Dancing Lady

"Dancing Lady" is a breezy & enjoyable backstage musical, a vehicle for Joan Crawford, co-starring Clark Gable & Fred Astaire. Crawford & Gable are fantastic together.

Brilliantly directed by Robert Z Leonard, the film swiftly moves from a burlesque setting to Broadway as Crawford chases Gable, and ends ecstatically with a grand Busby Berkeleyish number with Astaire.

Nelson Eddy & The Three Stooges make an early intriguing appearance.

In New York, the playboy Tod Newton (Franchot Tone) goes with his friend to the International Burlesque to have fun with the striptease of the dancers. During the performance, there is a police raid and the girls are arrested and brought to court. Tod feels attracted by the dancer Janie Barlow (Joan Crawford) that is sentenced to thirty days in jail or the payment of a thirty-dollar bail. Tod bails her out and Janie tells that she is an aspirant dancer that prioritizes her career and she does not accept to be his lover.

Janie Barlow decides to seek a position uptown in Broadway musical but the director Patch Gallagher (Clark Gable) refuses to talk and give a chance to her. However Tod Newton uses his influence and secretly sponsors the show and Janie is hired. Patch believes that Janie is using Tod to reach her objectives but sooner he finds that she is a talented dancer indeed. Tod proposes to marry Janie but she wants to become a Broadway star. However, she accepts Tod's proposal: if the show is a success, she will follow the artistic career; however, if the musical fails, she will marry him. But Tod is a millionaire and wants to marry Janie and the bet is not fair.

"Dancing Lady" is a delightful film about a dilemma, where Joan Crawford is amazing, dancing inclusive with Fred Astaire in one of his first works. Her chemistry with Clark Gable is something very special, and the funny moments are in charge of the Three Stooges in the role of stagehands. There is also a cameo of Nelson Eddy in his first credited work. The "villain" Franchot Tone is also very pleasant and has a good performance in the role of a coxcomb. My vote is eight.

Title (Brazil): "Amor de Dançarina" ("Love of Dancer")

'Dancing Lady' (1933) is about a woman (Joan Crawford) who lives to dance. After being arrested for dancing at a burlesque house, she meets a rich playboy (Franchot Tone), who, behind the scenes, paves the way for her to get her big break. Clark Gable is the director of the musical and makes you fall in love with him! Joan Crawford is a reasonable dancer - no Fred Astaire or Eleanor Powell - but she is quite good.

This lavish glossy Busby Berkley-ish musical dazzles you from start to finish! A combination witty, quick lines, the appeal of the stunning Joan Crawford and dashing Clark Gable plus some great songs and dances makes this 1933 movie a mega hit! This movie went surprisingly fast and was a pleasure to watch. Definitely recommend it.

Like the other studios, MGM wasted no time cashing in on the success of 42nd Street with its own backstage musical, complete with ersatz Busby Berkeley choreography.

This one is "Dancing Lady," and she's young Joan Crawford costarring with Franchot Tone and Clark Gable. A dancer named Fred Astaire makes his official film debut, and Nelson Eddy pops in for a song.

Crawford is an ambitious dancer being pursued by a rich boyfriend (Tone), but she's blinded by the footlights of Broadway. He helps her out by getting her into a show directed by tough guy Gable, and when he sees her talent and perseverance, he gives her the "top spot" in the show. Of course, he's attracted to her, too, and she to him.

It's easy for all of them to be attracted to one another because they're all gorgeous. 30 years after this film, Franchot Tone would play a dying President in "Advise and Consent"...and look it. Here he's a smooth dazzler in his top hat, tails, brilliant smile and dimples.

Gable is muscular, sexy, and rough around the edges. Crawford sparkles with her athletic figure, beautiful legs, and surely a pair of the most spellbinding eyes ever in film. She is perfection in her Adrian outfits.

Though she does well in her big number with Astaire, Crawford really was from the Ruby Keeler School of Hoofing - lots of arms, big steps, and a ton of noise.

The musical itself - uh, "Dancing Lady" - is tuneful and pleasant, and its spectacular finale gives one the impression that Louis B screamed for the kitchen sink - Berkeley-type choreography, a Nelson Eddy solo, and Astaire.

It's wonderful to see these stars so young and energetic, and they are all great to watch. Look for an uncredited appearance by a blond Eve Arden and Lynn Bari somewhere in the chorus. Lots of fun from MGM.

Perhaps the most eclectic cast in movie history. Here we have Clark Gable and Joan Crawford, Franchot Tone in his man-about-town mode, Fred Astaire playing himself in his movie debut, Nelson Eddy in his second film, Robert Benchley contrasting with Ted Healy and the Three Stooges, (in by far their most prominent role before the TV era) and even a young Eve Arden. Gable spends the film snarling at everybody and demanding that they produce a "modern, up-to-date musical" that's about what's happening now. Somehow this morphs into a finale in which Astaire and Crawford are prancing about in liederhosen, (which has a relevance to 1933 they perhaps didn't anticipate). What it all proves it that MGM, while it had the know-how to make the greatest musicals of all-time in the 1940's and 1950's, just didn't quite "get it" yet in 1933. RKO and Warners were still miles ahead of them.