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Blue Skies

  • 1946
  • Approved
  • 1h 39m
ÉVALUATION IMDb
6,4/10
1,6 k
MA NOTE
Fred Astaire, Bing Crosby, Joan Caulfield, and Billy De Wolfe in Blue Skies (1946)
Home Video Trailer from Universal Studios Home Entertainment
Liretrailer1 min 45 s
1 vidéo
32 photos
ComedyMusicalRomance

Ajouter une intrigue dans votre langueAn ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.An ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.An ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.

  • Directors
    • Stuart Heisler
    • Mark Sandrich
  • Writers
    • Arthur Sheekman
    • Allan Scott
    • Irving Berlin
  • Stars
    • Fred Astaire
    • Bing Crosby
    • Joan Caulfield
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,4/10
    1,6 k
    MA NOTE
    • Directors
      • Stuart Heisler
      • Mark Sandrich
    • Writers
      • Arthur Sheekman
      • Allan Scott
      • Irving Berlin
    • Stars
      • Fred Astaire
      • Bing Crosby
      • Joan Caulfield
    • 32Commentaires d'utilisateurs
    • 9Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 2 oscars
      • 3 victoires et 3 nominations au total

    Vidéos1

    Blue Skies
    Trailer 1:45
    Blue Skies

    Photos32

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    Rôles principaux99+

    Modifier
    Fred Astaire
    Fred Astaire
    • Jed Potter
    Bing Crosby
    Bing Crosby
    • Johnny Adams
    Joan Caulfield
    Joan Caulfield
    • Mary O'Hara
    Billy De Wolfe
    Billy De Wolfe
    • Tony
    Olga San Juan
    Olga San Juan
    • Nita Nova
    Mikhail Rasumny
    Mikhail Rasumny
    • François
    Frank Faylen
    Frank Faylen
    • Mack
    Victoria Horne
    Victoria Horne
    • Martha - Mary Elizabeth's Nanny
    Karolyn Grimes
    Karolyn Grimes
    • Mary Elizabeth Adams
    Jean Aloise
    • Dancer
    • (uncredited)
    Carol Andrews
    Carol Andrews
    • Dolly
    • (uncredited)
    Maxine Ardell
    • Dancer
    • (uncredited)
    Charlene Arnold
    • Flapper
    • (uncredited)
    Gene Ashley
    • Dancer
    • (uncredited)
    Walter Bacon
    • Restaurant Patron
    • (uncredited)
    Valmere Barman
    • Dancer
    • (uncredited)
    Jackie Barnett
    • Dancer
    • (uncredited)
    Dorothy Barrett
    Dorothy Barrett
    • Showgirl
    • (uncredited)
    • Directors
      • Stuart Heisler
      • Mark Sandrich
    • Writers
      • Arthur Sheekman
      • Allan Scott
      • Irving Berlin
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs32

    6,41.6K
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    Avis en vedette

    6ccthemovieman-1

    Astaire's "Ritz" Makes Film Worthwhile

    Fred Astaire's dancing and Bing Crosby's singing: wow, not a bad combination! As good as Bing's voice was, I preferred seeing Fred dance so the picture is only so-so for me. Either way, you'd think with these two stars, this musical would be tremendous, but it isn't.

    Astaire has three of his four dance numbers in the first half of the movie. One of them, "Puttin' On The Ritz," is one of the most impressive performances, if not THE best, he's ever done. It is absolutely spectacular. The movie is worth seeing for that performance alone. For the next hour, there is a romance gone sour and Crosby's crooning (some good songs, some bad).

    The film's intent was to pay tribute to Irving Berlin and all the music he gave us, and it succeeds on that level. There are nothing but nice people in the movie and tons of music.....but the whole thing lacks something.
    7criddic2

    Delightful Musical

    Sure it's the same old story of two showbiz guys fighting over the girl, but that's just an excuse to have fun with Fred and Bing. The two dance and sing several fine numbers throughout the film.

    And there's the added treat of music by one of the legendary composers. Irving Berlin provides his beautiful songs, including the Oscar-nominee "You Keep Coming Back Like a Song." Fred Astaire does his famous "Puttin on the Ritz" number, while Bing sings the title tune. The duo work well together as they did on "Holiday Inn" four years earlier.

    Billy De Wolfe has some funny moments in songs and sketches.

    Overall, a colorful and entertaining musical. Don't listen to those who'd turn you away just because the plot is kinda thin.

    What more could you want?
    ottoflop

    A Major Disappointment

    I had wanted to see this film for years. Despite the talent involved: Astaire; Crosby; Berlin and the best production values that money could buy, I found it to be very disappointing. Part of the problem is, I believe, the lackluster performance of Joan Caulfield who becomes annoying with her vacillating romance between Astaire and Crosby. One wonders why one, much less two, guys would fall for her. Billy DeWolfe and Olga San Juan are very good in supporting roles and,of course, the Irving Berlin score is great, but somehow it all fails to jell.

    I believe that this film shows the different "style" of the studios. Had this been made at M-G-M, if probably would have been great, at Paramount it falls flat. "Lady in the Dark" was another Paramount opus which had a similar fault.
    8lugonian

    The Memory of All That

    BLUE SKIES (Paramount, 1946), directed by Stuart Heisler, reunites a couple of song and dance men Bing Crosby and Fred Astaire from the ever popular HOLIDAY INN (1942) in a lavish scale musical with songs by the Irving Berlin. While the title BLUE SKIES tends to sound like an aviation movie, it's actually a love triangle story set to music. This could have been an interesting sequel to HOLIDAY INN, where Crosby and Astaire both continue to compete for the same blonde, this time Joan Caulfield instead of Marjorie Reynolds. Overall, it's an original idea credited by Irving Berlin himself with an added touch of Technicolor and larger scale dance routines.

    In common tradition to many 1940s movies, most commonly found in the "film noir" genre, BLUE SKIES is told in flashback, starting in modern day setting at a radio station, Broadcast Network of America in New York City's Rockefeller Center, where Jed Potter (Fred Astaire), a former dancer now a radio personality, relates his life story and career to his listeners, a story with a beginning but without a finish. Dating back circa 1919 following World War I finds Jed attracted to Mary O'Hara (Joan Caulfield), a girl, a "very pretty girl," working in the chorus. He invites her to accompany him for dinner at a night club owned by Johnny Aams (Bing Crosby), his Army buddy. Almost immediately, Mary is attracted to Johnny, but in spite of Jed's warning that Johnny is not the marrying kind, she cannot resist him. Johnny and Mary marry, and during their union have a daughter, Mary Elizabeth (Karolyn Grimes). All goes well until Mary finds that Jed is right in his assumption of Johnny being selfish and unstable, buying and selling nightclubs (oneof them called "Top Hat") at a moment's notice, and unable to settle down at in one place they could call home. After their divorce, Mary becomes engaged to Jed. Finding she's unable to marry Jed, Mary disappears, leaving Johnny as well as Jed, through his narration, to wonder whatever became of her.

    As Jed Potter relates his "album of Irving Berlin songs" to his radio listeners, movie viewers get to to be treated to see and hear such classic tunes including: "A Pretty Girl is Like a Melody" (sung by chorus, danced by Fred Astaire); "I've Got My Captain Watching for Me Now" (Sung by Bing Crosby); "You'd Be Surprised" (sung by Olga San Juan); "All By Myself" (Crosby); "Serenade to an Old-Fashioned Girl" (sung by Joan Caulfield); "Puttin' on the Ritz" (Astaire);  "I'll See You in C.U.B.A." (Crosby); "A Couple of Song and Dance Men" (Astaire and Crosby); "You Keep Coming Back Like a Song" (Crosby); "Always" (chorus); "Blue Skies," "The Little Things in Life," "Not for All the Rice in China" (all sung by Crosby); "Russian Lullaby" (Chorus); "Everybody Step" (Crosby); "How Deep is the Ocean" (chorus); "Running Around in Circles" (Crosby); "Heat Wave" (sung by Olga San Juan/danced by Astaire); "Buy Bonds Today" "This is the Army" "White Christmas" and "You Keep Coming Back Like a Song" (all sung by Crosby). "Mandy" and "Some Sunny Day" are those other songs heard as background music.

    Astaire's "Puttin' on the Ritz" number, where he dances to eight images of himself, is one of the great highlights. First introduced by Harry Richman for the 1930 musical, PUTTIN' ON THE RITZ, the original lyrics have been changed to fit the Astaire style as well as the changing of times. Crosby and Astaire also provide fine moments with their joint collaboration as "A Couple of Song and Dance Men." Billy De Wolfe supplies much of the comedy relief as Johnny's partner and assistant. Aside from being the love interest to Olga San Juan, he does a five minute one man comedy routine as Mrs. Murgatroyd.

    While the story tends to get corny at times, it does get better with its passage of time and its assortment of fine songs. Aside from Crosby's singing, his sentimental moment where he meets with his little girl (Grimes) again is well done, along with Astaire's dancing, which is always first rate. He briefly breaks away from his traditional character where he becomes a troubled dancer who turns to liquor after being jilted. Legend has it that BLUE SKIES was originally intended to become Astaire's farewell movie. Fortunately, after his two year retirement, he was lured back to the screen for more musicals, dramas and everything else through 1981. Joan Caulfield, then new to the movies, would work again with Crosby in WELCOME STRANGER (1947), an underrated drama with songs. Crosby and Astaire wouldn't work together again until being reunited again for their TV special, "A Couple of Song and Dance Men" (CBS, 1974)

    Formerly presented on American Movie Classics (1994-1999) and later Turner Classic Movies (where it premiered February 18, 2007), BLUE SKIES, distributed on video cassette in 1997, is also available on a DVD package double featured with Crosby's other musical, BIRTH OF THE BLUES (1941). Although BLUE SKIES is not as memorable as HOLIDAY INN, they can be summed up as being two different movies with similar storyline as well as the memory of all that. (***1/2)
    7blanche-2

    Not great, but Astaire is wonderful

    Fred Astaire, Bing Crosby, and Joan Caulfield star in "Blue Skies," a 1946 musical film also starring Billy de Wolfe and Olga San Juan. The film starts with Jed (Astaire) on the radio telling the story of his buddy Johnny's (Crosby) relationship with Mary (Caulfield), and saying that he hoped Mary, wherever she was, would hear him. Both Jed and Johnny had been in love with her, but she had chosen Johnny.

    The story of this love triangle is backed up by one Irving Berlin song after another - there is a lot of music, some fine singing by Crosby and tremendous dancing by Astaire. This was to be his last film but his retirement only lasted a couple of years. He worked in film until 1977 and continued working in television and doing voiceovers until 1981; he died in 1987. In the late '50s, he did two dance specials on television, and he did one in 1968. Was he dancing at the age of 69? Probably.

    The movie doesn't really hang together. The production values are great, but the story is trite, and there aren't enough fabulous numbers. Astaire does "Puttin' on the Ritz," which is the height of the film, also "Heat Wave," and with Crosby, "A Couple of Song and Dance Men." There is a section during World War II where Crosby sings some of his Berlin standards, "This is the Army, Mr. Jones," "White Christmas," and "Any Bonds Today?" The beautiful "Always" is done as a chorus number, as is "How Deep is the Ocean," with Crosby sometimes singing along.

    Having heard Crosby when he had something to prove back in the early '30s, I can never be content with his crooning, except perhaps in some parts of "Holiday Inn." Astaire is the one who makes this film worthwhile at all. See it for him and for some of the music and musical numbers. Ignore the story.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      After Fred Astaire announced his retirement before completing this film, New York's Paramount Theater generated a petition of 10,000 names to persuade him to come out of retirement.
    • Gaffes
      At the beginning of the movie, which is just after World War I, the Crosby character tells the De Wolfe character to do his Frankenstein routine. The Frankenstein character he does is based on Boris Karloff's 1931 version which some ten years or so in the future. At that time in the movie Frankenstein was just a creature in Mary Shelly's book.
    • Citations

      Jed Potter: Song and Dance Man.

      Johnny Adams: Song and Dance Man, that's right.

      Jed Potter: He didn't remember it then, how could he know it now?

      Johnny Adams: Oh, get out, I bet I could do it right now, the whole thing.

    • Connexions
      Featured in The Dick Cavett Show: Fred Astaire (1970)
    • Bandes originales
      A Pretty Girl Is Like a Melody
      Words and Music by Irving Berlin (1919)

      Sung by Fred Astaire

      Danced by Fred Astaire, Joan Caulfield, chorus

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    FAQ17

    • How long is Blue Skies?Propulsé par Alexa

    Détails

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    • Date de sortie
      • 16 octobre 1946 (United States)
    • Pays d’origine
      • United States
    • Langues
      • English
      • French
      • Spanish
    • Aussi connu sous le nom de
      • Blau ist der Himmel
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • société de production
      • Paramount Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 3 000 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 39 minutes
    • Rapport de forme
      • 1.37 : 1

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