King Kong

So much more than a film about a giant ape, you can pretty much conjure him into almost any allegorical theme or representation that takes your fancy, although I'm not sure that was the original intent. The scenes on the Empire State Building are as iconic as any that were ever produced, perhaps the most iconic ever. A timeless classic, a timeless story that will continue to be copied in variation, and remade, but seldom equalled.

It's a shame that young people these days, don't know how to enjoy a black & white movie! I'm 14, and I love black & white movies. We saw this movie at school, and everyone hated it. They said it sucked, because it was in black & white, and the effects were hilariously bad!

I disagreed!

This movie is nearly 80 years old, and it's still a hit!

The cinematography is incredibly beautiful. One of the greatest shots of all time is when Kong is on the top of the building!

The acting is fine.

The story is great, but my friends found it stupid. They thought it was unrealistic because there were dinosaurs and a giant gorilla on the island etc.

This movie is entertaining throughout the whole movie! Most black & whites movies got a lot of dialog and long scenes with no editing, but not in this one! There are plenty of scenes in this movie where there are no dialog, but great editing and entertainment!

The effects are so fantastic! Young people may find Kong hilarious when they see a close-up picture of him. But I was absolutely blown away! Imagine that you're in 1933. You go to the movies and you've never seen something like this before!

King Kong is a one small step for man. One giant leap for film making!

10/10

With the recent DVD release of this film, and the latest version on the big screen being released two days from this writing, I hope more people take the opportunity to check this movie out, the original King Kong, if they've never seen it.

This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.

Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.

Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.

Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.

Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.

Ignore the cranks who seem to look for subliminal messages and underlying hidden meanings in everything. This is a monster movie and a love story and never pretends to be everything else.

Hollywood film-makers of today could certainly learn a few things from watching it with its well-written characters, fast-paced and dynamic script which contains barely a dull moment, excellent dialogue and hauntingly memorable music. Willis O'Brien's animation is at its best and Kong himself comes across as a genuine character and not an unsympathetic one. Scenery is also imaginative, with marvellous attention paid to detail, and the monsters are well-designed.

Still the best monster film ever made, if not the best film.

"He was a king and a god in the world he knew, but now he comes to civilisation merely a captive, a show to gratify your curiosity," the director says to the vaudeville house, before a curtain goes up and we see Kong suspended with his arms nailed out, as if on a cross.

Self-reflection and satire of Hollywood is everywhere, which came as a great shock to me. There is a great subtext: the story is about a filmmaker who travels to overseas locations, such as jungles, to film his movies - he cares nothing for the cultures he may be violating, all he cares is capturing the spectacle on film. If he is unable to capture it on film, he tells us early on in the picture, he'll destroy it without a second thought. This is a film about the emptiness and recklessness of Hollywood, yet the satire is not bitter, but tongue-in-cheek in a way that follows James Whale's advice for putting subtexts in genre films, ie, not spoiling it for those viewers who don't "get the joke." So Kong can be enjoyed as a pure genre picture. The performances have false moments, but as an adventure picture it develops well, taking us gradually further towards the mystery of the legend of Kong, then follows Kong as the whole drama of his attempted capture plays out. The music also, is great, and along with mist and good cinematography helps create a mysterious atmosphere. The beginning is fairly talky, but it picks up. And the lovely Fay Wray offers reason enough to watch this on her own. If I was Kong, i know i'd beat the hell out of any dinosaur there was in order to protect her!

Luckily, King Kong came in the period between 1930 and 1934 when there was no production code in Hollywood, so content was not censored. A couple years later we wouldn't have had the pleasure of seeing Fay Wray clad in a torn to shreds jungle jane costume, and especially not then falling in the water wearing said outfit! And probably not the degree of violence we have here: in one particular fight Kong has with T-rex he breaks the dinosaur's head by pulling its jaws so far open!

The vintage special effects are great. They're so fun for quaintness value, but in places they're actually really good. The wrestling match with the T-rex, when Kong cracks a giant snake's back, and especially when he shakes the men off the log - all these sequences in particular were very well done. When I think about it, these effects aren't as quaint next to today's as you might initially think. How would we do a convincing giant ape onscreen (how will Peter Jackson do it in 2005)? By computer? Most of our completely computerised creatures at this writing are ridiculously fake looking. Try the ridiculous creature in Hulk? Everyone commented on how fake it looked. I'll go for the much more fun stop-motion Hickenlooper Kong over Hulk anyday.

And the famous climax in New York City, which ends on the Empire State Building with Kong swatting at planes, is marvellous.