Thousands Cheer

Tonight was the first time I'd seen this one. I thought I had seen most of Kathryn Grayson's work.It was enjoyable. Of course there's not much plot as I believe it was made to take the civilian's mind off the tension of WWII.

I'm a big Kathryn Grayson fan (along with Jane Powell and Deanna Durbin), and take umbrage to Dreamer36's reference to her singing as "chirping". While I realize that not everyone likes coloraturas, you have to give credit for the sheer talent alone. After all, where is that kind of talent in the movies they put out today? It gets tiring seeing a flick where's there's an obligatory scene where someone or something get blown to h*** and back and every other word is f***.

Gene Kelly's dancing was fantastic as usual, especially the scene with the broom and it's always a pleasure to see what classical treats José Iturbi has in store.

When You watch Thousands Cheer please note the plot similarities between it and the two John Ford cavalry classics Fort Apache and Rio Grande. Kathryn Grayson is an army brat whose army father John Boles and show business mother Mary Astor separated years ago as in Rio Grande. Kathryn like Shirley Temple has fallen for a man of the ranks, a recent draftee. Fortunately John Boles is a bit more understanding than Henry Fonda was.

But folks, you don't watch films like Thousands Cheer for the story, thin as it is. You watch to see a whole lot of fabulous acts and a kind of film that can never be done again because we don't have all that talent under one studio roof. Gene Kelly the object of Grayson's affections was fairly new to films and is only give one dance number, an impromptu affair with a broom. With Eleanor Powell in the same film it would have been nice had they partnered in a number. But back then MGM wasn't thinking of posterity.

Just like in Paramount's Star Spangled Rhythm, the hook is a show that is being put on at the camp John Boles is in charge of. Mickey Rooney serves as one lively master of ceremonies and does some wicked impersonations of fellow MGM players Lionel Barrymore and Clark Gable.

My favorite though is Lena Horne singing Honeysuckle Rose. Best thing about a very entertaining film.

OK Plot begins to bog down, then gets completely interrupted by a parade of stars, some of them annoying, some great. Highlight of stars is Judy singing, Mickey's impressions and Eleanor Powell seen in color. Highlight of movie is Gene Kelly's only dance number (the famous one with the mop). Really good actress Mary Astor is once again wasted.

Not a great movie, but it has a few high spots. The first half is a mediocre patriotic musical. The second half is a cobbled-together "variety show" performed for an army camp. Grayson sings sweetly, if you like that sort of thing (opera style + show tunes). As for Jose Iturbe's jazz piano, the less said the better. But Lena Horne sings "Honeysuckle Rose" beautifully, Judy Garland does her number well, and Eleanor Powell does a fun boogie-woogie routine. In the first half, there's a rarely seen Gene Kelly dance that's pretty good. The rest is modestly diverting, and MC Mickey Rooney's impression of Lionel Barrymore (in the variety show) is pretty funny.

And because it clicked, MGM did what all the other major studios were doing--hiring their big stars to do cameos in a picture obviously aimed at entertaining the troops overseas. Paramount did it with STAR SPANGLED RHYTHM, Warners with THANK YOUR LUCKY STARS, Universal with FOLLOW THE BOYS, so it was only a matter of time before MGM came up with THOUSANDS CHEER.

If nothing else, it serves as a good showcase for the talents of KATHRYN GRAYSON (their newest singing bird) and GENE KELLY (although his dancing is limited here). For good measure they gave them MARY ASTOR and JOHN BOLES for parents, a story about a girl who wants to get her mom and dad back together again (where have we heard that one before?), and a whole bunch of MGM's brightest stars or character players in a "let's put on a show for the boys" routine.

Too bad the only thing missing is a good script. Otherwise, just sit back and enjoy the gorgeous Technicolor, the dreamy close-ups of Kathryn Grayson at her musical best, and guest stars like LUCILLE BALL, JUDY GARLAND, LENA HORNE, FRANK MORGAN, VIRGINIA O'BRIEN, RED SKELTON and MICKEY ROONEY to perk up interest in a sagging script for the second half of the movie.

Summing up: Could have been a lot better. If this is your kind of ticket, check out THANK YOUR LUCKY STARS for a better star-filled time.