Tarzan's New York Adventure

If you're a Tarzan fan of the Johnny Weismuller films, this is one you can't afford to miss.

Even the first twenty-two minutes of jungle scenes are briskly paced and amusing while JOHNNY WEISMULLER, MAUREEN O'SULLIVAN and JOHNNY SHEFFIELD encounter downed pilot PAUL KELLY and hunter CHARLES BICKFORD after their plane crashes. The plot is the usual simple one--Boy has been taken from the jungle and taken to New York City by circus exploiters--and Tarzan's mission is to recover him in time for a happy ending.

No expense has been spared in this big budget production from MGM. Although Cheetah gets lots of prime time, especially during the first half of the film, the supporting cast includes a lot of recognizable players such as Virginia Grey, Chill Wills, Charles Lane and villainous Cy Kendall. In this sixth film of the series (the last one featuring Maureen O'Sullivan as Jane), there's lots of monkey business involving tricks and stunts by a team of smart elephants worthy of any circus revue.

And thanks to director Richard Thorpe, the script plunges ahead easily to become one of the most entertaining in all the Tarzan films featuring Johnny Weismuller. At the fadeout, all is well in the jungle again after some amusing adventures in the Big City--including Tarzan's plunge from the Brooklyn Bridge.

Highly recommended for fans of the series.

This is the last of the six great "Tarzan classics" with Johnny Weismuller and Maureen O'Sullivan. And I frankly didn't think I would like it: who, after all, wants to see Tarzan anywhere but in the jungle?

But this turned out to be a delightful tale after all. We are given enough of Tarzan, Jane, Boy, and the animals in the jungle to set the stage; and then are whisked to New York for a story full of situational humor, social commentary, and adventure.

Cheetah perhaps plays a bigger role in this movie than in any of the others. Cheetah provides us with great scenes of fun and good humor, opening the movie at the beginning and closing it at the end in the jungle. In both scenes, Cheetah opens with the elephants with delightful playfulness. In between, we have Cheetah going to New York with Tarzan and Jane for a series of easy-going, hilarious romps that help to really provide this movie with a special humor to offset what is I'll admit I really didn't like Boy's "tricks" with the baby elephants at the beginning of the movie. This all seemed very unnatural, and that really undermines the movies depiction of Boy in the Jungle.

However, the perhaps predictable but mordant social commentary contrasting "civilization" and Tarzan's jungle was to me a very good fit for a movie that really more than usual emphasizes environmental contrasts. The adventure/action scenes of Tarzan high above the streets of New York, and far above the Brooklyn Bridge, were wonderful.

The cinematography was excellent, crisply precise. The pace occasionally lagged, but in general, was good. All in all, this is a very worthwhile addition to the great Tarzan canon, and I would recommend it to anyone.

It brings back wonderful memories where, after going to church Sunday morning and having Sunday dinner (always roast beef, country ham or fried chicken), my sisters and I would gather around the old tabletop Philco B&W TV to watch "Jungle Theater" which always showed either Tarzan or Jungle Jim (Johnny Weismuller's other alter ego). This was always one of my favorites, especially the dive off the Brooklyn Bridge and Tarzan giving his famous yell in the shower, fully clothed. And to us and all our friends, there was only one Tarzan, Johnny Weismuller. Alas,kids today don't know what they're missing. Ongowa, pacey, Cheetah!

Some men come to Africa by plane looking for lions for their circus. Despite Tarzan's warnings to stay away from them, Boy is fascinated by the plane and tries to get a closer look. He's kidnapped by the circus owner, hoping to turn Boy into a big attraction back home. Tarzan, Jane, and Cheeta all head to New York to rescue him. Once there, Jane makes Tarzan obey the law and try to get Boy back the legal way. So they have to go to court to gain custody. Weird. Don't worry, this isn't a courtroom drama. There is plenty of action. Tarzan's escape from the police and the circus rescue is exciting stuff. There's also quite a bit of 'fish out of water' humor with Tarzan having to wear a suit and discovering radio and indoor plumbing for the first time. Cheeta's also lots of fun in this. That crazy laugh is something else. The phone call scene with Mantan Moreland will NOT sit well with everybody, so sensitive types be forewarned. Johnny Weissmuller, Maureen O'Sullivan, and Johnny Sheffield are all great, as usual. Good support from Paul Kelly, Charles Bickford, Virginia Grey, Chill Wills, and Cy Kendall. This is the sixth and final Tarzan film from MGM before the series relocated to RKO. It's also the last film with Maureen O'Sullivan, who didn't act again for six years. The subsequent RKO Tarzans are fun but it's hard to beat the MGM series which had, among other attributes, the wonderful chemistry between Weissmuller and O'Sullivan.

As MGM knew Maureen O'Sullivan was departing the 'Tarzan' series, and budget and talent constraints were forcing the long-running series out of the studio (RKO would soon be Tarzan's new home), they decided to end things with a bang, clothing Johnny Weissmuller in a double-breasted suit, and setting him loose in New York's concrete jungle. The gamble worked, magnificently!

The premise is simple; Boy, thinking Tarzan and Jane are dead, after falling into a raging fire during a tribal attack, is whisked away by an evil circus big game hunter (Charles Bickford) in a chartered plane. (How so many planes land safely in the middle of the jungle in these films is never explained...)

Rescued by Cheetah, Tarzan and Jane hike across Africa, dress in more modern attire (a VERY funny scene!), and fly across the Atlantic to try and retrieve their son.

The fun begins when the pair reach New York. Tarzan's bemused reaction to a black taxi driver, his takes on radio, indoor plumbing, and nightclubs, are priceless (and were recreated years later in Paul Hogan's wonderful 'Crocodile Dundee'). There are a few slightly offensive racial stereotypes displayed, but considering the period of the film, these are really quite tame.

A few nagging questions about the series are addressed in this film...'What happens if Boy gets sick?' and 'How is he being educated?', although the biggest question is never addressed...How does a boy with a British 'mother' and an Ape Man 'father' end up with an American accent?

When the courts fail to return Boy (the jungle couple can't prove legal custody), Tarzan takes matters into his own hands, breaking out of the courthouse, and performing an extraordinary series of rooftop swings, leaps and acrobatics to get to the New Jersey home of the circus, climaxing with a breathtaking 100-foot dive off the Brooklyn Bridge. The sequence is still fabulous, over 50 years after the film was released!

The film concludes with the almost stereotyped rescue scene, as elephants rescue Tarzan and Boy, yet again! Evil is vanquished, the family is reunited by the court, and the judge is going to catch some really BIG fish when he comes to visit!

If you're looking for gritty realism, you won't be popping a Tarzan flick into the VCR, anyway, but if you want thrills, laughs, and wonderful escapism, look no further!