), but it is the animated pieces (and the live action/animation sequences) that make Song of the South great. Br'er Rabbit, Fox, and Bear are wonderful characters, and these three segments represent some of the best animation Disney ever did. The mixed scenes are amazing (was this the first time it was done?). I especially liked when Uncle Remus went fishing with Br'er Frog. Uncle Remus lights his pipe with an animated flame, and blows an animated smoke ring that turns into a square (which is, of course, also politically incorrect). I suspect that the biggest reason this film stirs so many negative emotions is the black dialect used in the film. I think that bugs people a lot. Really, though, blacks from the rural South have and have had their own accents and ways of speaking just as they have and have had in any other region. While the accents in this film are somewhat fabricated, I'm sure, I think that it would be a far cry to think of them as harmful to anybody. The hurt that people feel over this movie is the real fabrication, induced by PC thugs who seem to want to cause rifts between peoples. I think that a re-release of Song of the South could possibly have a beneficial effect on race relations in the United States, as it does depict dear friendships and respect between the races, something that I think we quite need at the moment.
    8Gazzer-2

    This Disney Classic Deserves To Be Re-issued!

    I think it's a great shame that the 1946 Walt Disney classic, "Song Of The South," has been banned in the U.S. because some civil rights groups **15 years ago** complained that the movie was racist and they did not want it to be shown anymore. And Disney, not wanting to offend anyone, bowed down to their demands and yanked the film from public viewing in North America, where it has not been seen since. The only way you can watch "Song Of The South" now is if you still own a laserdisc player and you're willing to spring for a costly Japanese import disc, OR if you manage to track down a UK VHS copy of the film released in 1997 and have it transferred. Well, having viewed a transferred VHS copy of "Song Of The South" recently, I can honestly say that this is a marvelous Disney movie that is NOT racist and does NOT deserve to be hidden away.

    While I can certainly understand the concerns of the civil rights groups over "Song Of The South," the fact that the movie is set during the turn-of-the-century South when many blacks served subservient roles is NOT a good enough reason to hide the film away from the public. This is not an issue of racism, it is simply a historical fact. Furthermore, the black characters in "Song Of The South" are all treated with respect. They are not treated badly, nor are they spoken to badly. Further still, are we going to destroy all copies of "Gone With The Wind" just because it features a black maid? Think about it.

    What also upsets me about the shunning of "Song Of The South" in the U.S. is that most Americans will now never get to see anymore the marvelous performance of James Baskett as the loveable storyteller Uncle Remus (and Baskett DID win an Honorary Oscar for his fine work in this film, lest we forget). Nor will Americans ever get to see again the wonderful Disney artistry on display in "Song Of The South" that perfectly blends live action with animation (the very first film to do so, if I'm not mistaken). They won't get to enjoy the hilarious adventures of Brer Rabbit ever again. Nor will they be able to sing along with the Oscar-winning song, "Zip-A-Dee-Doo-Dah" anymore. All of this, in my opinion, is very, very shameful.

    I strongly implore Walt Disney Productions to reconsider re-issuing "Song Of The South" in North America, if *only* for a limited time on home video, so anybody Stateside who wants the film can finally have it. And with all due respect to the civil rights groups who complained about "Song Of The South" back in 1986, I strongly implore them to seriously rethink the ban that they had Disney place upon the film. On the Grammy telecast this past year, just before mega-controversial rapper Eminem took the stage to perform "Stan," the Grammy president came onstage to give a little pep talk about freedom of speech & freedom of expression. He said that we cannot ban certain artists and their work just because it makes certain people uncomfortable. The EXACT same thing can be said for Walt Disney's "Song Of The South."

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Once Whoopi Goldberg was inaugurated as a Disney Legend, one of her first requests to the Walt Disney Company was for them to finally release this film to the public and to stop hiding from and being ashamed of their own past.
    • Gaffes
      Before Uncle Remus tells the story about the Laughing Place, the mud on Ginny's dress disappears and reappears between shots.
    • Citations

      Uncle Remus: You can't run away from trouble. There ain't no place that far.

    • Autres versions
      On a 1991 British VHS release and a British television broadcast by the British Broadcasting Corporation in 2006, the "The End" card was displayed on a blue background instead of the original 1946 cream one.
    • Connexions
      Edited into Disneyland: Donald's Award (1957)
    • Bandes originales
      Zip-A-Dee-Doo-Dah
      (uncredited)

      Written by Allie Wrubel and Ray Gilbert

      Performed by James Baskett

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    FAQ21

    • How long is Song of the South?Propulsé par Alexa
    • Chicago Opening Happened When?

    Détails

    Modifier
    • Date de sortie
      • 6 décembre 1946 (Canada)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Canción del sur
    • Lieux de tournage
      • 4747 W Buckeye Road, Phoenix, Arizona, États-Unis(plantation scenes, now VPX Phoenix)
    • société de production
      • Walt Disney Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 37 459 346 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 4 203 111 $ US
      • 23 nov. 1986
    • Brut – à l'échelle mondiale
      • 37 459 346 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 34 minutes
    • Rapport de forme
      • 1.37 : 1

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