Ajouter une intrigue dans votre langueTwo zanies get mixed up with a Southern colonel, his beautiful daughters, a nightclub and a haunted mansion.Two zanies get mixed up with a Southern colonel, his beautiful daughters, a nightclub and a haunted mansion.Two zanies get mixed up with a Southern colonel, his beautiful daughters, a nightclub and a haunted mansion.
Lon Chaney Jr.
- Bear
- (as Lon Chaney)
Kirby Grant
- Clay Edwards
- (as Kirby Grant and His Orchestra)
Armando & Lita
- Specialty Dance Act
- (as Armando and Lita)
Bill Alcorn
- Jitterbug Dancer
- (uncredited)
Ramsay Ames
- Nightclub Patron
- (uncredited)
Johnny Archer
- Jitterbug Dancer
- (uncredited)
Venna Archer
- Jitterbug Dancer
- (uncredited)
Jack Arkin
- Jitterbug Dancer
- (uncredited)
Henry Armetta
- Signatelli
- (uncredited)
Avis en vedette
10rag-8
This movie, from start to finish, is a complete GAS. I would do almost anything to get this movie. I haven't seen it in about twenty five years or more but I remember it as if I had just seen it.
4tavm
In honor of today which is Halloween, I decided to watch various comedy teams' movies which has some scary stuff. This is the first of the Ole Olsen & Chic Johnson movies that I've seen and are now on YouTube. They play themselves as entertainers whose nightclub is next to a haunted house. That's all I feel I have to explain since the plot is pretty much ripped to shreds not only by their act but also by some singers like Gloria Jean, Morton Downey Sr., and Ella Mae Morse of which the last one provides some swingin' Big Band entertainment while the other two are more romantic ballad-like. I think I like Ms. Morse's numbers better than the other two though, really, there's too much of them. And while there are some funny punchlines and amusing visual bits, as well as an early thrill at the beginning, the whole thing was just too silly for my tastes. I did like the appearance of both Andy Devine and Lon Chaney Jr. as a horse and bear, respectively. So on that note, Ghost Catchers is worth a look at least once. P.S. Yes, this Morton Downey Sr. was the father of the late notorious talk show host, Morton Downey Jr.
I'd like to be added to the yea chorus.
I was about eleven when I saw it as part of a "kiddy" show. The haunted house stuff that brought me there, in the first place, was not disappointing. However, what really impressed me was the music. The musical production numbers ranked high on my eleven-year-old rating system. This is very interesting because, at that time, I cared more about the exploits of John Wayne and Roy Rogers than any musical number.
Thinking back, I am still impressed.
Put this one to that list of I sure would like to see it again!
I was about eleven when I saw it as part of a "kiddy" show. The haunted house stuff that brought me there, in the first place, was not disappointing. However, what really impressed me was the music. The musical production numbers ranked high on my eleven-year-old rating system. This is very interesting because, at that time, I cared more about the exploits of John Wayne and Roy Rogers than any musical number.
Thinking back, I am still impressed.
Put this one to that list of I sure would like to see it again!
Olsen and Johnson did four pictures for Universal, with diminishing returns each time. Hellzapoppin is an underrated masterpiece. Crazy House was fun but a big step down from Hellz. Then this one which feels like a pedestrian Abbott and Costello knock-off. They even reference that more successful Universal comedy duo in one of the film's meta jokes. Olsen and Johnson were basically a blend of A&C, Hope & Crosby, and the Marx Bros. I'm no film historian so I won't say who was first at any of the comedy devices employed by these teams. I do know who was best, at least onscreen, and it wasn't this pair. That being said, I have enjoyed their movies.
They aren't the biggest issue here anyway. The problem is the lame musical numbers. This is a common complaint today about many comedies from back then. The studios didn't seem to trust a comedy to sustain itself so they added romantic subplots and musical numbers. The best comedies rose above but this is not the best. The supporting characters are duds with some truly horrendous accents going on ("I'm a little sick of side pork and chitlins honey chile"). Lon Chaney Jr. Is wasted here in a throwaway goon role at a time he was the star of their monster films. The funniest scene in the movie involves "a horse." It's really not great but also not unwatchable. I feel like it's one of those movies I'm being too harsh on and after some repeat viewings I might feel better about it.
They aren't the biggest issue here anyway. The problem is the lame musical numbers. This is a common complaint today about many comedies from back then. The studios didn't seem to trust a comedy to sustain itself so they added romantic subplots and musical numbers. The best comedies rose above but this is not the best. The supporting characters are duds with some truly horrendous accents going on ("I'm a little sick of side pork and chitlins honey chile"). Lon Chaney Jr. Is wasted here in a throwaway goon role at a time he was the star of their monster films. The funniest scene in the movie involves "a horse." It's really not great but also not unwatchable. I feel like it's one of those movies I'm being too harsh on and after some repeat viewings I might feel better about it.
10Norm-30
Without a doubt, this film is O & J's best film! A Colonel (with 2 daughters) move from Ga to NYC for the girl's Carnegie Hall debut.
The house they choose is haunted....by gangsters AND a REAL ghost!
Great O & J slapstick comedy, Swing dancing, and music ("Blue Candlelight" is the showstopper).
Plus, the ghosts (real & fake) are CREEPY!
"Last the best of all the game"!
The house they choose is haunted....by gangsters AND a REAL ghost!
Great O & J slapstick comedy, Swing dancing, and music ("Blue Candlelight" is the showstopper).
Plus, the ghosts (real & fake) are CREEPY!
"Last the best of all the game"!
Le saviez-vous
- AnecdotesDiana Barrymore was originally slated to appear as "Susanna Marshall" but rejected it after reading the script. Universal canceled her contract.
- ConnexionsReferenced in 100 Years of Comedy (1997)
- Bandes originalesBlue Candlelight
Written by Paul Francis Webster and Harry Revel
Performed by Kirby Grant and His Orchestra
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- High Spirits
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 8 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Ghost Catchers (1944) officially released in India in English?
Répondre