Une famille riche excentrique veut voler un héritage, mais un ancien acteur alcoolique qu'ils accueillent pour la charité de Noël complique leur plan.Une famille riche excentrique veut voler un héritage, mais un ancien acteur alcoolique qu'ils accueillent pour la charité de Noël complique leur plan.Une famille riche excentrique veut voler un héritage, mais un ancien acteur alcoolique qu'ils accueillent pour la charité de Noël complique leur plan.
Ann Gillis
- Angela Pidgeon
- (as Anne Gillis)
St. Luke's Episcopal Church Choristers
- Choir
- (as St. Luke's Choristers)
Demetrius Alexis
- Decorator
- (uncredited)
Melva Anstead
- Undetermined Supporting Role
- (uncredited)
Virginia Carroll
- Miss Hemstead
- (uncredited)
Jack Daley
- Santa Claus
- (uncredited)
Byron Foulger
- Process Server
- (uncredited)
Joy Gwynell
- Maid
- (uncredited)
Avis en vedette
This odd little film plays out like a Christmas spin on MY MAN GODFREY. The family of rich businessman Eugene Palette is in financial trouble and when they learn that an even richer uncle has died and left his fortune to a woman he didn't even know, a former child actress named Watson, they scheme to find her and keep her under wraps until the search period is over, when the money will revert to them. A homeless former actor (Joseph Schildkraut) who is staying with the family helps out with the scheme, but the dawning of Christmas Day brings some changes of heart.
The best thing about this film is its physical production; it's an A-looking movie produced by B-studio Republic Pictures. The actors are also bigger names than Republic typically used, though most of them were aging actors who had seen better days. The real problem is the writing; the screenplay could have used another draft or two, especially in character development. One daughter is built up as a kind of sly, whimsical type in contrast to the other who is more cold-blooded, but nothing is done with that potentially interesting tension. Old pros Palette and Billie Burke are fine, though their choice to underplay their underwritten parts takes some of the fun out of the proceedings. Schildkraut is good, but his character remains a cipher, not in a mysterious angel/ghost way, but in a way that suggests the writers didn't know what to do with him. There is solid support from Raymond Walborn, Norma Varden, and eternal butler Robert Grieg. TCM host Robert Osborne introduced this as "the best Christmas movie you've never heard of," and as I am familiar with almost every Christmas-themed Hollywood feature film ever made, he may be right, and I am grateful for the chance to have seen it, but it's not a gem I'll want to revisit often.
The best thing about this film is its physical production; it's an A-looking movie produced by B-studio Republic Pictures. The actors are also bigger names than Republic typically used, though most of them were aging actors who had seen better days. The real problem is the writing; the screenplay could have used another draft or two, especially in character development. One daughter is built up as a kind of sly, whimsical type in contrast to the other who is more cold-blooded, but nothing is done with that potentially interesting tension. Old pros Palette and Billie Burke are fine, though their choice to underplay their underwritten parts takes some of the fun out of the proceedings. Schildkraut is good, but his character remains a cipher, not in a mysterious angel/ghost way, but in a way that suggests the writers didn't know what to do with him. There is solid support from Raymond Walborn, Norma Varden, and eternal butler Robert Grieg. TCM host Robert Osborne introduced this as "the best Christmas movie you've never heard of," and as I am familiar with almost every Christmas-themed Hollywood feature film ever made, he may be right, and I am grateful for the chance to have seen it, but it's not a gem I'll want to revisit often.
I have longed to see this film for years and although I scour the TV guides eagerly each Christmas season, it never seems to appear. This is a truly touching and delightful film. Full of amusement and drama. I can remember looking forward to it each year when I was a child. We always made sure that we saw it, since it was one of my mother's favorites. It's the story of an erudite actor who's fallen on hard times, and is taken in by a vacuous wealthy family over the holidays. He reminds them all of the true meaning of Christmas. It's full of touching sentiment that is on par with It's a Wonderful Life. Even better, I think. I would snap this one up in a second if it was available on video.
10Frake8
Have watched this movie at least once every Christmas for the past twenty years. Never tire of the superb acting and well-crafted script. Joseph Schildkraut is wonderful as a down and out actor and a perfect foil to Eugene Pallette's family's frivolous and seemingly naive view of life.
My husband's family loved this movie and rank it with It's a Wonderful Life. I can't remember seeing it or I saw it and don't remember it. I am like Chris from Philadelphia and have been scouring TV listings and calling all kinds of video stores to get a copy of it. Frake8 in Libertyville has seen it every year for 20 years. I am hoping that someone like Frake8 has a copy of it. I would love to surprise my husband one year with a copy of it. If someone has a copy of it, please email me and I will pay for a copy of it. I would be forever grateful and my husband would be in 7th Heaven.
The brief review singled out on the credits page of this movie gives a completely erroneous impression of it, so let me make it clear: This picture is a COMEDY. A FUNNY comedy. Like all the comedies of the Forties, it doesn't have the dizzy, gossamer charm of the screwball pictures of the early and mid Thirties. But it has many of the same characters (the tycoon who can't manage his own family, the tart-tongued secretary, the vacuous wife, the sponging brother in law, the spoiled elder daughter, the pert younger daughter, the butler who has seen everything) and many of the same actors (Eugene Palette, Billie Burke, Raymond Walburn). The script isn't hilarious, but it is consistently amusing, with many nice little digs at greed and hypocrisy.
So banish all thought that this is about some kind of angel in human shape who shows a materialistic family The True Meaning of Christmas (blaah!). Just enjoy some good jokes, lovely ensemble acting, and deft little character studies.
One ironic thing: Joseph Schildkraut was a wonderful actor, and he is lovely in this role, but from the minute he appeared, I thought, this is obviously a role for John Barrymore. I kept imagining how he would inflect one line, or how he would tilt his head and roll his eyes on another one. Also, Schildkraut's character having been a former matinée idol who played Shakespeare sounded like a description of Barrymore, which would have had resonance with the audience. Then I looked the movie up here, and saw that the part was indeed written with Barrymore in mind, but, sadly, he died too soon to play it. However, having the far less hammy Schildkraut in the role means that the movie remains an ensemble piece and is not, like Barrymore's other movies, a one-man show with all the other actors overshadowed.
So banish all thought that this is about some kind of angel in human shape who shows a materialistic family The True Meaning of Christmas (blaah!). Just enjoy some good jokes, lovely ensemble acting, and deft little character studies.
One ironic thing: Joseph Schildkraut was a wonderful actor, and he is lovely in this role, but from the minute he appeared, I thought, this is obviously a role for John Barrymore. I kept imagining how he would inflect one line, or how he would tilt his head and roll his eyes on another one. Also, Schildkraut's character having been a former matinée idol who played Shakespeare sounded like a description of Barrymore, which would have had resonance with the audience. Then I looked the movie up here, and saw that the part was indeed written with Barrymore in mind, but, sadly, he died too soon to play it. However, having the far less hammy Schildkraut in the role means that the movie remains an ensemble piece and is not, like Barrymore's other movies, a one-man show with all the other actors overshadowed.
Le saviez-vous
- AnecdotesJoseph Schildkraut signed a contact with Republic Pictures for financial security in order to do the Marchand role originally intended for John Barrymore. In retrospect, Schildkraut characterized the decision as one of *the* major mistakes of his life.
- Citations
Anthony Marchand aka Mr. M.: Gratitude in most men is usually a secret desire to receive greater benefits
[La Rochefoucauld, Maximes]
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mr. M and the Pidgeons
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 27m(87 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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