Glorifying the American Girl

The opening sequence of the picture is quite a sight to see, the way it was edited, the positioning of the sets and actors featured in the opening, and to top it all off, a few short clips from Ziegfeld's best known music from his best known music numbers (including "A Pretty Girl is like a Melody"). The rest is for all of you to see. It is available from Alpha Video and maybe a few public-domain distributors (do not expect to find it on DVD, it is a fairly rare film and I was lucky to get mine). The scenes that were shot in Technicolor are somewhat visible if you squint real, real hard. This is a 75 year old picture we're talking about here, it's amazing how much footage of Technicolor has survived since then, because there is so little of it. I originally purchased this picture to see what it's Technicolor sequences look like. I was very suprised though with how it turned out to be. Whoever did the choreography for this picture was a genius because the dancing is very well done. Adding it to your collection (whether or not you chose to do so) will certainly be worth your money.

Though the sound is sometimes weak and distant and the story is hardly compelling, there is still much of interest.

This is the only film with scenes from a Florenz Ziegfeld show. They are shot in two color (red/green) Technicolor. One shows a tableau and the other is a dance sequence. Both show elaborate Ziegfeld costumes.

Eddie Cantor's tailor act is really funny and there are several other vaudeville sequences as well. Mary Eaton's singing is fine, as is much of the dancing, both show and ballet style.

Just because I gave this movie seven stars doesn't mean it will be entertaining to everyone or even most people. Its main value today is to get a rare glimpse at one of the earliest talkie musicals, and also see and hear what a Ziegfeld show might have been like right before the famous showman went broke in the stock market crash of 1929. Florenz Ziegfeld himself actually produced this film, which features his Ziegfeld Follies girls. However, he was not at all happy with the final product, which flopped at the box office.

The movie actually does have a plot of sorts, although its purpose in this film, as in many of the early talkie musicals, is mainly to set up the singing and dancing numbers. This film, though, is unusual in that the plot does actually teach a little unexpected lesson on the price of fame.

The film opens with Gloria, Barbara, and Buddy selling sheet music in a New York City department store. Gloria and Buddy have been sweethearts since childhood, but Gloria wants a career before she settles down. To complicate matters, Barbara is secretly in love with Buddy. A vaudeville hoofer sees Gloria dancing at a store picnic and wants to take her on as a dance partner. They take their act on the road and are spotted by one of Ziegfeld's talent scouts. Back in New York at the audition, the Follies want Gloria but not her partner. Unfortunately for Gloria, though, she signed a five year contract splitting all her earnings with her partner. Gloria becomes the star of Ziegfeld's new show, and this sets up the lavish production numbers of the last third of the film.

Particularly entertaining in the Ziegfeld production part of the film are performances by Helen Morgan, Rudy Valee, and Eddie Cantor. You have to remember that this film was made before there was any effective production code, so you'll likely be shocked at the revealing nature of some of the costumes in the production numbers and some of the language used. Unfortunately, although the last third of the film was shot in Technicolor, the DVD version is in black and white. Also, because of the limitations of technology and the age of this film, there are many long shots of the production numbers with the Ziegfeld Follies girls that make it impossible to see the details of the lavish costumes and sets. However, in spite of its flaws, I'd recommend it to anyone interested in this period of history and these very early talkie gems of which so few are remaining in any form.

All of the versions floating around are in shaggy shape and most are incomplete. There is a fully restored version - I believe it is at UCLA - that has the Technicolor footage restored. Maybe someday we'll see the complete original version on DVD.

Mary Eaton, who played Gloria, had a hard time dealing with the loss of her fame as talking pictures left her behind. She died at the age of only 48 due to her chronic alcoholism. In contrast, her sister Doris, who never had Mary's fame, is the last surviving Ziegfeld girl at age 105 as I am writing this. As of the spring of 2009 she was still making public appearances. How odd that the star of one of the first talking pictures made on the subject of the price of fame would have a life that teaches such a sad lesson on that same subject.

This film may be a bit creaky, but still it is very satisfying to watch. I DID NOT need the fast forward button. To see a filmed performance of a probably pared down Ziegfield Show was an enjoyable experience overall. The music and the dance scenes were excellently executed and are a treat. Many of the principals had very limited film exposure afterwards, especially Mary Eaton and Dan Healy The specialties by Cantor and Vallee were also good, But, it was a pure thrill to see Helen Morgan singing, "What Wouldn't I Do for That Man"!!

There are two levels to this film. First is your chance to get a glimpse of history. You get to see an example (brief) of what one of the Ziegfeld Follies was. In the process of that you get a chance to hear and see Rudy Vallee and Helen Morgan sing, and see one of Eddie Cantor's skits. You also get a feel for the pomp and extravagance of the follies. What a difference to today's entertainment. In a sense, the folllies were a preview of what became the variety shows on television. And, those shows are gone too. And the movie catches how interested the general public was when a show opened. There was no tv in 1929 so radio went on the air describing all of the people who were attending the opening.

The second level is a fairly decent and interesting story. A story of a young woman who wanted to achieve success. And, in her drive for that success, we see the life she leaves behind and the effect that has on people as she drives forward. Part of that drive comes from her mother who wanted to be a part of that success. It is interesting how she also tries to drive Mary Eaton into making the decisions that she wants made and how she tries to manipulate those decisions. The movie does get across that there is a price to pay for success.

An interesting movie and worth seeing for a glimpse into the late 20's.