A Dream Walking

Dave Fleischer was responsible for many gems. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.

1934's 'A Dream Walking' is agreed among the best Popeye cartoons. Making something creative and entertaining out of sleepwalking (not always easy to make interesting) and never less than very funny, its best parts being hilarious. Have always enjoyed many of the Popeye cartoons a good deal and like Popeye very much, Fleischer's efforts were always well animated and scored with lots of entertainment value and great chemistry between Popeye, Olive Oyl and Bluto. 'A Dream Walking' has everything that makes the Popeye series so appealing in its prime era and does nothing to waste the characters or make them less interesting.

The story is an interesting and beautifully paced one, never being dull, if formulaic (not uncommon with the Popeye cartoons). The humour and gags make it even more entertaining, 'A Dream Walking' makes sleepwalking fun to watch, imaginative and interesting, avoiding the trap of repetition. The part with Popeye and Bluto's temporary dizziness is the highlight, very funny, very imaginative and with some very clever visuals.

All the characters are great, though Olive Oyl's material not as great as Popeye and Bluto's (she is well used though). Those two are spot on and their chemistry drives 'A Dream Walking' and has so much energy. Popeye is always amusing and likeable but for me Bluto is here the funnier and more interesting character.

Furthermore, the animation is beautifully drawn and with enough visual detail to not make it cluttered or static and lively and smooth movement. The music is also outstanding, lots of merry energy and lush orchestration, adding a lot to the action and making the impact even better without being too cartoonish. Fleischer's direction is always accomplished and his style is all over it.

Voice acting is dynamic and of very good quality, Mae Questel is a good fit for Olive Oyl, the voice that most sticks in my mind for the character and who voiced her the best, but William Costello (have a preference for Jack Mercer though, who made much more of Popeye's mumblings and asides) and especially William Pennell are even better and give Popeye and Bluto so much life.

Overall, classic Popeye. 9/10 Bethany Cox

...if, like me, you're not a fan of the two-fisted sailor, this is the Popeye cartoon for you. A charming, beautifully paced and timed, low-key adventure in which a sleeping Olive Oyl serenely paces the precarious rails of an under-construction skyscraper, blissfully oblivious to the fact that Popeye and Bluto are battling each other to a standstill for the right to be the one who saves her. Olive never misses a beat of her song (the classic "[Did You Ever See] A Dream Walking") despite stepping into and out of the most harrowing close calls, and makes it home and back to bed safely all by herself despite her would-be rescuers' noisy efforts. Just a delightful cartoon. (Don't miss the moment in which Popeye and Bluto, temporarily knocked dizzy, join her in sleepwalking and they negotiate a three-way intersection with split-second timing.)

Popeye is in deep sleep. Next door, Bluto is also deeply sleeping. Above them on the top floor, Olive Oly has both boys' pictures on her bedroom wall. She starts sleep walking out the window and dangerously onto the apartment roof tops. Both Popeye and Bluto chase after her.

I really like the roof tops stroll and I love her walking from one roof top to another. More can be done with that. I imagine a lot of gags with her interrupting other people. They do go to the familiar construction site with the familiar gags. There is a surprise Wimpy appearance and it wraps up nicely. It's a simple Popeye cartoon and it's done very well.

Though nowadays people think of Warner Brothers and MGM as the top rivals to Disney (with a great deal of justification, to be sure) in the early 1930s, Fleischer Studios more than held their own against the Mouse. Technically, their work was as good or nearly so most of the time. There was also an antic lunacy to much of their work that had been part of animation since the silent days. That lunacy was and is not part of what Disney wanted, preferring to go to a more touching, somewhat realistic approach in the mid-1930s. Compare Steamboat Willie to The Old Mill and you'll understand what I mean. While Betty Boop was more inclined towards the bizarre or unusual, Popeye could throw in some lunacy as well. A Dream Walking is visually an incredible piece of work and a strange cartoon into the bargain. Throw in a great script and story and you have, if not the best, certainly one of the top three, Popeyes of all time. Too bad Fleischer Studios isn't more generally remembered for their excellent work. Well worth looking for. Most highly recommended.

Olive Oyl rises from her night-time slumbers to go sleepwalking on the bare girders of a skyscraper under construction. Popeye and Bluto fight over who gets to save her.

This is not only considered one of the best Popeye cartoons. When you see a list of the best cartoons of all time, it usually includes this one. I agree with that assessment, and the reasons I enjoy it so much include not only the beautifully timed gags -- a hallmark of the Fleischer studio -- but its rhythm, set to the pace of the title song, and its sense of space and three-dimensionality. That was another accomplishment of the Fleischers; Max had a number of patents and inventions in the field under his belt, including rotoscoping, and they aid in the transfer of the thrill comedy genre to this cartoon.