They Call It Sin

"They Call it Sin" is a 1932 film starring Loretta Young, George Brent, Una Merkel, Louis Calhern and David Manners. It's about a small-town beauty named Marion who falls in love with a man, James Decker (Manners) passing through town. He is engaged to another woman. It doesn't stop him, however, from falling in love with Marion. After a row with her parents and finding out she's adopted, Marion heads for New York, hoping to do something with her musical talent, and looks up Decker. Disillusioned upon learning he's engaged, she eventually takes up with a producer (Louis Calhern) who has a bad reputation as far as women are concerned. When he realizes she's in love with someone else, he fires her from his show and steals the music she wrote. Trouble follows.

Una Merkel plays dancer Dixie Dare, Marion's roommate, and she's a riot - wait until you catch her dance act sans the cartwheels she was hired to do. George Brent is a doctor friend of Manners who finds himself falling for Marion. All in all, it's a very attractive cast. As was the style in the early '30s, Loretta is blonder here than most people will remember her. The luminous Young is gorgeous in a series of outfits. Some people criticize her acting - I have always found her very natural and believable.

There was nothing new even in 1932 about the young girl in the big bad city, but the cast makes this film fresh and holds one's attention. It's not a long movie, but for the time it lasts, it's entertaining.

Merkel, Brent, Manners, and Young had JUST gotten into films at the tail end of the silents, but were even bigger hits in the talkies. Marion (Young) is the organist at a small town church, and meets Jimmy (David Manners). They hit it off, but when she shows up in New York, now there's explaining to be done. Fun scene where Dixie (Una Merkel) asks Marion for a cigarette, and when she says no, Dixie takes one of her own out anyway, and smokes it! Then they try to wiggle their way into show biz. Marion has real talent, and Dixie is full of energy and sass. Directed by Thornton Freeland, whose NEXT film would be the awesome "Flying Down to Rio..." check it out, if you haven't seen it. fun stuff. early Rogers and Astaire. Fun show about a show.

I think this film is terrific. What starts off with a B movie feel swiftly shifts gears into an A grade melodrama with very strong moral dilemma and emotional logic, this First national WB Vitaphone picture is very rewarding for anyone remotely interested in the technical era of talkies in 1932. There are IMDb comments that spew on this film which I find puzzling, and I encourage you to read the excellent and informative review by 'rsoonsa' also on this site. Personally I was constantly surprised at the storyline and loved every minute of seeing and hearing the fabulous genuine Vitaphone (gramophone record) sound. The sound editing and camera smoothness and many lavish sets and the camera movement about them was of particular interest because this film is so deliberately experimental in furthering the ability to capture and record and be sophisticated in its presentation. With a great cast and the gorgeous Loretta Young front and center... and with hilarious Una Merkel (as Dixie Dare...!) you are in for a treat of pre code proportions with solid and exciting production values, humor and storyline. Other comments can tell you the story line, I just want to encourage you to see this film and have 70 minutes of constant surprises.... both technically and as entertainment.

They Call It Sin (1932)

One of many really good Loretta Young films from this era. She's young and energized and makes a great lead. This story of a sweet country girl being swept off her feet by a genuinely nice man must have struck to the core of women all over the country. Nothing extraordinary here, but all in all well done and compact.

There are parts of the film that feel like it's an early talkie—they are a bit stiff— but there are many more parts, especially with Young, that are so fresh and alive they feel almost contemporary. The other big name is George Brent, more famous for many low key roles next to Bette Davis, and it's fun to see him so young here. But it's actually the two other leading actors —there are four—who match Young for energy on the screen. One is the other man, a common kind of actor (David Manners) with believable energy. The second is a sassy woman who supports Young through her travails, Una Merkel.

So in all they make a fast and strangely interwoven group. You won't find the sexually suggestive layers of other pre-Code films here, even though some rules are seemingly broken. But you will find a freshness, if not intensity, that keeps this breezy drama going. They call it entertainment.

This film caught my attention immediately because of the great actors in this film and Loretta Young, (Marion Cullen) who looked so radiant as a church organist in a very small church. David Manners plays the role as Jimmy Decker who comes from a rich family and is an engaged man to his boss's daughter. Jimmy Decker visits Kansas and walks into a church and is struck by the beauty of Marion Cullen who plays the hymns: "On Ward Christian Soldiers" and "Rock of Ages" which seem to captivate his heart strings. Jimmy gets deeply involved with Marion and she gets into a problem with her mother and father and they tell her she is an adopted girl and they do not think she is a good Christian and in many ways disown her. Marion runs off to New York City and seeks out Jimmy Decker and then the trouble starts for this couple in love. Great film and George Brent, (Dr. Tony Travers) gave a great supporting role. Enjoy.