Monkey Business

Here's more typical Marx Brothes zaniness....and plenty of it, with a few instrumentals thrown in (Chico on piano nd Harpo on harp) near the end.

Most of this "story" is just madcap chases with the four boys (yes, Zeppo is in here, too) being stowaways aboard a ship.

The last part of the film shows a swanky party where Zeppo's girlfriend is kidnapped and the bothers go to rescue at an abandoned barn. That's a very funny scene and better than the boat segment, although a bit short. I'd like to have seen more of that latter scene.

However, those earlier boat scenes are good, too, with a lot of clever puns which I thoroughly enjoyed. It was still a lot of solid entertainment in the Marx Brothers tradition. To my surprise, I found myself missing Margaret Dumont as Groucho's main foil. Thelma Todd takes over that part here.

Much better than the first two Marx Brothers efforts. This is the first Marx Bros. movie written directly for the screen rather than adapted from one of their Vaudeville shows. The result is a faster pace, a bigger production and a wider variety of scenes. This was exactly what the brothers needed to become more effective on screen. The supporting cast is trimmed down, with Zeppo filling the romantic lead, thus combining two non-funny characters into one. This gives more screen time to Groucho, Harpo and Chico, who are on top of their game here. The comic bits don't drag on too long, and the musical numbers don't kill the momentum; both improvements from their earlier films. The storyline and the rest of the cast are just as bad as always, but what do you expect? The point is that the movie is hilarious and entertaining from beginning to end. Monkey Business is where the Marx Brothers really began to hit their stride.

Groucho, Harpo, Chico and Zeppo are stowaways on an ocean liner to America. They are chased by the crews and befriends two gangster. After landing in America, Big Joe Helton throws a party for his daughter Mary. Zeppo joins Mary. Groucho is welcomed by Big Joe. Harpo and Chico sneaks in. Gangster Briggs and his men kidnap Mary to control Big Joe. Lucille (Thelma Todd) is Briggs' girlfriend.

The jokes are great and best of all, they don't stop. It starts out strong with the guys hiding in the barrels. This is one of the best from the Marx brothers. Also the addition of Thelma Todd as well as others is an improvement over their previous movies.

In all my years of criticing films, I have never found a team of comedians more funny, more satirical, or more flexible as the four original Marx Brothers. Their comedy and their formula works in ways that no other comedy team has ever worked, and results like this, their third and, IMHO, funniest film, prove what film historians already know: Groucho, Harpo, Chico, and Zeppo are some of the most influential Hollywood legends to ever live!

"Monkey Business" works because all of the brothers are given the same amount of screentime, and each of their characters were very important to the plot. In movies before and after this picture, more emphasis would be spent on different brothers in each film (i.e. Groucho in "Animal Crackers," Harpo in "Love Happy"), and the other bros would have little to do but stand their with their mouths open. Not so in this. They are all main characters here, and each of them are allowed to stick to their own unique formulas that they are best at: Groucho with his wisecracks, Chico with his conning, Harpo with his silent antics, and Zeppo the straight man with his women-swooning.

As far as plotline goes, the four brothers play themselves, stowing away on an ocean-liner and constantly avoiding the captain and his crew by any means neseccary (and I do mean by any means!). The story itself is a very serious one, and it could have passed for a pretty good, if by-the-numbers gangster movie: There are two dueling mob bosses on this boat, one of which is trying to come clean after making his fortune. He has a beautiful young college daughter, and he is trying to get his life straightened out. The other mob boss has a failing marriage with a beautiful young wife (Thelma Todd), and he by no means is trying to reform. He wants his part of the other boss's money, or else he plans on kidnapping the daughter and holding her for ransom.

So what we have here is a pretty standard, serious plotline....The writers were very smart in choosing to make it one, so that it would eventually become all-the-more funny. Suddenly, into this serious movie, the Marx Brothers are dumped into the scene, and everything becomes chaotic. Groucho falls for the bad guy's wife. Zeppo falls for the good guy's daughter. Harpo falls for any girl in a dress. Chico falls for a cow. Chico and Harpo are hired to protect the goodguy. Groucho and Zeppo are hired to kill him. In the meantime, they are still on the run and are constantly trying to foil the plans of the Captain, who wants to put them in irons. The results of their slapstick are all the better now, because they are surrounded by a bunch of straight men who are acting in a very serious film...and it is their job to make it funny.

There is no greater film that better demonstrates just how genius the Marx Brothers' brand of comedy truely is. Groucho's constant insults and depression puns, Harpo's....whatever you call what Harpo does.... Chico's conning and comebacks, and Zeppo's romantic Renniasance man ("Mary, I'll never leave you," he promises his love before deserting her as he runs away in terror at the sight of the approaching the Captain) all make this the greatest of comedies. It also features probably their greatest screen moment: All four must do a Chevalier impression to get off the boat, and the results are....well....interesting.

Don't miss this movie if you want your sides to split in half!

"Would you mind getting off that flypaper and giving the flies a chance?"

**** out of ****

Zeppo Marx is frequently considered with a trace of a sneer: the fourth brother who was not worthy of membership in one of filmdom's two best comedy teams. He was the fourth brother of Groucho, Chico, & Harpo Marx (and is only slightly better remembered than fifth brother Gummo, who never appeared in any of their films). He looked the best of the brothers (he was the youngest) so he could play the romantic lead if nobody else had the role (like Oscar Shaw did in COCONUTS). However although his appearance was better than the other three brothers, he was not a really handsome man like Robert Taylor or Tyrone Power. Also he had a serious problem with his sense of humor - he had one but it was remarkably similar to Groucho's. In fact, during the Broadway run of COCONUTS, Groucho was ordered by a doctor to take a long, overdue rest. He took off for two weeks, and was replaced by understudy Zeppo. At the end of two weeks he talked to the producers, and they willingly allowed him to take an additional week off. In fact, when that was finished they said he could take more time off if needed. They were not in a rush to get him back. Suspicious, Groucho went unannounced to the theater one night, and watched Zeppo being so good the audience was laughing hysterically at his delivery and acting. In a single day Groucho returned to the show. Groucho never made that mistake again.

It would have been impossible for Zeppo to have played a smaller version of Groucho on screen. There would have been an imbalance with two Grouchos in the films. So Zeppo was usually put into the films as Groucho's assistant, or secretary, or even his son (in HORSE FEATHERS). His part in COCONUTS, as the film exists today, is not very impressive (there is one scene where he and Groucho try to greet Chico and Harpo as new customers at the hotel, and keep missing their hands). In ANIMAL CRACKERS he is Jamison, the secretary to "Captain Spaulding", and has an amusing sequence regarding the immortal firm of "Hungerdunger, Hungerdunger, Hungerdunger, Hungerdunger, & McCormick". In HORSE FEATHERS he did take part in the mad football game at the end of the film. In DUCK SOUP, as assistant to Rufus T. Firefly, he had more sequences that were funny, such as when he gets slapped for telling a story to Groucho that Groucho had previously told to him. He also takes part in the "Fredonia's Going to War" number, and in the battle section at the end. But only the Hungerdunger scene in ANIMAL CRACKERS (shared by Groucho), and this film, MONKEY BUSINESS, gives one an idea of Zeppo as an effective comic.

Here, unlike the other four appearances, he is not connected in the past with Groucho. He is paired with him, when he and Groucho are hired by Alky Briggs to be his torpedoes. However, he is frequently chased on the boat, and finds time to romance the film's heroine, in one particularly good moment telling her of his eternal devotion to her just before fleeing from her side to avoid being captured by members of the ship's crew. He also is able to romance her at her coming out society party, and rescues her from Briggs' gang. Here he finally does something normal to assist the film. He is a passably pleasant leading man, but nothing spectacular.

MONKEY BUSINESS was also surreal in it's humor, best in the puppet show sequence and also the attempt of the four brothers to get off the boat pretending to be Chevalier. It is a very funny movie - maybe not the best of all their films (DUCK SOUP or A NIGHT AT THE OPERA are that), but close to the best.

As for Zeppo, he remained part of the act and the films for two more years, and then quit both to become a successful film agent. He would always be in Groucho's shadow as a comic, and even in death (soon after Groucho's death in 1977) passed on with hardly any impact on the public. Had he branched out on his own (if anyone had shown interest in such a move) he might have had a chance to show his talents, but it is problematical.