Ajouter une intrigue dans votre langueCreated under the guidance of jazz impresario and Verve Records founder Norman Granz, this short captures the spontaneity of a jam session and is one of few film records of black jazzers of ... Tout lireCreated under the guidance of jazz impresario and Verve Records founder Norman Granz, this short captures the spontaneity of a jam session and is one of few film records of black jazzers of the day including tenor sax legend Lester Young.Created under the guidance of jazz impresario and Verve Records founder Norman Granz, this short captures the spontaneity of a jam session and is one of few film records of black jazzers of the day including tenor sax legend Lester Young.
- Nommé pour 1 oscar
- 1 victoire et 1 nomination au total
George 'Red' Callender
- Self - on Bass
- (as Red Callender)
Jo Jones
- Self - on Drums
- (as Joe Jones)
Garland Finney
- Self
- (uncredited)
Knox Manning
- Narrator
- (uncredited)
Avis en vedette
Jammin' the Blues (1944)
*** (out of 4)
Jam session with some of the top Jazz musicians of the time including Barney Kessel, Lester Young, George Callender and Harry Edison. If you're a fan of Jazz then you'll really enjoy this short, which features some really funky sounds as well as a great song by Marie Bryant. It's a shame this only ran 11-minutes because it could have easily been expanded. A funny sidenote and a bit of reverse is that Barney Kessel is the only white person playing in the band. The director kept him in the shadows to hide the fact that he was white and also put berry juice on his hands.
*** (out of 4)
Jam session with some of the top Jazz musicians of the time including Barney Kessel, Lester Young, George Callender and Harry Edison. If you're a fan of Jazz then you'll really enjoy this short, which features some really funky sounds as well as a great song by Marie Bryant. It's a shame this only ran 11-minutes because it could have easily been expanded. A funny sidenote and a bit of reverse is that Barney Kessel is the only white person playing in the band. The director kept him in the shadows to hide the fact that he was white and also put berry juice on his hands.
I have seen this ten minute short several times on T.C.M.it is a swinging jam session featuring some of the GREATEST jazz musicians that every lived.
It has been told that when they filmed this short at the Warner Bro.studio lot that some of the great actors with Warner Bro. such as Humphrey Bogart, Bettie Davis, Edward G. Robinson Etc. stopped what they where doing to hear this jam session through out the day.
One damper on this short was the fact that Barney Kessell was filmed silhouetted so that a white musician was not identified playing with black musicians.
...may seem like an overstatement, but it is not.
What is so hard to comprehend is - why didn't they make more musical shorts like this? Wasn't the beauty of it totally apparent to everybody involved? I guess not. So many shorts were made for commercial reasons only, and with some luck there may be some artistic value in there. This is one exception - the only one? - where it seems they were the director had a vision and clearly could appreciate the music as art. Why didn't anybody ever think to shoot Lester or Charlie Parker on a live date? Crazy, man.
A pity there were no sequels. If you've seen anything of similar quality please share it!
What is so hard to comprehend is - why didn't they make more musical shorts like this? Wasn't the beauty of it totally apparent to everybody involved? I guess not. So many shorts were made for commercial reasons only, and with some luck there may be some artistic value in there. This is one exception - the only one? - where it seems they were the director had a vision and clearly could appreciate the music as art. Why didn't anybody ever think to shoot Lester or Charlie Parker on a live date? Crazy, man.
A pity there were no sequels. If you've seen anything of similar quality please share it!
10wglenn
Maybe the greatest film ever about jazz.
It IS jazz.
The opening shot continues to haunt my reverie.
Lester, of course, is wonderful and out of this world.
Jo Jones is always a delight (see The Sound of Jazz as well).
If you can, find the music; it's available on CD.
All lovers of jazz and film noir should study this tremendous jewel.
What shadows and light - what music - what a hat!
It IS jazz.
The opening shot continues to haunt my reverie.
Lester, of course, is wonderful and out of this world.
Jo Jones is always a delight (see The Sound of Jazz as well).
If you can, find the music; it's available on CD.
All lovers of jazz and film noir should study this tremendous jewel.
What shadows and light - what music - what a hat!
10llltdesq
This short was nominated for an Academy Award and I wish it had won! Basically a filmed jam session between some very talented musicians, including Lester Young and Joe Jones, the music is incredible! Hollywood quite often embraced Jazz (particularly animation, believe it or not) but this is a rare look on film at an improvisational jam. This has been added to the Film Preservation list and deservedly so. TCM runs this as filler periodically and runs it every March sometime for its' "31 Days of Oscar" tribute. From downtown at the buzzer, swish, nothing but net and the shot's so smooth, the net barely moved. Most solidly and highly recommended!!!
Le saviez-vous
- AnecdotesReportedly, during the filming of this short, Bette Davis and Humphrey Bogart paid a visit to the set and observed filming (hearing that something great was happening). According to one musician, Bogart came up to him and said, "Are you getting paid good money for this? If you aren't, you should strike!"
- ConnexionsFeatured in Added Attractions: The Hollywood Shorts Story (2002)
- Bandes originalesMidnight Symphony
(uncredited)
Written by Lester Young
Performed by Lester Young, George 'Red' Callender, Harry Edison, Marlowe Morris, and Sidney Catlett
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Détails
- Durée10 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Jammin' the Blues (1944) officially released in Canada in English?
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