The Black Raven

Ever-delightful George Zucco, that great genre character-star of the Golden Age of Hollywood, is front and centre in this zippy, enjoyable PRC programmer. He plays Amos Bradford, the proprietor of an inn near the U.S. / Canada border whose side business is smuggling criminals across the border. A disparate group of individuals - a milquetoast embezzler (Byron Foulger), a racketeer (Noel Madison), a couple (Robert Livingston, Wanda McKay) attempting to elope, her big shot politician father (Robert Middlemass), and others - gather for an eventful night of murder (during a terrible rain storm, naturally) at Zuccos' establishment.

This is actually quite fun, and it does keep you on your toes regarding the mystery aspect of the story (written by Fred Myton); since there are a few shady types hanging around, and there is more than one motive for wanting the first victim out of the way, the viewer doesn't automatically focus on one character. A strong sense of humour also helps matters a lot, with Amos coming off as a very unflappable and sardonic man, who has a genuine interest in figuring out whodunit. Much of the comedy relief is provided by none other than Glenn Strange, who plays Amos' excitable, bumbling assistant, and he's pretty amusing. Overall, the cast is good. Also appearing are Charles Middleton as a humourless Sheriff and top character actor I. Stanford Jolley as the slimy prison escapee Whitey Cole.

"The Black Raven" has solid atmosphere, an excellent pace (clocking in at BARELY over an hour long), and a bittersweet wrap-up. It's good fun for any fan of thrillers and horror films from this era.

Seven out of 10.

This is a cheap B-movie made by a very small studio, PRC. It stars George Zucco--the King of low-budget suspense and horror films of the 1940s. While most every film he starred in for PRC and other poverty row studios were terribly written and had cheap sets and actors, he managed good performances. Plus, while often silly, these films really were a lot of fun.

"Black Raven" is one of his PRC films and once again his performance was pretty good. Apparently old George is a criminal known to the forces of the underworld as "The Raven". You'd think with such a cool name he'd be sort of like Blofeld or Dr. Evil, but this is a kinder, gentler sort of villain (to paraphrase George W.). While a crook, he's a decent sort of crook--with a strong sense of justice.

The weather is awful and bridges have washed away, so several travelers seek refuge George's inn (his legitimate cover). Some of them are crooks themselves (such as an embezzler who just happens to come there on his way across the border to Canada), a couple are running off to Canada to marry because her father is a jerk who won't give consent and, finally, the father arrives. Now talk about a coincidence--this father ALSO happens to be a judge AND George (among others) hates the guy. Eventually, there is a murder and the nice man who is running away with the lady is accused. Here's where it gets odd. The Raven KNOWS that the man is innocent and decides to try to help! Like I said, he's a kindler, gentler sort of crook! Overall, this is a very good film despite its poor pedigree. The plot is tight, the acting (in addition to Zucco) is very nice and it's a surprisingly good B-movie. Well worth seeing--even with a very unusual characterization by the Zucc-Meister!

"The Black Raven", released by PRC is a surprisingly good low budget mystery running just under an hour.

The story takes place during a raging storm that has knocked out the local roads and bridge. A group of varied travellers are then forced to seek shelter in a small hotel run by the mysterious Amos Bradford (George Zucco). The first to arrive is an old nemesis Whitey Cole (I. Stanford Jolley) who has a score to settle with Bradford. Bradford and his oaf-ish assistant Andy (Glenn Strange) overpower him and tie him up but he manages to escape and remain in the shadows.

Shortly thereafter a gangster, Bardoni (Noel Madison) arrives on his way to Canada. Next a meek bank teller (Byron Foulger) who has embezzled $50,000 arrives followed by a young couple Lee Winfield (Wanda McKay) and Allen Bentley (Bob Randall) who are also running off to Canada to get married. Turns out Lee is the daughter of Bardoni's gangland boss (Robert Middlemass) who is the next to arrive looking for his daughter.

Naturally everyone takes an interest in the $50K. Then Winfield is murdered and the Sheriff (Charles Middleton) arrives on the scene. As in all such mysteries suspicion falls on each of the principals until the real murderer is unmasked in the final reel.

This compact little mystery is an entertaining little film noire. Director Sam Newfeld keeps the story moving and the audience guessing. The film is bolstered by its veteran "B" movie cast. Zucco, always under rated, was a staple of such films in the 40s and gives a excellent performance as Bradford. Glenn Strange is also good in a Lon Chaney Jr. type role as the simple-minded Andy. Foulger made a career out of playing meek little bank tellers. And Charles Middleton (Ming the Merciless in the Flash Gordon serials) gets to play a good guy for a change.

An entertaining hour.

This is a very "odd" film about the owner of a hotel (Zucco) who as a side-line of smuggling criminals into Canada.

It is a VERY "atmospheric" film, with plenty of rain, thunder, and mysterious goings-on. Comedy relief is provided by the "scared-reaction comedy" of Strange & Foulger.

Many reviewers have (unfairly, in my opinion) "panned" this film, but I think it's a film worth seeing.....and VERY difficult to find!

I got to see this film last night on my local access channel, and I had such a good time with it. It reminded me so clearly of the classic early Warner Brothers cartoons about the fiends in the old houses on stormy nights and when you watch a movie like this, you can see the influences that inspired the great Chuck Jones. Though I agree with the other reviewer that this movie is a bit muddled, I cannot watch a movie like this from the perspective of its own time. It is so much a period piece. And that is the source of delight. The quality of the sound...the pops and crackles, the staged storm sound effects, the clothes, the lighting, the bumbling sheriff, the damsel in distress - all come together to present a little gem out of time. I recommend this film as a charming visit with our history of movie making.