Lady Gangster

"Lady Gangster" is a fun and fast B movie from Warner Brothers in 1942, and stars Faye Emerson, Julie Bishop, Frank Wilcox, Jackie Gleason, and Ruth Ford (Mrs. Zachary Scott). Emerson plays Dot Burton, who was a decoy in a bank robbery. She winds up getting arrested, and an old friend from childhood (Wilcox) believes she's innocent. She isn't. Before she goes to jail, she steals the $40,000 from her cohorts and leaves it with her landlady.

This prison is like something out of Stage Door, with a common area and people knitting, dancing, and listening to the radio. Two women out to get Dot, Deaf Annie (Dorothy Adams) and her pal Lucy (Ruth Ford) have the lowdown on Dot thanks to Annie's lip-reading (total 2001: A Space Odyssey) and get her into lots of trouble.

Very entertaining.

It's a peppy flick and in some ways better than the original 1933 movie titled Ladies They Talk About that starred Barbara Stanwyck.Fortunately, the Stanwyck movie was pre-Hays code so there is some snappy dialog and not so veiled references to prostitution that couldn't be filmed in Lady Gangster. The opening scene obviously shot in a real bank gives the film a realistic gritty feel that doesn't come off when a scene like this is shot on a set. Jackie Gleason in a small supporting role as one of Emerson's fellow bank robbers, provides a few glimpses of that "Poor Soul" face that he made famous years later on his TV show. Also, catching a very young dark-haired William Hopper (later of Perry Mason fame as Paul Drake)was also a pleasant surprise.

When I see old-time prison/crime movies, I laugh out loud at some of the things I see, at least compared to films of the last 40 years which may be very profane and sadistically violent but at least they are realistic.

In this film, the lead female character " Dot Burton," played by Faye Emerson, is sent to a women's prison. Inside are all white women except one black, who dances all the time. Talk about a stereotype. Emerson and her best buddy in here look like lesser versions of Rita Hayworth, Look around and you more of these nice, wholesome-looking babes. I guarantee you no prison population has ever looked this good! Yes, there are a few "baddies" and, of course, they are ugly women.

The story also gives us a typical classic movie romance in which a guy falls in love with a "dame" the first time he talks to her. Then she falls for him quickly and but right away, of course, there is a misunderstanding and now the woman hates him. Ten minutes later she loves him again, then hates him, then loves him, etc. etc. No wonder few people in the film world ever took marriage seriously. On screen,it was just one big joke.

Anyway, the story is pretty interesting even if it is more than a bit too dated. The film might be noted more for having two very young actors in here than anything else, guys who went on to because famous on television in the 1950s: Paul Drake and Jackie Gleason. Drake was Perry Mason's assistant on hat hit TV show and Gleason, of course, went on to huge TV fame with "The Honeymooners" and other shows. Here, he is billed as Jackie C. C Gleason.

"Lady Gangster" is only a little over an hour which is fine and the DVD transfer was surprisingly good. This was part of a 4-movie disc called "Mobster Movies," put out by Platinum. I have two of these discs so there are eight films I can watch, movies that, as far as I can tell, were not available on VHS. The other movie I watched on one of the other discs did not have the good picture quality this one had, so they probably vary from film-to-film.

But, despite the drawbacks, these 1930s films are fun to watch because they are fast-moving, short and entertaining.

Lady Gangster was based on a play written by Dorothy Mackaye who did some time in prison for covering up a homicide of her husband Ray Raymond by actor Paul Kelly who also served in prison before resuming his career. All the principals in that affair are gone now and their lives and story would certainly be far more interesting than this film which had a previous incarnation by Warner Brothers in 1933. That film was Ladies They Talk About and starred Barbara Stanwyck. As it was before the Code, I'm betting that was a better version. It certainly sounded more interesting in the Stanwyck biography I read.

Faye Emerson is no Stanwyck, but she's all right in the role of an actress fallen on bad times and now hooking up with bank robbers Roland Drew, Bill Phillips and Jackie Gleason. Yes the great one is in the cast as wheel man of the bank robbery that Emerson acts as a shill/decoy for and gets caught.

In prison for her crime Faye makes friends with Julie Bishop and as she knows where the money is hid, she has that as a bargaining chip for her release. But the plot takes some strange turns and she's forced to escape.

The male roles in this film are weak, Frank Wilcox is a bit of a doofus as your crusading crime busting radio commentator. Why Emerson falls for him is beyond me. The script is weak and meandering for Lady Gangster as well. For instance an element is introduced of a rivalry between District Attorney Herbert Rawlinson and Wilcox, with Wilcox intimating the DA is corrupt. But that doesn't go anywhere. Certainly the talents of Jackie Gleason are not used at all, but Warners never realized what they had under contract.

On the plus side, the best supporting performance is clearly that of prison snitch Ruth Ford who really doesn't do it for material gain, she just likes the attention. Ford did quite a lot with a small role.

A product of Warner Brothers B picture unit, Lady Gangster just doesn't make it.

The "B" films from major studios usually look far more glossy and professional than those turned out from Poverty Row, even when the subject matter is virtually identical. This is not to say that they are necessarily more entertaining. A fair case in point is this cleaned-up version of a gritty Barbara Stanwyck melodrama. It looks slick and it runs smooth, but although competently acted, it doesn't hold a candle to the more earthy original. Mind you, there are compensations. It's always good to see Faye Emerson in a lead role, and she receives great support from Julie Bishop, Dorothy Vaughan, Virginia Brissac and Vera Lewis. But it's Dorothy Adams, in a meaty role for once, who actually steals the acting honors. By contrast, the male players contribute considerably less to the movie's fair-enough success. Roland Drew makes an attempt at the chief villain, while Frank Wilcox takes aim at the hero. Both fall short. Jackie Gleason in a straight role here as one of the gangsters might have had a chance had his role not been so disappointingly small. Ever reliable Charles Wilson gets the nod instead.