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6,2/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueA New York bandleader journeys to Hollywood when he is offered a contract with a studio, but he is determined to do things his way and not theirs.A New York bandleader journeys to Hollywood when he is offered a contract with a studio, but he is determined to do things his way and not theirs.A New York bandleader journeys to Hollywood when he is offered a contract with a studio, but he is determined to do things his way and not theirs.
- Nommé pour 1 oscar
- 1 nomination au total
Johnny Arthur
- Mr. Daviani
- (as John Arthur)
William B. Davidson
- Mr. Richards
- (as William Davidson)
Perc Launders
- Band Violinist
- (as Percy Launders)
Paul McLarind
- Band Member
- (as Paul McLarand)
Commentaire en vedette
This very well produced film from Grand National was it's downfall.
Costing $900k in 1937 to produce (3 times more than 42nd Street or a quarter of Gone With The Wind) it never recovered its costs and sank the studio. A mini major wannabe of its day, it grew from the reshuffle in 1934 that saw Monogram, Liberty, Mascot and Majestic studios all become Republic. Tiffany studios had gone dark about 1932 and Grand National reopened that lot in 1935 amid the talent and exec merry go round of forming and shedding.
A Warners squabble saw Cagney suspended so he walked to Grand National who much have thought they had won the talent lottery. To create industry credibility in their production values for any Cagney film, they had to spend big, and GREAT GUY in 1936 worked. But in 1937 their swing musical based loosely on their own studio tales (and lot) cost far too much and the loss by 1938 shortened their schedule and they went dark. Most jumped ship to re-formed Monogram Pictures and series films like the Shadow and Renfrew Of the Mounted Police had a new life there. Grand National had big hopes and plans and it is a huge shame they did not continue. It is a fascinating true story of ambition and crash and should be a film in itself. SOMETHING has been available in Australia on tape and DVD for years and is widely available here..like a lot of weird and small RKO titles. Lucky us and lucky you if you can find them. Grand national was a good outfit. The opening and closing nightclub scenes in this film are really smart and quite elaborate. There's even a BIG-like keyboard dance solo. And that Logo! Wow!
Costing $900k in 1937 to produce (3 times more than 42nd Street or a quarter of Gone With The Wind) it never recovered its costs and sank the studio. A mini major wannabe of its day, it grew from the reshuffle in 1934 that saw Monogram, Liberty, Mascot and Majestic studios all become Republic. Tiffany studios had gone dark about 1932 and Grand National reopened that lot in 1935 amid the talent and exec merry go round of forming and shedding.
A Warners squabble saw Cagney suspended so he walked to Grand National who much have thought they had won the talent lottery. To create industry credibility in their production values for any Cagney film, they had to spend big, and GREAT GUY in 1936 worked. But in 1937 their swing musical based loosely on their own studio tales (and lot) cost far too much and the loss by 1938 shortened their schedule and they went dark. Most jumped ship to re-formed Monogram Pictures and series films like the Shadow and Renfrew Of the Mounted Police had a new life there. Grand National had big hopes and plans and it is a huge shame they did not continue. It is a fascinating true story of ambition and crash and should be a film in itself. SOMETHING has been available in Australia on tape and DVD for years and is widely available here..like a lot of weird and small RKO titles. Lucky us and lucky you if you can find them. Grand national was a good outfit. The opening and closing nightclub scenes in this film are really smart and quite elaborate. There's even a BIG-like keyboard dance solo. And that Logo! Wow!
- ptb-8
- 19 mars 2004
- Lien permanent
Histoire
Le saviez-vous
- AnecdotesKnown as "the picture that broke Grand National". Grand National Pictures, which produced and distributed it, was a "B" studio known mostly for low-budget westerns and action pictures. It signed James Cagney during one of his frequent disputes with Warner Bros. and saw this picture as its chance to compete with the major studios by doing a lavish musical with a major star. It poured more than $900,000 into this film--not much by MGM or 20th Century-Fox standards but a tremendous sum for a small studio like this. Unfortunately, the film was a major flop and the studio lost just about all the money put into it. Grand National, established in 1936, folded in 1939, having never recovered from the financial beating it took on this picture. Its remnants were purchased by RKO in 1940.
- GaffesRita is in New York when she reads of Terry's supposed relationship with Steffie on the front page of the "Express" newspaper. Meanwhile in Hollywood, Terry learns of the false rumours in exactly the same way, from the exact front page of an identical "Express" newspaper. Props used the same newspaper for both coasts. Highly unlikely.
- Citations
Rita Wyatt: [laying down winning cards] You now owe me 129 million dollars.
Terrence 'Terry'; Rooney: A mere bagatelle.
Rita Wyatt: I'll settle for a box of candy.
Terrence 'Terry'; Rooney: You'll take chewing gum and like it.
- ConnexionsFeatured in Hooray for Hollywood (1982)
- Bandes originalesSomething to Sing About
(uncredited)
Written by Victor Schertzinger
Sung over the opening credits by Evelyn Daw
Sung by James Newill
Reprised by Evelyn Daw
Played as background music often
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Battling Hoofer
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 900 000 $ US (estimation)
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Something to Sing About (1937) officially released in Canada in English?
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