Les mondes futurs

The picture is a right adaptation of the novel titled ¨The shape of things to come¨ by H.G.Wells . A story of 100 years : a decades-long second world war leaves plague and anarchy . The film narrates like after a lengthly war among nations and continuing with plagues , rampages and starvation the world is destroyed . A country ruled by a tyrant (Ralph Richardson) fights against an airplanes confederation (leading Raymond Massey) . Then a rational state rebuilds civilization and tries space travel . As utilizing technology , wisemen and scientists try to rebuild the future world creating a peaceable society .

The motion picture is agreeable and very interesting though when the protagonists speak philosophical speeches is a little boring . Raymond Massey interprets two roles on different generations , at the future world plays a ruler , builder a sidereal rocket , in opposition to Sir Cedric Hardwicke who is facing the progress . The excellent main cast is completed with habitual actors of the British theater and with important cinematographic careers , thus : Ralph Richardson (Greystoke and four feathers) , Anne Todd (Paradine case) , Derrick De Mornay (Young and innocent) , Raymond Massey (Lincoln in Ilinois) and Sir Cedric Hardwicke (Ten commandments) . Cinematography is very good although in black and white and was realized by excellent cameraman George Perinal (Thief of Bagdad and Colonel Blimp).

Arthur Bliss music score is atmospheric and conducted by usual orchestra director of the classic British films : Muir Matheson . Production Design by Vincent Korda is fine as well as spectacular , he's considered to be the best British designer of that epoch . His brother Alexander Korda was the main English producer . The film was well directed by William Cameron Menzies who subsequent directed another Sci-Fi classic , Invaders from Mars . Rating: Good . Above average .

I consider Things To Come (1936) essential viewing for anyone who's at all interested in the history of Science Fiction on celluloid.

Yes - At times Things To Come may be a bit slow and noticeably dated, but all is easily forgiven once the viewer is treated to the spectacle of its impressive "art deco" set designs and the awesome fleet of futuristic aircraft.

Global war takes place in 1940 where the battle is long, dragging on for decades. With nothing being manufactured anymore, society breaks down into primitive, localized communities.

Following a devastating plague in 1966, which almost wipes out everyone on the planet, slowly, but surely an organization called "Wings Over The World" is formed with the sole purpose of rebuilding civilization.

The year is now 2036 and we find the world's population now replenished (to some degree) with everyone living in vast underground cities of tall, gleaming towers and fantastic monorail transportation systems.

For its time, Things To Come is, in many ways, quite impressive. Its screenplay was written by H. G. Wells, which was adapted from his novel called The Shape Of Things To Come.

Things to Come (1935)

It's tough to make a movie about the future, and it's even tougher when the future overtakes the movie. We saw it literally in "1984" and "2001." And we see it in the tea leaves with movies of the near future like "Minority Report" or "AI" or, just for the fun of it, "Sleeper." Or "Brazil." Or "Twelve Monkeys."

Yes, it can go any number of ways, and a writer and director can look to make things realistic enough to go with the fantasy, or make things fantastic and the hell with realism. I'm not talking the distant future, like "Star Wars" but the kind of future we might live to see, you know, "Planet of the Apes." These kinds of movies are everywhere, and they are a kind of thrill just for their vision of the future.

"Things to Come" was made as Europe was teetering toward war but there was only the Spanish Civil War under way. The way it "foresees" a devastating world war is pretty amazing, even now, as long as you keep the dates straight. When it jumps (after half an hour of some pretty terrific filming) to 1970, it gets more fictional, and we have a primitive future of devastation and a struggling rabble trying to survive, and revive civilization. It's a common way to look at the unknown--to revert to a primitive time--and it's fun and a little overwhelming if you take it seriously. The big theme of war, and of a future society opposed to war, is an old one but who can get tired of it?

The first half hour is a wonder of Soviet Expressionist filming. I know, this is a British movie, very British (except, oddly, the director Menzies), but it looks like Eisenstein both filmed it and edited it, and the effect is amazing. If you only have half an hour, watch just this first part and don't worry too much about the plot. The remainder of the movie settles down, and looks a little like either "Intolerance" (yes, 1916 stuff, with big outdoor sets) or "Caligari" (German Expressionist interiors, tamed down a bit). In a word, this is an old fashioned movie in the best way--it's artsy and exuberant. And it's not forward looking for a movie about the future until it reaches the 21st Century, and then it gets amazingly right the prevalence of imagery, of transparent, electronic images on screens large and small, even if they are wearing Roman togas.

H.G. Wells not only wrote the original novel, but he wrote the screenplay, which makes the movie significant through and through. It is sometimes ponderous and trying too hard to be idealistic amidst human instinct for violence and control. After a fabulous (fabulous) montage sequence to move us ahead another half century, we continue the rather boring discussion (talk) about the future of the world, and the value of civilization. It's amazing to look at, but it's not an exciting thing to hear discussed. In short, it lacks plot. Luckily it has a lot of other stuff to compensate.

Things to Come is a look into the future from the perspective of the people of 1936. By today's standards and with hindsight, it seems a little corny but to the people of that time, the movie showed what could have been a real possibility. This sci-fi movie shows the horrors of war and the price of progress predicted by a film made in 1936 by eyes that were looking at a world on the brink of World War II. It's a movie that shows what they thought the world would be like if a major war broke out. One good reason for viewing this film is because it shows this perspective, and because it was one of the early serious attempts of a science fiction film that takes a look into the future. For those interested in the history of early sci-fi in the cinema, Things To Come is a must see.

Aside from the great movie METROPOLIS, this is about the oldest pure sci-fi movie. While at times the film is a bit preachy and the acting can be a bit broad, it is a great film for two reasons. First, it is extremely original in both style and content. Even in the 21st century, there are no films I can think of that are anything like it. Second, for its time, the special effects were absolutely incredible--using matte paintings, models and huge casts to create amazing scenes of both a post-apocalyptic world and a vast city of tomorrow. Sure, you could sit back and knock the film because, by today's standards, the effects are only so-so. But, you must appreciate that this was state of the art when the film came out in 1936 and it must have really amazed audiences. In many ways, the sets look highly reminiscent of the "modern cities" featured at the 1939 WORLD'S FAIR.

I think the movie is also interesting because it seems torn by the question "are people really THAT stupid or are we destined for greatness?" The end result seems to be a little of both! How true!

A final note: I saw this twice on TV and just a short time ago on video. All three times the sound and print quality stank--particularly the sound. If this is available on a DVD, hopefully it is a lot cleaner and will provide optional captioning. As the sound on the video kept cutting out, I really would have appreciated this!