The Panther's Claw

No need to recap the well-reviewed plot beyond that grabber opening scene.

Is it possible that the meekest character actor in Hollywood, Byron Foulger, is actually a slick and clever murderer. Anyway, it looks that way in Claw, even as his Digberry (great name) fumbles around with the cops in scene after scene. From the way he looks and acts, could it be that he's guilty of anything more than an overdue parking ticket. But then, it turns out in the first part he really is the Black Panther or should I say the white kitty. It's a clever premise, using addled actor Foulger as chief suspect as events unfold. In fact, he gets more screen time than even top-billed Blackmer. There should be a special place in Hollywood heaven for unheralded talents like his.

Anyway, it's a generally entertaining little flick from budget-minded PRC. Blackmer turns in a faintly bemused turn as the police commissioner and I like the way he's nagged by the lynch-minded DA (Rawlinson) that sets up an unusual and well-handled conflict. On the downside are a number of plot holes (as others point out), along with an embarrassing turn by Edwards as a hammy Italian, and Mitchell as a stereotypically silly Black of that comedic period. Nevertheless, there's enough imagination and upper-billed acting to lift this little flick beyond the strictly ordinary.

A milquetoast of a man is caught climbing out of a cemetery late one night. Its transpires that he had left 1000 dollars on a grave, in response to a letter sent to him warning of death if did not do so. When he and the copes return to the grave the money is gone. The cops haul the man in to the precinct for trespass and other charges. It transpires that the note is one of many that has been sent to a group of people in the hopes of extorting cash. Murder and mayhem follow.

Low budget PRC special is an odd mix of comedy and mystery. Its a mix that doesn't fully work since the comedy tends to over power the mystery at the most in opportune times. Part of the problem is that the very good Byron Foulger, a supporting stalwart has been pushed to the fore as our milquetoast lead. There is nothing wrong with Foulger in the lead, its just that decades of playing similar roles, usually for comic effect undercuts some of the tension.(I'm guessing this may play better on a second viewing when the flaws might be forgiven or at lest accepted). I know the film was also hurt for me by the cheapness of the sets which included numerous rear screen projections which result in a couple of screens where people just seem to be standing in front of a wall instead of being somewhere.

Worth a look in an undemanding mood.

Anthony Abbot's fictional detective, Police Commissioner Thatcher Colt, inspired only two little known Columbia features, 1932's "The Night Club Lady" and 1933's "The Circus Queen Murder," so after a decade's passing, Poverty Row's PRC took a crack at the character with "The Panther's Claw," intended to be only the first in a new series that came to naught. Replacing two-time Colt Adolphe Menjou with dependable Sidney Blackmer (an excellent choice), the often comic story is derived from Abbot's 1940 short story, "About the Perfect Crime of Mr. Digberry." In keeping Digberry (Byron Foulger) at the forefront, Blackmer's Colt is reduced in stature, conducting a too leisurely investigation as other annoying suspects get an abundance of screen time until he comes on strong at the end. Sadly missing from this PRC Colt are his faithful assistant Miss Kelly, delightfully portrayed by Ruthelma Stevens, and his unique lip reading abilities, which at least made him stand out from his inspiration, Van Dine's Philo Vance. Speaking of which, this would be the screen finale of Thatcher Colt, just as PRC also brought Philo Vance to his end, in a three picture series from 1947. Both characters suffered the same fate on television, as neither were ever revived for small screen incarnations. In hindsight, I believe that PRC was not only better than Monogram with mysteries (Charlie Chan), but also the horror genre, as their stories usually wasted no time getting underway; feel free to disagree.

I was very happy to be able to buy this movie and watch it last weekend. I last saw this movie over 30 years ago. I remember it being good, and I was not disapponted. It has a fairly good mystery, but what makes this movie special is that it's very funny. It has several scenes which I think are classic. The line up scene is hilarious. Byron Foulger gives a great comedic performance.

When people start getting letters instructing them to leave money in public places ( or else!), the police get them together to figure out how to catch "the panther". Sydney Blackmer is Commissioner Colt, and the cops spend a LONG time bugging Mister Digberry (Byron Foulger), even putting him in a police line-up, when there is no witness. They realize he is yet another citizen falling for this scheme, like opera singer Nina Politza, played by Gerta Rozan. Check out Rozan's trivia on imdb... she had an interesting response when her part was cut from a film. The story is pretty slow, light-weight and linear. no surprises, no depth to the characters. Another very long scene between the singer and Enrico Lombardi, a minor, upper-class character who may or may not be involved in any of this. They seem to spend a lot of time on scenes that aren't important to the plot; they should have spent more time on developing the plot rather than filming all these minor scenes that have nothing to do with the story. As usual, in the old black and white films, the police are chasing their own tail rather than find the right suspect. Rick Vallin and John Ince play supporting roles as coppers. Ince was one of the three Ince brothers, all successful stars in holly-weird. Picture quality is just terrible, but it'll do. Directed by William Beaudine, who had directed a bunch of the Bowery Boys films. this one is very okay. meh.