Humoresque

ÉVALUATION IMDb

7,3/10

5,1 k

MA NOTE

Trailer for this classic based on the novel

Liretrailer2 min 39 s

1 vidéo

60 photos

Drama Music Mystery Romance

Ajouter une intrigue dans votre langueA classical musician from the slums is sidetracked by his love for a wealthy, neurotic socialite.A classical musician from the slums is sidetracked by his love for a wealthy, neurotic socialite.A classical musician from the slums is sidetracked by his love for a wealthy, neurotic socialite.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

7,3/10

5,1 k

MA NOTE

Voir l’information sur la production à IMDbPro

Nommé pour 1 oscar
- 4 victoires et 1 nomination au total

Vidéos1

Trailer 2:39

Humoresque

Photos60

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Histoire

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Anecdotes
John Garfield, a method actor, tried to obtain an emotional bond with the character Joan Crawford played by looking deeply into her eyes which very much unnerved Crawford, who told the director: "Tell him to stop looking at me!"

Gaffes
In the scene where Paul Boray is practicing on stage in his shirt sleeves, you can see the top of the head of a man crouched down behind him. This has to be one of the violinists who did the playing for John Garfield by reaching around him.

Citations
Sid Jeffers: It isn't what you are, it's what you don't become that hurts. Idealism is a luxury for the very young.

Générique farfelu
The opening credits are presented on the turning pages of the sheet music for the composition "Humoresque".

Connexions
Edited into Les Cadavres ne portent pas de costard (1982)

Bandes originales
Humoresque Op. 101 No. 7
(uncredited)
Written by Antonín Dvorák

Commentaires des utilisateurs84

Commentaire en vedette

10/10

A Startling WB Melodrama

It opens with a close up of John Garfield and that, already, gets you going. The intensity and power of the man. A from rags to riches tale with an extra something. The extra something here is Clifford Odetts, the language is as pungent as its pace. The truth in John Garfield's face rises everything several notches but, perhaps, the biggest surprise from a 2007's standpoint, is Joan Crawford's performance. She's never been one of my favorites, I always thought impossible to warm up to her and her tough lady from the wrong side of the tracks left me cold but here, she's rounded and brilliant, torn between who she is and who she would like to be. Great lines, fantastic close ups - wearing eye glasses, removing the glasses and squinting - At moments you feel the camera devours her. The director, Jean Negulesco - Three Coins In The Fountain, How To Marry a Millionaire - never flown this high. This 1946 Warners melodrama has the stuff that great works of art are made of. Thrilling