[go: up one dir, main page]

    Calendrier de lancementLes 250 meilleurs filmsFilms les plus populairesParcourir les films par genreBx-office supérieurHoraire des présentations et billetsNouvelles cinématographiquesPleins feux sur le cinéma indien
    À l’affiche à la télévision et en diffusion en temps réelLes 250 meilleures séries téléÉmissions de télévision les plus populairesParcourir les séries TV par genreNouvelles télévisées
    À regarderBandes-annonces récentesIMDb OriginalsChoix IMDbIMDb en vedetteGuide du divertissement familialBalados IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPrix STARmeterCentre des prixCentre du festivalTous les événements
    Personnes nées aujourd’huiCélébrités les plus populairesNouvelles des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels de l’industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de visionnement
Ouvrir une session
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'application
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Le fils unique

Titre original : Hitori musuko
  • 1936
  • Not Rated
  • 1h 22m
ÉVALUATION IMDb
7,7/10
4,3 k
MA NOTE
Le fils unique (1936)
Drama

Ajouter une intrigue dans votre langueA widow sends her only son away to receive a better education. Years later, she visits him, finding him a poor school teacher with a wife and son.A widow sends her only son away to receive a better education. Years later, she visits him, finding him a poor school teacher with a wife and son.A widow sends her only son away to receive a better education. Years later, she visits him, finding him a poor school teacher with a wife and son.

  • Director
    • Yasujirô Ozu
  • Writers
    • Yasujirô Ozu
    • Tadao Ikeda
    • Masao Arata
  • Stars
    • Chôko Iida
    • Shin'ichi Himori
    • Masao Hayama
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,7/10
    4,3 k
    MA NOTE
    • Director
      • Yasujirô Ozu
    • Writers
      • Yasujirô Ozu
      • Tadao Ikeda
      • Masao Arata
    • Stars
      • Chôko Iida
      • Shin'ichi Himori
      • Masao Hayama
    • 24Commentaires d'utilisateurs
    • 29Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos23

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 17
    Voir l’affiche

    Rôles principaux13

    Modifier
    Chôko Iida
    Chôko Iida
    • Tsune Nonomiya (O-Tsune)
    Shin'ichi Himori
    Shin'ichi Himori
    • Ryosuke Nonomiya
    Masao Hayama
    Masao Hayama
    • Ryosuke Nonomiya, as child
    Yoshiko Tsubouchi
    Yoshiko Tsubouchi
    • Sugiko
    Mitsuko Yoshikawa
    Mitsuko Yoshikawa
    • O-Taka
    Chishû Ryû
    Chishû Ryû
    • Professor Ookubo
    Tomoko Naniwa
    • Ookubo's wife
    Jun Yokoyama
    • Okubo's son
    • (as Bakudan Kozô)
    Tomio Aoki
    Tomio Aoki
    • Tomibo
    • (as Tokkan Kozô)
    Eiko Takamatsu
    • Jokou
    Seiichi Katô
    • Kinjo no ko
    • (as Seiichi Kato)
    Kazuko Kojima
    • Kunishi
    Kiyoshi Aono
    • Matsumura, old man
    • Director
      • Yasujirô Ozu
    • Writers
      • Yasujirô Ozu
      • Tadao Ikeda
      • Masao Arata
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs24

    7,74.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    10soren19b

    exploring universal themes

    It is a shame that this film is not available for wider viewing. I had the opportunity of seeing it at an Ozu retrospective in Cleveland. This film measures up to the other great classic Ozu films. The impact of Ozu's films works in much the same way as Japanese painting. There is great power in its open spaces and silences. They lend greater power to the words and emotions that are expressed. The dignity of the characters as they struggle with life is moving. Ozu is a master

    of world cinema because he deals with themes of universal import and he does so with impeccable style. Especially noteworthy in this film is his effective use of music and sound. All in all, a very worthwhile experience
    bobsgrock

    Pathos and internal conflict at root of human experience

    While having the privileged importance of being great director Yasujiro Ozu's first sound film, The Only Son also remains important for its emergence as the first truly "Ozu" work, in the sense that the very particular cinematic and thematic elements which make up what he is best known for coalesce together in a thoroughly emotional experience.

    The story is simple enough, as Ozu usually tells. A widow attempts to save enough money for her son to go to college in Tokyo. She visits him years later, only to discover that he is not living the kind of sophisticated, well-off life she believed he would lead as a result of a college degree. What Ozu does with these characters is astonishing; he shows them in the most serene and simple of situations and settings yet uses his unique directing style to elicit subtle feelings and thoughts simmering just below the surface.

    What this seems to suggest is Ozu's feelings regarding Japan in the 1930s, a tumultuous period in which the age of modernization seemed to be waning and Japanese society continued to be pressured into a militaristic hegemony. Clearly, Ozu resisted these transitions and his best offense was the films he made. The result is a quiet, gentle yet intense story about simple people wishing their lives, or the lives of their children, were better than they are. Through this, Ozu seems to reflect on the failure of Japanese innovation up to that point and the uncertainty of what the future might bring. Fortunately for the viewer, his specific style and insight remain as coherent and profound as ever.
    8fa-oy

    Brilliant

    This is a nice piece of work from early Japanese cinema that's worth checking out for all fans of this period's films.

    The plot is simple, nothing really special if you ask me, but Ozu sure knew how to handle this kind of simple stories he portrayed in all his films. It's a slow-paced film, which adds a more natural feeling to it in my opinion, full of powerful and emotional images supported by a really splendid and natural acting (as usual in Ozu's films).

    Ozu really stands out from many other directors, he had the ability to portray life on screen and here you can definitely see it.

    At first this kind of filmmaking didn't do much for me, but it has really grown on me with time. It surely is not for everyone; Ozu is just different cinema.

    My score: 8.5/10
    thsieh_83

    A poignant gem of a film; subtle, melancholic, and simple.

    "The Only Son" is Ozu's first "talkie" - and utilizes sounds in an efficient, restrained manner to help tell the story with calm grace. The beautiful simplicity that pervades the piece is classical Ozu, and amplifies the poignant tale of a mother coming back to visit her son, after sacrificing her livelihood to ensure he achieves higher education. When she realizes that he is unsatisfied with his life as a night-school teacher, a general melancholic tone begins to unfold through the progression of the narrative. The ending is nicely done, and overall, the film is crafted in that spare, simple perfection that is the stylistic hallmark of Ozu's cinema.
    artist_signal

    A simple Ozu masterpiece

    "The Only Son" is Ozu's first "talkie" - and utilizes sounds/dialogue in a stylistic manner to tell a simple story. The beautiful simplicity that pervades the piece is classical Ozu, and amplifies the poignant tale of a mother coming back to visit her son, after sacrificing her livelihood to ensure he achieves higher education. When she realizes that he is unsatisfied with his life as a night-school teacher, a general melancholic tone begins to unfold through the progression of the narrative.

    There are some fine indoor shots of the house where the son lives, and also, some greatly composed scenes of the run-down industrial neighborhood where the son goes out to buy "noodles" from a nearby stand. What's also memorable about the film is its excellent rendition of outdoor nature shots, one scene stands out in my mind where the son is having a discussion with his mother. There is also a great shot of the night-school teacher looking out dismal and lonely from the school-building to a city sign, which is juxtaposed against a dark, night sky.

    The ending is nicely done, and overall, the film is crafted in that spare, simple perfection that is the stylistic hallmark of Ozu's cinema.

    Plus de résultats de ce genre

    Chichi ariki
    7,5
    Chichi ariki
    Shukujo wa nani o wasureta ka
    7,0
    Shukujo wa nani o wasureta ka
    Toda-ke no kyôdai
    7,2
    Toda-ke no kyôdai
    Une auberge à Tokyo
    7,4
    Une auberge à Tokyo
    Nagaya shinshiroku
    7,7
    Nagaya shinshiroku
    Histoire d'herbes flottantes
    7,6
    Histoire d'herbes flottantes
    Ochazuke no aji
    7,6
    Ochazuke no aji
    Otona no miru ehon - Umarete wa mita keredo
    7,8
    Otona no miru ehon - Umarete wa mita keredo
    Kohayagawa-ke no aki
    7,7
    Kohayagawa-ke no aki
    Munekata shimai
    7,4
    Munekata shimai
    Fleurs d'équinoxe
    7,8
    Fleurs d'équinoxe
    Bakushû
    8,0
    Bakushû

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was Yasujirô Ozu's first feature film with all-synchronous dialogue.
    • Connexions
      Featured in A Train Arrives at the Station (2016)
    • Bandes originales
      Old Black Joe
      Written by Stephen Foster

    Meilleurs choix

    Connectez-vous pour évaluer et surveiller les recommandations personnalisées
    Se connecter

    FAQ14

    • How long is The Only Son?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 septembre 1936 (Japan)
    • Pays d’origine
      • Japan
    • Langues
      • Japanese
      • German
    • Aussi connu sous le nom de
      • The Only Son
    • société de production
      • Shochiku
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 22 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Le fils unique (1936)
    Lacune principale
    By what name was Le fils unique (1936) officially released in India in English?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la façon de contribuer
    Modifier la page

    En découvrir davantage

    Consultés récemment

    Veuillez activer les témoins du navigateur pour utiliser cette fonctionnalité. Apprenez-en plus.
    Télécharger l'application IMDb
    Connectez-vous pour plus d’accèsConnectez-vous pour plus d’accès
    Suivez IMDb sur les réseaux sociaux
    Télécharger l'application IMDb
    Pour Android et iOS
    Télécharger l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Données IMDb de licence
    • Salle de presse
    • Publicité
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une entreprise d’Amazon

    © 1990-2025 by IMDb.com, Inc.