Men Are Like That

This is the first sound version of George Kelly's THE SHOW OFF. There was a silent version starring Ford Sterling a few years earlier and two MGM versions later on, one starring Spencer Tracy and the other Red Skelton. This version starring Hal Skelly is technically the best of the sound versions, with sure-handed comedy construction and some interesting camera-work by Archie Stout. However, Skelly gives the worst recorded performance as the lead.

Aubrey Piper, the title character, is a tough role to play. He is an arrogant blow hard at the center of the play, so we must find something to like about him. The leads in the other versions showed flashes of uncertainty throughout the performances that showed self-awareness and humanized him. Skelly, with his performance loud enough for the stage, is nothing but bluster and bullying. The few early scenes of tenderness with Doris Hill, aren't enough. We don't care about Skelly, so we don't care about the movie. The technical issues mentioned above are enough to keep you watching, but it's certainly no masterpiece.

Men Are Like That is a buried 'treasure' best left interred. Clocking in at a brief 58 minutes, this would-be comedy stars unfunny stage actor Hal Skelly as an annoying husband who gets tangled up with the law and traffic cop Eugene Pallette. The cast is uniformly dull, bar Pallette, whose screen time is limited, and the film has no laughs, no drama, and no tears. A disaster all around.