Double Whoopee
- 1929
- 20m
Ajouter une intrigue dans votre langueStanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly esco... Tout lireStanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly escorting a haughty Prussian nobleman into an empty elevator shaft.Stanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly escorting a haughty Prussian nobleman into an empty elevator shaft.
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
- Bellhop
- (uncredited)
- Bellhop
- (uncredited)
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
- Bellhop
- (uncredited)
- Hotel Guest calls for speech
- (uncredited)
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
- Hotel Guest
- (uncredited)
Avis en vedette
The story of this movie is definitely not the strongest and is quite simple as well as formulaic, especially in the beginning. Luckily the movie later turns into a more slapstick like filled silent comedy shorts, with as a result some memorable funny sequences.
There are certainly some good comical sequences in this movie, which help to distinct this movie from other early Laurel & Hardy silent comedy shorts. Also the characters are fun and deliciously over-the-top. I especially liked the prince and his prime minister, for who at first our two boys were mistaken. The moments with them were the one's that made me laugh the most, despite the fact that it mostly was just nothing more than a constantly returning continuity joke.
The famous Jean Harlow also plays a part in this movie. Her presence works uplifting for the movie and also probably help to make this movie more of a memorable one than it in fact truly is on its own.
Not the best or most interesting Laurel & Hardy silent comedy shorts but enough things present to make this movie a better than average one.
7/10
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There are also a motley assortment of hotel guests, including Jean Harlow before she was anything more than a stunning blonde, and Erich von Stroheim's double doing a deadly imitation of Von.
You can see that they;'ve already made the shift to sound shorts with UNACCUSTOMED AS WE ARE, which was released two weeks before this. Not only are there plenty of sound effects, but the titles for dialogue are the sort of lines they would speak, reflections of their screen personalities. There's no shortage of laughs in this one.
*** (out of 4)
Silent short has a Royal Prince showing up at a lavished New York City hotel just in time for Laurel and Hardy to start their first day on the job. This is a pretty good short that has a lot of great laughs, although the thing starts to wear out towards the end. The best gag is at the start of the movie when Laurel and Hardy are mistaken for the Prince himself, which leads to the boys welcoming their new fame even though they don't understand what it's all about. Another great gag involves Hardy's constant run ins with a cop (Tiny Sandford). A lot of fans won't watch these Laurel and Hardy silents, which is a real shame because the two were great comic actors even without the benefit of their voices. The two's chemistry is certainly easy to spot and the way the two have to use their facial gestures just adds more laughs. Jean Harlow has a important role towards the end of the film, although I guess it would be more fair to say she has important joke pulled on her when her dress gets caught up in the taxi door, which of course drives off leaving her in next to nothing.
Stan's penchant for slowly and meticulously working out gags, slowing down the pacing in order to milk all of the situations of their maximum laugh potential. Working closely with the Boss Man, Hal Roach and Writer/Director and later Supervising Director, Leo McCarey and his principle of "Reciprocal Destruction", the Laurel & Hardy style was established and known. Now, polished both on the surface and on the inside, the Team was ready to conquer other worlds. But first, they had to complete the last of their Silent Shorts.
OUR STORY ..DOUBLE WHOOPEE begins with a double case of mistaken identity. With the Hotel's receiving word of the anticipated arrival of the 'Prince' and his Prime Minister, Stan & Ollie are falsely believed to be them. Every courtesy is extended to them; up to the point of being overly obsequious.
The Hotel Manager (William Gillespie) was right on hand to supervise the Front Desk Clerk (Rolf Sedan) in his registering the visiting "Royalty." The first extended gag of the picture occurs here as Ollie insists on the proper etiquette of having his hat removed while signing the register. The team s-t-r-e-t-c-h-e-s out the whole bit with Hardy's unsuccessful attempts to get Laurel to do the same.
Eventually the Royal Party does arrive, with the Prince (Hans Joby), an Eric Von Stroheim look-alike and Prime Minister (Charley Rogers). At that time the boys present a letter from their employment agency concerning the pair's limited abilities and competence as the Hotel's new Doorman (Babe) and Coachman (Stan).
The bulk of the film was occupied with the boys having troubles with the Prince and the Elevator, their interplay with a couple of Cabbies (Charlie Hall, Ham Kinsey) and their confrontation with the Cop pounding' the Beat (Stanley J. 'Tiny' Sandford). As Doorman, Ollie has a brief encounter with a lovely Blonde Bombshell (Jean Harlowe). Arriving by way of another Taxicab, the lovely Miss Harlowe (Woo, woo, woo, woo!) is greeted by 'Babe'with the line: "Might I presume that you would condescend to accept my escortage?" Then, offering his arm to her, he walks her to the revolving door, while catching the train of her dress in the Cab's door! DOUBLE WHOOPEE was one film that was even a little slower than most other L&H's, but by the same token, it was an excellent example of the Roach/McCarey/Laurel brand of slow moving, carefully designed and meticulously fashioned laugh schtick! And it appears to have been filmed at nighttime, after dark in and about areal, fancy old Hotel.
Along with BIG BUSINESS (Hal Roach/MGM, also 1929) gave the Laurel & Hardy silents a great send-off, with top notch, out door and beautiful looking shorts. They had successfully developed their style, routines and could practically "hear" the characters. Now that sound had arrived and other actors struggled with their real vocal gyrations; the danger being that the voice wasn't fit for the sound screen. Of course that was no problem for "the Boys" as their voices fit their screen persona perfectly.
After a few slow starts in sound, Stanley & Oliver regained their stride and never looked back. They would shortly conquer the new medium. They were then and now tops in the field! POODLE SCHNITZ!!
Le saviez-vous
- AnecdotesHans Joby (aka Captain John Peters), who successfully lampooned Erich von Stroheim in this film, had been von Stroheim's double, and repeated all his nuances and characteristics.
- GaffesDuring his row with the cab driver, Ollie's hat keeps changing positions on his head between shots.
- Citations
Title Card: Broadway - Street of a Thousand Thrills...
- ConnexionsEdited into The Golden Age of Comedy (1957)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Двойной кутеж
- Lieux de tournage
- Hal Roach Studios - 8822 Washington Blvd., Culver City, Californie, États-Unis(It was demolished in 1963. Today is The Platform Shopping Center)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée20 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1