Ajouter une intrigue dans votre langueDonald is manning a listening post and falls asleep; he blows trumpet calls in his sleep and wakes his nephews. For their revenge, they send up a model airplane filled with gingerbread men w... Tout lireDonald is manning a listening post and falls asleep; he blows trumpet calls in his sleep and wakes his nephews. For their revenge, they send up a model airplane filled with gingerbread men with parachutes; Donald shoots it down, and cowers in fear when he sees the parachutes (and... Tout lireDonald is manning a listening post and falls asleep; he blows trumpet calls in his sleep and wakes his nephews. For their revenge, they send up a model airplane filled with gingerbread men with parachutes; Donald shoots it down, and cowers in fear when he sees the parachutes (and hears a simulated battle), until one lands on his beak. Donald kicks his nephews out unti... Tout lire
- Donald Duck
- (voice)
- (uncredited)
- …
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Really it's surreal but presented in such a matter-of-fact way that kid audiences won't really care and just see it as a loose setup for gags of Donald and his nephews picking on each other. The two biggest laughs come from the model airplane / gingerbread man invasion prank (complete with Donald's terrified reaction), along with the ultimate showdown between his cannon and hapless bee on maximum volume. It's Donald's attitude, enthusiasm, and proclivity to anger that makes this all works so well.
There were a few other Donald Duck wartime propaganda cartoons which had bigger and better laughs to them, but this one stands out with the setting and ridiculously over the top climax. The 1940's easily were Disney's high point in terms of excellent animation and humor that worked for adult and child audiences alike, so it's no surprise how well most of their wartime propaganda cartoons worked. The shock for me these days comes from thinking about how (or if) these cartoons really did much to instill a sense of patriotism in audiences that the government wanted at the time, as they largely depicted the U. S. military (or homegrown militia as presented here) as foolishly inept. I guess nobody was looking into the greater subtext at the time, or maybe they were designed more to subtly poke fun at the propaganda of the day rather than perpetuate it? We can only speculate these days as the answers likely have long gone lost in time.
The few laughs come from Donald thinking he's under attack. Yes, it is a Disney war propaganda cartoon but the Xenophobia isn't as obvious as in other cartoons of the time.
The main problem is that the idea is kind of limited. It never leaves Donald's listening post and there's not a lot of imagination or stuff going on.
Meh! You've seen worse.
Grade C+
Donald & his Nephews create havoc while stationed at their HOME DEFENSE listening post.
While it is always fun to watch Donald, the plot of this little World War Two era film is incredibly silly. Younger viewers may not know that listening posts were used to try to hear the sounds of incoming enemy aircraft. The legendary Carl Barks was one of the writers for this film and Clarence "Ducky" Nash provided the voices for the entire Duck clan.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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- Autres versionsScenes where Huey, Dewey, and Louie are playing with guns were censored on television, as is the part where the bee makes noises that Donald imagines sound like enemy battleships and airplanes, which have a Japanese feel to them.
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- Kalle Anka som luftbevakare
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- Durée7 minutes
- Rapport de forme
- 1.37 : 1