Une équipe de tournage se rend sur une île tropicale pour un tournage et découvre un singe colossal, qui est ensuite capturé et ramené à New York pour une exposition publique.Une équipe de tournage se rend sur une île tropicale pour un tournage et découvre un singe colossal, qui est ensuite capturé et ramené à New York pour une exposition publique.Une équipe de tournage se rend sur une île tropicale pour un tournage et découvre un singe colossal, qui est ensuite capturé et ramené à New York pour une exposition publique.
- Prix
- 4 victoires et 8 nominations au total
Steve Clemente
- Witch King
- (as Steve Clemento)
Walter Ackerman
- Reporter
- (uncredited)
James Adamson
- Native Child
- (uncredited)
Van Alder
- Member of Ship's Crew
- (uncredited)
Etta Mae Allen
- Native
- (uncredited)
Frank Angel
- Reporter
- (uncredited)
Roscoe Ates
- Press Photographer
- (uncredited)
Ralph Bard
- Member of Ship's Crew
- (uncredited)
Reginald Barlow
- Ship's Engineer
- (uncredited)
Leo Beard
- Member of Ship's Crew
- (uncredited)
Avis en vedette
It's a shame that young people these days, don't know how to enjoy a black & white movie! I'm 14, and I love black & white movies. We saw this movie at school, and everyone hated it. They said it sucked, because it was in black & white, and the effects were hilariously bad!
I disagreed!
This movie is nearly 80 years old, and it's still a hit!
The cinematography is incredibly beautiful. One of the greatest shots of all time is when Kong is on the top of the building!
The acting is fine.
The story is great, but my friends found it stupid. They thought it was unrealistic because there were dinosaurs and a giant gorilla on the island etc.
This movie is entertaining throughout the whole movie! Most black & whites movies got a lot of dialog and long scenes with no editing, but not in this one! There are plenty of scenes in this movie where there are no dialog, but great editing and entertainment!
The effects are so fantastic! Young people may find Kong hilarious when they see a close-up picture of him. But I was absolutely blown away! Imagine that you're in 1933. You go to the movies and you've never seen something like this before!
King Kong is a one small step for man. One giant leap for film making!
10/10
I disagreed!
This movie is nearly 80 years old, and it's still a hit!
The cinematography is incredibly beautiful. One of the greatest shots of all time is when Kong is on the top of the building!
The acting is fine.
The story is great, but my friends found it stupid. They thought it was unrealistic because there were dinosaurs and a giant gorilla on the island etc.
This movie is entertaining throughout the whole movie! Most black & whites movies got a lot of dialog and long scenes with no editing, but not in this one! There are plenty of scenes in this movie where there are no dialog, but great editing and entertainment!
The effects are so fantastic! Young people may find Kong hilarious when they see a close-up picture of him. But I was absolutely blown away! Imagine that you're in 1933. You go to the movies and you've never seen something like this before!
King Kong is a one small step for man. One giant leap for film making!
10/10
I remember watching the 2005 King Kong movie in the theater and not thinking much of it because it wasn't anything too special. However, watching the original makes me appreciate the idea of King Kong. Not only were the effects revolutionary, but the story and characters to go along with it were stellar. It takes the classic idea of a misunderstood monster and puts a more emotional twist on it. You feel for both the damsel in distress and the monster alike.
So much more than a film about a giant ape, you can pretty much conjure him into almost any allegorical theme or representation that takes your fancy, although I'm not sure that was the original intent. The scenes on the Empire State Building are as iconic as any that were ever produced, perhaps the most iconic ever. A timeless classic, a timeless story that will continue to be copied in variation, and remade, but seldom equalled.
First, the 1933 version of KING KONG, is for me, the greatest fantasy film ever made. Sure, there are fantasy films with far better special effects (THE MATRIX, JURASSIC PARK) better acting (the acting here is of the period!) but KING KONG is a film of tremendous excitement. The suspense, pacing, sensuality, violence all adds up to a blood pumping experience. We all read about the film's history, being made, released, censored, restored, and how it's been picked to itsy-bits by every arm-chair film "expert".
What very few film-makers have focused on is the film-making itself in KING KONG. It has superb build-up. We are wondering what is on the island as we approach it. Then we wonder what is behind the wall on the island. Then we wonder what gigantic beast is sharing that frightening jungle with the rescuers, trying to save Fay Wray. The film is faultlessly edited. Many scenes begin or end with people running for their lives. Unneeded scenes just don't exsist (we go from Kong knocked out on Skull Island to his Broadway debut. We don't need to see what happens inbetween!) then there's Max Steiner's perfect music score. Before KONG, most music scores were borrowed snippets of classical or popular themes, but Steiner's score follows the action to an inch! Also, he does a great number of abstract musical strokes (I.e the clash of drums when Kong beats the giant snake to it's death. The lovely string piece that jumps to pulsating chase music in a milli-second.) When I hear of a friend say they never saw this film, it's like hearing a child say they never had ice cream. Long Live Kong!
What very few film-makers have focused on is the film-making itself in KING KONG. It has superb build-up. We are wondering what is on the island as we approach it. Then we wonder what is behind the wall on the island. Then we wonder what gigantic beast is sharing that frightening jungle with the rescuers, trying to save Fay Wray. The film is faultlessly edited. Many scenes begin or end with people running for their lives. Unneeded scenes just don't exsist (we go from Kong knocked out on Skull Island to his Broadway debut. We don't need to see what happens inbetween!) then there's Max Steiner's perfect music score. Before KONG, most music scores were borrowed snippets of classical or popular themes, but Steiner's score follows the action to an inch! Also, he does a great number of abstract musical strokes (I.e the clash of drums when Kong beats the giant snake to it's death. The lovely string piece that jumps to pulsating chase music in a milli-second.) When I hear of a friend say they never saw this film, it's like hearing a child say they never had ice cream. Long Live Kong!
I could never tire of this movie, i've seen it so many times and always watch it when it's on tv-in fact i watched it just a week ago! It's one of those films that is rewatchable countless times, like many other 'monster' movies. But this is the best 'monster' movie , it is so well made-it is a masterpiece. Everything is right-the effects,the photography,the score,pacing,continuity. My favourite part would be the big middle chunk on the island. Ann captured-natives dance-a sacrifice to kong-rescue mission-defeat of stegasoraus-swamp adventure-swamp escape-log catastrophe-trex battle-snake creature fight-pterydactil disposal-rescue/escape-kong wrecks village-gas bomb. There is almost no let up in the action in this sequence. I have seen two versions of the film though. One was cut, the other wasn't. Some scenes that were cut: kong pulls a native out of his hut and stomps him into the mud. Brilliant. Also the bits when kong chews a native, and when he chews on a new yorker. And when he throws a woman down from a scraper into the street. Needless cutting in my book. A lot of people complain about the acting. The acting is swell. Robert Armstrong is perfect as the over enthusiastic director who is completely responsible for the deaths of hundreds of innocent people but has absolutely no scruples about it. He provides the silent chuckles of the movie e.g my one line summary is actually what denham says when he sees the savages and their dancing. And Bruce Cabot to Fay Wray: ' hey, i guess i love you!' in a moment of clarity. Overall a smashing film with a great climax. And kong is supposed to have the hots for fay wray too when he plays with her and her clothes
Le saviez-vous
- AnecdotesMerian C. Cooper's first vision for the film was of a giant ape on top of the world's tallest building, fighting airplanes. He worked backward from there to develop the rest of the story.
- Gaffes(at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
- Citations
[last lines]
Police Lieutenant: Well, Denham, the airplanes got him.
Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.
- Générique farfeluOpening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
- Autres versionsOn November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumor has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
- ConnexionsEdited into The Ghost Ship (1943)
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Détails
Box-office
- Budget
- 670 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 1 181 $ US
- Durée1 heure 40 minutes
- Couleur
- Black and White(original release)
- Black and White
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