The Shanghai Cobra

This Charlie Chan entry was more mystery-oriented than most of the Monogram Pictures versions, which tended to rely more on humor. The earlier Warner Oland-Chan films were like this one with the emphasis more on serious issues. I liked both Oland and Sidney Toler in the role of Charlie Chan, so I have no complaints either way.

As usual, it's Charlie's assistants: "Birmingham Brown" (Mantan Moreland) and "Number Three Son Tommy" (Benson Fong) who need to be rescued. They also try to help but usually wind up in trouble. Charlie has to solve the murder and help his buddies. It's a good thing because "Tommy" and "Brimingham" are the ones who add spice to this story, which was flat until the halfway mark.

This is kind of strange story and nothing was stranger than this jukebox that was rigged as a camera, with somebody behind it. It's hard to describe but it very cool, and something - technology-wise, that seemed to be way ahead of its time.

None of the Monogram Chan movies in the 1940s were "classics" but they all were entertaining and offered something different. This movie is typical: boring for some viewers, fascinating for others, lulls that shouldn't be there, but a good mix of humor, suspense and mystery.

In a nutshell, Charlie is called to Washington to help a Federal guy with a baffling case. Charlie owed him a favor so he is cashing in. It seems three people have been killed with cobra venom and the prime suspect is a guy that got caught in Shanghai eight years ago but now is not recognized. Only Charlie would know who the guys is, hence, they need him. (The suspect, "Jan Van Horn" was badly burned when the Japanese bombed the city, as the time of his arrest.)

Anyway, all three recent victims of the cobra bite worked for Sixth National Bank but the police have no clue. No wonder they always need Chan's assistance. Most of the officers shown in these movies are clueless about anything.

The story, even at a little over one hour in length, is slow in the first half hour and could use some punching up, but once Charlie's kid and "Birmingham Brown" go down to the sewers to investigate, the film is fun. Anyway, it's not like you waste half the day watching it. Charlie Chan movies are usually a fun way to spend a little over an hour.

I particularly like this Chan as the first in which Tommy and Birmingham become partners in crime (pun intended). Notice Tommy reaching around and holding Birmingham's hand - there's real affection and togetherness there, although Birmingham doesn't necessarily want to follow Tommy. Are the plot twists nutty? Of course, it's a B movie, not Citizen Freakin' Kane, folks. They were making four of these a year - what do you want? Toler's Chan is more assertive than Oland - Toler orders the bank president around more than once. There's far less of Birmingham popping his eyes out in this one, and fewer 'feets don't fail me now' talk. Tommy seems destined for trouble, but otherwise this episode plays it straighter than some, more humorous Chans.

IF more people took these films for what they are - and not compare them to The Third Man - they might find themselves having a little more fun in life.

Back in the days before the American entry into World War II, Sidney Toler as Charlie Chan had occasion to arrest a man accused of a nasty string of killings involving use of cobra venom. That individual escaped. But when in America just post World War II, the same modus operandi turns up in a string of homicides in the same urban vicinity, Toler knows its The Shanghai Cobra at work again.

Toler's hunt for The Shanghai Cobra now involves him in a case where the Feds have a serious interest. The Cobra plans to steal some radium stored in a bank vault for the usual nefarious purposes. With the questionable help of Number 3 son Benson Fong and chauffeur Mantan Moreland, Charlie of course solves the mystery. Not without a few twists in it, like a jukebox with a television camera inside it. Television development was put on hold during the war years and it was still an object of wonder to the public. Also of course the ways The Shanghai Cobra does deliver death is interesting.

One thing though did bother me. You would think that such a man might seek an alternative type poison, lest his work attract the attention of people like Charlie Chan. Cobra venom poison is kind of unique in America, even today.

In any event though, The Shanghai Cobra is not a bad mystery and it is that because you will be crossed up in the end if you think you've identified The Shanghai Cobra.

Charlie's still working for the Federal Govt., and along with no. 3 son Tommy and the rather subdued Birmingham are trying to prevent a gang of crooks stealing some radium from an impenetrable bank vault. Who are also being tailed by a watchful someone who they framed 8 years before in Shanghai.

They all seem to spend a lot of time in that old friend, the gas chamber from the Jade Mask, this time masquerading as the sewers under the bank. But the key to this movie's implausible Monogram-plot is the very advanced jukebox in the diner which is manned via television by baddies 2 blocks away in the depths of the Monogram bank. Unsurprisingly Charlie solves everything.

All of the above probably makes it sounds utter tripe, but I've always liked this outing from the team, with a nice and dark nitrate atmosphere pervading throughout to compensate for the plot's definite shortcomings. Not so many smart ass one-liners as in other efforts, but none the worse for that! Sure, it's the usual cheap Monogram affair, but if you sat through it knowing that and didn't like it kiss that hour goodbye forever!

"Most interesting case," Charlie Chan says. "In four months, three persons are murdered by bite of cobra fang."

The mysteriously murdered victims are all employees of a bank whose vault holds a valuable cache of radium. Crooks are after said radium and Charlie Chan is assigned to protect it. And the murders are not done by an actual cobra, it turns out, but by one of those dastardly sharp-tipped poison-dispensing devices hidden in a clever place....

This suspenseful series entry includes less comic relief than usual but moves fast and builds to an exciting climax that feels more like an action-adventure picture than the usual gather-the-suspects Chan resolution.

Number Three Son Benson Fong is on hand to help, as is chauffeur Mantan Moreland—so there are a few decent laughs. (Charlie Chan, fed up with his assistants: "You remain here until I find doghouse big enough to hold both of you.") Sidney Toler moves with confidence and even a bit of a swagger as the great detective.

Much of the action takes place in a diner that contains a unique jukebox: A coin is dropped and a song selected—but then instead of a record playing automatically, the request goes to a person sitting in a little room who then puts on the record manually. A video camera allows this disc jockey to view the interior of the diner and even communicate by microphone when desired. –I've never seen such a setup in real life but I have to say that the next time I see a jukebox I will be looking at it more closely.

While no one would mistake this Monogram effort for anything bigger, imaginative touches and familiar characters make it well worthwhile for Chan fans.