The Dude Ranger

Syd Saylor was as good a serious side-kick as ever forked a horse, but he was thoroughly capable of playing a comic, or occasionally comic, partner as well.

He proved it in this excellent B Western, with a lot of by-play between him and star George O'Brien.

O'Brien was as good-looking and healthy a specimen as ever played a cowboy hero, fully capable of action heroics as well as romantic scenes.

The story, by iconic Zane Grey, is beautifully presented in a script by Barry Barringer directed by Edward Cline.

What makes this stand out is the characterization by all the performers, including the lovely Irene Hervey. She plays a spoiled, even seemingly conceited young lady of the range in a breezy city-slicker manner, but proves actually very likable, if sometimes flighty.

LeRoy Mason, here Le Roy, is his usual good-looking but rotten villain, alternating between seemingly likable and trustworthy ranch foreman and lecherous and traitorous thief.

Again, the entire cast is just about perfect, from the briefly seen Vesper Pegg, who just steals his scene of bringing up a mount, to the West-loving Earl Dwire, to Slim Whitaker and Lafe McKee and ... well, several others, none of whom get screen credit, but who all give us good reason to praise IMDb for providing the information.

There are a couple of flaws, a moment of trite action happening in just the right place, for example, that brought down the rating from that perfect 10, but I highly recommend "The Dude Ranger" which is available at YouTube.

This Western is based on a Zane Grey story about a crooked rancher who is stealing cattle. George O'Brien plays the owner of the ranch, who through a case of mistaken identity, is thought to be the Dude Ranger on the ranch. He is after the crooked bosses daughter, played by Irene Harvey.

The film as the typical western sidekick, in this case a guitar playing singer. The film is OK, nothing special, and is an example of a cheap B-Western film, filmed with spectacular scenery. Irene Hervey was loaned out from her home film studio to play the role in this film. LeRoy Mason plays one of the villains.

George O'Brien wants to sell the ranch he's just inherited, but the lawyer tells him that he can't get a good price for it. Five thousand head of cattle have disappeared. When he goes to the ranch to make enquiries, everyone assumes he's another saddle tramp who has fallen in love at first sight with the manager's daughter, Irene Hervey, so they give him a job and make fun of him.

This B western is something special. Under the direction of comedy specialist Eddie Cline, the performers get to act with great charm, and the tricks that are played on O'Brien are deadly -- and funny. Sid Saylor plays the comic sidekick, but he's not simply another clown, but a smart, tough cowboy with a strong goofy streak. There is plenty of good location shooting, with a beautiful long shot for the final confrontation. For a B western, this is as good as it gets.

Although containing less heated "action" than most B-westerns, "The Dude Ranger" is a sensitive but yet swiftly-moving film with well-acted roles and direction that reflects predetermined camera angles and logical call-and-response sequencing. Irene Hervey, appearing here as a loaner in only her second year under contract with MGM, is handed a role that demands more than most B-western heroines are asked to provide. She does a real nice job as a modern woman, at once haughty and seemingly so self-assured in her "lack of competition" femininity, who has found herself immersed in an abundance of Old West masculinity. Although surrounded by all sort of male characters, she needs a "realized" man to enter her life, and guess what...? Ms. Hervey is photographed beautifully in this picture and handles her acting duties very well, communicating plenty of varied and nuanced emotion. George O'Brien is his old reliable self, mostly easy-going but heroic when need be. They also came up with a unique signature behavior for Syd Saylor's nicely-played sidekick role. The entire cast is sharp. Then there is the location scenery... definitely a cut above, with backdrops that include locales well-known to visitors of national parks and monuments in Arizona and Utah. The well-attended barn dance is notable in that the music played there is surprisingly "uptown hot" for 1934, a musical style that was just beginning to legitimize itself in New York and Chicago at that time, certainly not one anticipated to be provided for a remote Arizona ranch dance... but oh well. This film also includes a score of sorts, especially in the latter half, that is not intrusively overdone; one could argue it actually enhances the impact of the closing scene. In summary, one will find in this picture a well-executed adult film treatment of the cowboy genre', longer on romance than most films of the day, and a little shorter on guns, fights, and chases. Satisfying for sure!

This is one of the better B-Westerns I have seen, and I have seen hundreds. It is definitely something special, and a pleasant surprise. George O-Brien and his sidekick Syd Saylor do a great job of sprinkling in lots of humor and strike up a good-natured friendship. Irene Hervey is memorable in this role and provides a lot of spunk, good comedic timing, and great expression on her face during close-ups. Male viewers will find the beauty, personality, and good-natured vanity of Irene Hervey's character quite a draw, and I would think female viewers would be charmed by George O-Brien, who employs some intentional vanity of his own, making for more good fun. Syd Saylor as "Nebraska" Kemp provides an oddly fun character that I haven't seen before, with his impromptu songs for all occasions. The film has a welcome sweetness to it, aided by the director's use of close-ups and allowing characters to show emotions, humor, and affection. Even the bit part of the lawyer, played by Lloyd Ingraham, provides some humor.

The scenery is great and you will keep asking yourself, "Where is that?" or you'll think, "What a great mountain that is!". The mountain scenery is unique compared to most B-Westerns which give us the same scenery so often that we notice that it is the same backlot area being used. The makers of The Dude Ranger must have gone to extra expense and a lot of extra trouble to bring us unique scenery that has not been overutilized, and in fact has been underutilized over the years. Much of the film was filmed in Zion National Park, and Johnson Canyon (near Kanab), Utah.

The plot and characters are much better developed in The Dude Ranger than in the preponderance of B-Westerns. The film does not spend too much time on drawn-out horse chases or gunplay, though there is just enough. Instead the film spends most of its time developing the plot and characters through many scenes that build to aid several finales. I was struck by how different this movies was compared to most B-westerns, with their simplified stock characters and quick drawing of the lines that create the good guys and bad guys. Even though you know from the start who the good guys and bad guys are, this movie lets us gradually see the traits of the various characters via a number of well-developed scenes. The movie seems to fit a lot into its 65 minutes, while still allowing scenes to play out.

There are a few flaws in the scenes involving guns and standoffs. Though you have to like Henry Hall's Sam Hepburn character, and I am now a fan of his too, there is some disappointment for the viewer in how his character is handled by the scriptwriter or director in one scene.

My rating of 9 stars out of 10 is for B-Westerns. Compared to all films I would give it a 7, or even an 8! Enjoy.