Ajouter une intrigue dans votre langueThe daring of the racketeers all working for one organization in an East Coast city, leads the Governor to create a new undercover law agency formed to combat the gangsters, and to find witn... Tout lireThe daring of the racketeers all working for one organization in an East Coast city, leads the Governor to create a new undercover law agency formed to combat the gangsters, and to find witnesses against them. Heading the agency is the Special Prosecutor's aide, Inspector Lane, a... Tout lireThe daring of the racketeers all working for one organization in an East Coast city, leads the Governor to create a new undercover law agency formed to combat the gangsters, and to find witnesses against them. Heading the agency is the Special Prosecutor's aide, Inspector Lane, and his assistants, Emmet White and Bull Regan. Mary Norton, who Bull has fallen in love wi... Tout lire
- Mary Norton
- (as Jean Dale)
- Harris
- (as Jack Harron)
- Detective Pete
- (uncredited)
- Court Bailiff
- (uncredited)
- Macey's Attorney
- (uncredited)
- Waitress
- (uncredited)
- Miss Friday
- (uncredited)
Avis en vedette
** (out of 4)
Rather boring "B" film from Warner about a D.A. (John Litel) and a tough cop (Dick Purcell) who grow tired of various witnesses backing down from testifying against some racketeers. The two set out to try and locate people who will talk and the cop knows that one woman (Jean Dale) saw a major crime so he sets out to find her. MISSING WITNESSES is one of many Warner films that was ripped from the headlines but sadly there's just very little going on here. At just over a hour there's no question that the movie remains watchable thanks in large part to it being so short and featuring a couple known stars but there's no doubt that the film's appeal is going to be very low and mainly for those, such as myself, who enjoy watching these rare films when they pop up on Turner Classic Movies. The biggest problem is the story itself, which just isn't anything we haven't already seen countless times before. The entire plot dealing with witnesses being scared to talk has been done in other films (including MGM's Crime Does Not Pay series) and nothing new is done with it here. It also doesn't help that director William Clemens doesn't bring any energy to the material and by the thirty-minute mark the film is pretty much already out of gas. As usual, Litel and Purcell offer up fine performances but neither character is written good enough to where they could save the entire picture.
The story plays out the events of witnesses being too scared to give over evidence in court against protection rackets which wreck businesses that don't co-operate with money demands. Even those beat up, scarred, and so forth are too afraid, once they reach court time, to give evidence. John Litel is hired to break up the racketeering. He's a fine actor, and he gives a good account of himself. However, he's far outshined by Dick Purcell who plays a strong-arm cop who ends up an assistant to Litel. Purcell would rather use brawn than brains. Yes, it's an old, old story and you've seen it a thousand times. Still, Purcell pulls it off very well, and he's fun to watch. One of the criticisms that was given - and is valid - is his rather Chauvinistic attitude towards Virginia Dale who is a couple of things for the film: she is a secretary to the corrupt boss of bosses (although she doesn't know her boss is corrupt until too late), and she becomes the girlfriend of Purcell, and she also is the person who can convict her boss. Her boss, by the way, is found floating dead in a bay... Or is it her boss?
It's well worth the watch if you like 30's crime dramas. For the record, the secondary cast in this show is loaded to the gills with great character actors and actresses and some who would become much better known later. Some of the secondary performers are John Hamilton (Superman's boss on the 50's TV show), Lane Chandler, Carole Landis, Hooper Atchley, Veda Ann Borg, and John Harron.
The actual course of the story advances more by means of newspaper headlines flashed on the screen. Yet, given the constraints of telling the story in an hour, director William Clemens does a very competent job with the talented cast he's been handed. The reality of the rackets at the time lends an immediacy to the proceedings that lifts this one out of the ordinary.
The investigation is not quite as compelling when Mary dumps all the information on their laps. It's a literal info dump. That's not good. The turn does get a little interesting. I do wonder if this would be more interesting if Mary's the protagonist. She does most of the investigative work anyways. Bull should be the side kick. At least, that would be an interesting entry into the WB crime dramas. This is only a functional B-movie.
Le saviez-vous
- AnecdotesAccording to the AFI Catalog entry for this film, contemporary press accounts reported this was the film that inspired Thomas E. Dewey to investigate the rackets in New York City.
- Citations
'Bull' Regan: Well, there's no harm in trying.
- ConnexionsReferences Kid Galahad (1937)
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Détails
- Date de sortie
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- Aussi connu sous le nom de
- Gospodar podzemlja
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- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 1 minute
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1