Ajouter une intrigue dans votre langueKiki, a poor young woman who sells newspapers on the street corners of Paris, is able to land a job singing and dancing at a nearby theater. While she is there, she invites herself into the ... Tout lireKiki, a poor young woman who sells newspapers on the street corners of Paris, is able to land a job singing and dancing at a nearby theater. While she is there, she invites herself into the life of the revue's manager, with whom she has fallen in love.Kiki, a poor young woman who sells newspapers on the street corners of Paris, is able to land a job singing and dancing at a nearby theater. While she is there, she invites herself into the life of the revue's manager, with whom she has fallen in love.
- Director
- Writers
- Stars
- Prix
- 2 victoires au total
Eugenie Besserer
- Landlady
- (uncredited)
Agostino Borgato
- Doctor
- (uncredited)
André Cheron
- Maitre d'
- (uncredited)
Mathilde Comont
- Maid
- (uncredited)
Fred Malatesta
- Cheron, the Tenor
- (uncredited)
Ellinor Vanderveer
- Restaurant Patron
- (uncredited)
Avis en vedette
If anyone has a complete version of this out there, I would love to get in touch with you. My copy is missing a couple of reels. So, I don't know exactly HOW Ronald and Norma met in the movie.
Despite the missing reels, I thoroughly enjoyed this little movie. Despite the picture quality not being very good, it was fun and playful and Norma Talmadge was a hoot - especially where she is "comatose"! Ronald Colman was also young, chipper, and handsome - and of course, there's the evil "other woman" in his life.
If you can find a copy of this film, even incomplete, do see it. It's not a masterpiece, but it is fun to watch, and I think anyone would be amused.
Despite the missing reels, I thoroughly enjoyed this little movie. Despite the picture quality not being very good, it was fun and playful and Norma Talmadge was a hoot - especially where she is "comatose"! Ronald Colman was also young, chipper, and handsome - and of course, there's the evil "other woman" in his life.
If you can find a copy of this film, even incomplete, do see it. It's not a masterpiece, but it is fun to watch, and I think anyone would be amused.
(1926) Kiki
SILENT ROMANTIC COMEDY
Kiki (Norma Talmadge) acts like a kook who is naturally clumsy, with it's goal was it to live and marry the typical wealthy owner of a stage show. It happens to be the Ronald Coleman character as he plays, Victor Renal. Which if you can get past the first 30 minutes, since the other slapstick stuff was routinely old fashioned and rather predictable, than you might be able to make it the rest of the way. As some of the comedy bits is similar to other comedy stuff of that era, even though comedic giants such as Chaplin, Keaton and Harold Lloyd and other shorts...had done some of those comedic scenes better. The only difference with this movie as opposed to the others is that there is a story to be told here, with the slapstick serving nothing more but a backdrop.
Kiki (Norma Talmadge) acts like a kook who is naturally clumsy, with it's goal was it to live and marry the typical wealthy owner of a stage show. It happens to be the Ronald Coleman character as he plays, Victor Renal. Which if you can get past the first 30 minutes, since the other slapstick stuff was routinely old fashioned and rather predictable, than you might be able to make it the rest of the way. As some of the comedy bits is similar to other comedy stuff of that era, even though comedic giants such as Chaplin, Keaton and Harold Lloyd and other shorts...had done some of those comedic scenes better. The only difference with this movie as opposed to the others is that there is a story to be told here, with the slapstick serving nothing more but a backdrop.
10bbmtwist
This is a real surprise - an entirely enjoyable comedy based on character, not slapstick, expertly directed by Clarence Brown and with a quartet of subtle performances, none of which is exaggerated, all perfectly natural and heart-warming.
Talmadge is very inventive and very funny as the waif, yearning for Colman, who is dapper, assured and certainly the handsomest leading man in silent films. Astor is a scream as the desperate gold-digger and Arthur almost steals the film away from Talmade as Adolphe, her valet nemesis. Facial expressions are natural, movement is as well. It is very much a photographed stage play with only ten sequences, the first running a third of the film's length. Yet, it never seems stagey or stiff.
Were there Oscars then, I'd have bet Talmadge, director Brown and supporting actor Arthur would have snagged noms, plus the ornate Art Direction.
A winner on every level and one of Talmadge's best. The Kino DVD of the LOC restoration is impeccable, clear, crisp and bright.
Talmadge is very inventive and very funny as the waif, yearning for Colman, who is dapper, assured and certainly the handsomest leading man in silent films. Astor is a scream as the desperate gold-digger and Arthur almost steals the film away from Talmade as Adolphe, her valet nemesis. Facial expressions are natural, movement is as well. It is very much a photographed stage play with only ten sequences, the first running a third of the film's length. Yet, it never seems stagey or stiff.
Were there Oscars then, I'd have bet Talmadge, director Brown and supporting actor Arthur would have snagged noms, plus the ornate Art Direction.
A winner on every level and one of Talmadge's best. The Kino DVD of the LOC restoration is impeccable, clear, crisp and bright.
Norma Talmadge plays the title role. Kiki is a goofy young Parisian lady who wants to join the chorus. Using her wits and a bit of trickery, she is able to become a chorus girl. Unfortunately, she's also a ditsy nut and soon loses her job. The boss (Ronald Colman) feels sorry for her, however, and he takes her home. Kiki is in love with him but his thoughts are for the diva of his company--a sophisticated and very demanding lady. Can Kiki manage to steal away his heart or is nice-guy Colman going to throw his life away on the diva? Norma is pretty good in this film but sometimes her character is a bit too goofy--making the humor a bit too broad. This is not a major complaint but prevents the movie from rising to the level of the best female silent comedies (such as Marion Davies in "Show People"). Enjoyable but slight.
By the way, since this is a Pre-Code film, there is some sexual innuendo you just won't see in post-1934 films. The most funny and bawdy is the bed bouncing scene--which you'll just have to see for yourself.
By the way, since this is a Pre-Code film, there is some sexual innuendo you just won't see in post-1934 films. The most funny and bawdy is the bed bouncing scene--which you'll just have to see for yourself.
Romantic comedy starring Norma Talmadge who is terrific playing Kiki, waif who sells newspapers on a Paris street corner, she longs to sing in the local Follies revue, not to mention she's madly in love with the manager of the revue, who she admires longingly from afar. When the Follies needs a replacement singer, Kiki spends her rent money on a new outfit complete with gigantic checkered bow tie, piles of bangle bracelets, and beret topped with a long, wild feather - she soon tricks her way into the theater's office and into getting hired. Kiki is an energetic, feisty little fireball who is soon getting into fights with the manager's stuck-up girlfriend all in hot pursuit of the man she wants.
This film is both fun and funny, Talmadge is just great in her part - there is one scene where she is pretending to be catatonic and she holds her body stiff as a board while the characters manipulate her legs up and down, pick her up, move her stiff hands back and forth, etc. - well done and highly amusing. Ronald Colman, who plays the manager, is dashing and extremely handsome in this, as usual. There are also some amusing scenes with a rather prissy valet who is constantly in conflict with Kiki as she has managed to get herself ensconced in Colman's house and won't leave. An excellent silent film.
This film is both fun and funny, Talmadge is just great in her part - there is one scene where she is pretending to be catatonic and she holds her body stiff as a board while the characters manipulate her legs up and down, pick her up, move her stiff hands back and forth, etc. - well done and highly amusing. Ronald Colman, who plays the manager, is dashing and extremely handsome in this, as usual. There are also some amusing scenes with a rather prissy valet who is constantly in conflict with Kiki as she has managed to get herself ensconced in Colman's house and won't leave. An excellent silent film.
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- ConnexionsRemade as Kiki (1931)
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Détails
Box-office
- Brut – États-Unis et Canada
- 414 115 $ US
- Durée
- 1h 48m(108 min)
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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