Tulips Shall Grow

For no other reason than curiosity, I have watched all the short animated films nominated for the Oscar in the 15th Academy Awards. Most of them (including the winning film) are propaganda pieces and this includes Tulips Shall Grow which is a very specific one. The film is targeted towards the resistance in Holland during the occupation and, although it is not light in its touch, it is a more engaging message than some of the other propaganda films which are heavy on the criticism of the enemy and the glorification of the home nation. Of course I understand why such films are this way, but it is nice that this is a little different.

The difference is that the message is one of resilience, survival and resistance – not one of dominance or mockery and for the time and situation this is more appropriate and also more palatable as a message. The film is simple; done in stop-motion we see Holland attached by machines which destroy the images that we are used to seeing (windmills, clogs and of course tulips). The victory does come of course but I additionally liked that it was a victory that was brought about more or less by the very things that makes Holland be Holland – the elements, the nature, the conditions. The symbolism is very obvious but it is effective and it is a nice message from the film and one that I personally prefer to some of the more flag-waving shorts in the same category, even if technically several of the other animated shorts are better than this one.

So it is still another propaganda piece but it is a nice change of pace that it has a message of resistance rather than dominance and it was refreshingly free of flag waving and the like.

February 1st was Hungarian animator/film producer/director George Pal's birthday, so I decided to include his Oscar-nominated "Puppetoon" shorts as part of my Academy Awards marathon: he actually received 7 such nods, but I only managed to locate 4 of these films. This begins as a fairly ordinary romance between a young couple, albeit in an atypical and appealing Dutch setting, but soon adopts an allegorical stance to effectively present a standard WWII theme. In fact, the peaceful village is overrun by mechanical "Screwballs" (obviously standing in for the Nazis); despite the extensive damage done to the land, the tulip (the country's national flower) still grows and even forms a victory sign in defiance at the end!

Before George Pal became famous for his sci-fi films of the 50s (such as "War of the Worlds" and "When Worlds Collide"), he established himself as a stop-motion animator. Using very small budgets and a lot of patience, he made some charming little films using wooden dolls. "Tulips Shall Grow" is one of these--and it's also a propaganda piece meant to bolster the war effort.

The film begins in happy Holland. Happy people doing happy stuff amid the happy tulips. However, soon the 'Screwballs' (made of screws and balls, actually) invade--an obvious allusion to the Nazis. Thing look bad for the happy people, tulips and windmills. However, because the Screwballs are idiots, eventually they destroyed themselves and left this merry land to the locals. It features VERY splashy sets and dolls and it's quite cute--perhaps too much for some. But very well made and worth seeing. My only reservation has nothing to do with the original film but the condition of the print I saw. It was very orange and lacked the original color. It obviously was in color but not any more.

'Tulips Shall Grow (1942)' is a wartime 'Puppetoon' in which a young pair of lovers come under threat when an invading force of unfeeling machines starts to destroy their idyllic countryside home. The short starts out as a whimsical love story, its charming aesthetic enhancing its tried-and-tested romance. After a couple of minutes, though, it takes a hard left turn into all-out war. This sequence doesn't pull any punches; though no humans are shown to be harmed, the machines do absolutely devastate the environment and bomb every windmill in sight. The short is, in essence, an anti-war piece made in the midst of a very real war. It's not hard to see that the machines are an allegory for the Nazis and that the setting is meant to represent one of the European countries they invaded. The anti-war sentiment only really exists in the sense that we're shown how it decimates an innocent environment; it isn't any deeper than that. However, perhaps that's to be expected at a time when the war had to be won, rather than prevented. The picture is kind of unrealistic and, as such, it sort of trivialises the power of the opposing force. It's easy to see why it aims for overt optimism, though, and a message that ultimately says (as its title suggests) that peace and prosperity can in fact emerge from a war-torn world would've been incredibly pertinent at the time it was released. It's designed to tell the public that everything will be okay in the end. It's a little naïve in retrospect (after all, the filmmakers couldn't be sure the war would end in a favourable way), but it basically presents the right message at the right time if you view it in the context of its release. It's a solid effort. 6/10.

Filmmaker and puppeteer George Pal remains a severely underrated legend in the realm of fantasy filmmaking. His films have remained fairly unknown yet were still prominent accomplishments in their own right. While I haven't seen many of his Puppetoon series, Tulips Shall Grow stands out for its fascinating anti war commentary.

This might have some of the most haunting imagery I've ever seen in a seemingly cutesy wutesy fairy tale. Pal did not shy away from depicting just how deadly the affects of WWII were to the general public, especially with him being a native Hungarian.

Hard to say what would happen if this short won its Best Animated Short Oscar, but it's certainly easy to imagine how much of an impact it would've continued to have.