ÉVALUATION IMDb
6,6/10
2,4 k
MA NOTE
Ajouter une intrigue dans votre langueA wanted Russian lieutenant becomes a masked vigilante seeking vengeance upon the man who stole his family's land, only to fall for his charming daughter.A wanted Russian lieutenant becomes a masked vigilante seeking vengeance upon the man who stole his family's land, only to fall for his charming daughter.A wanted Russian lieutenant becomes a masked vigilante seeking vengeance upon the man who stole his family's land, only to fall for his charming daughter.
- Director
- Writers
- Stars
- Prix
- 2 victoires au total
Vilma Bánky
- Mascha Troekouroff
- (as Vilma Banky)
James A. Marcus
- Kyrilla Troekouroff
- (as James Marcus)
Spottiswoode Aitken
- Dubrovsky's Father
- (uncredited)
Agostino Borgato
- Priest
- (uncredited)
Mario Carillo
- Marcel Le Blanc - French Tutor
- (uncredited)
Gary Cooper
- Masked Cossack
- (uncredited)
Jean De Briac
- Minor Role
- (uncredited)
Otto Hoffman
- Man Whose Purse is Stolen
- (uncredited)
Eric Mayne
- Official Asking for Signature
- (uncredited)
Russell Simpson
- The Eagle's Lieutenant
- (uncredited)
- …
Mack Swain
- Innkeeper
- (uncredited)
Gustav von Seyffertitz
- Court Servant at Dinner
- (uncredited)
Avis en vedette
I saw "The Eagle" a few years ago with a sound effects track and very appropriate Tchaikovsky orchestrial music. This beautiful addition set the stage for Czarina's imperial Russia. Mr. Valentino's duel role as Lieutenant of the imperial guard and eventually as THE BLACK EAGLE out for revenge on behalf of his father's family depossession by a crooked neighbor and judge, plans just do. The crooked land owner has a beautiful daughter who defects his ultimate goal. Happy Ending. Clarence Brown, director, helped make "The Eagle" a good movie.
Charles Farenga
Charles Farenga
This is a very good period melodrama that also features one of Rudolph Valentino's best roles. The Robin Hood-like story combines drama, excitement, revenge, romance, and more in a well-crafted movie that is entertaining to watch. Vilma Banky and Louise Dresser head up a good supporting cast that works well with Valentino.
The story setup has Valentino's character on the run from an angry Czarina, even as he is cheated out of his family possessions by a dishonest nobleman. He turns outlaw to avenge his family name, only to have everything complicated by romance. It's a good story, though a largely familiar one, and the cast and director Clarence Brown make it enjoyable.
It's a good role for Valentino because it plays to his strengths and doesn't ask him to do much more. Banky is sympathetic as the daughter of the crooked Kyrilla, and Dresser does a very good job as Empress Catherine, bringing out her personal desires and her ruthless use of power. Albert Conti and James Marcus also give good performances, while Brown keeps things moving at a good pace and tells the story effectively, with an occasional lighter moment to keep things from being taken too seriously. "The Eagle" combines a good story, cast, and production values, and it works quite well.
The story setup has Valentino's character on the run from an angry Czarina, even as he is cheated out of his family possessions by a dishonest nobleman. He turns outlaw to avenge his family name, only to have everything complicated by romance. It's a good story, though a largely familiar one, and the cast and director Clarence Brown make it enjoyable.
It's a good role for Valentino because it plays to his strengths and doesn't ask him to do much more. Banky is sympathetic as the daughter of the crooked Kyrilla, and Dresser does a very good job as Empress Catherine, bringing out her personal desires and her ruthless use of power. Albert Conti and James Marcus also give good performances, while Brown keeps things moving at a good pace and tells the story effectively, with an occasional lighter moment to keep things from being taken too seriously. "The Eagle" combines a good story, cast, and production values, and it works quite well.
...mix of masked-hero action and romantic comedy from director Clarence Brown and based on a novel by Pushkin. Young Lt. Vladimir Doubrovsky (Rudolph Valentino) of the Russian Army is forced to go on the run after spurning the romantic advances of the Czarina (Louise Dresser). Once back in his home village, Doubrovsky learns that local baron Kyrilla (James Marcus) has been cheating the people out of their land, money and possessions, including Doubrovsky's own father, who died of despair at his losses. Doubrovsky vows revenge, and so adopts the guise of the Black Eagle, a Zorro-like masked bandit-hero who, along with his band of cohorts, makes life miserable for Kyrilla. However, when Kyrilla's beautiful daughter Mascha (Vilma Banky) comes home from abroad, Doubrovsky is smitten, and so he impersonates her new personal tutor to infiltrate Kyrilla's estate and to woo Mascha. Also featuring Albert Conti, George Nichols, Carrie Clark Ward, Gary Cooper as a masked extra, and Gustav von Seyffertitz.
Valentino is good here, although I wish there had been more action scenes with him as the Black Eagle. Dresser is fun as the lascivious Czarina. William Cameron Menzies provided the gorgeous production design, and director Brown dazzles with a "how'd they do that?" tracking shot over a sumptuous banquet table. My only real complaint would be that the movie can't seem to decide what it wants to be, and therefore sells both efforts a bit short. This was only my second Valentino film (after 1922's Blood and Sand), and it would prove to be his next-to-last film. It was a big hit for him after a run of disappointments, and signaled a big comeback which would be cut short after one more film and his death at age 31 in 1926.
Valentino is good here, although I wish there had been more action scenes with him as the Black Eagle. Dresser is fun as the lascivious Czarina. William Cameron Menzies provided the gorgeous production design, and director Brown dazzles with a "how'd they do that?" tracking shot over a sumptuous banquet table. My only real complaint would be that the movie can't seem to decide what it wants to be, and therefore sells both efforts a bit short. This was only my second Valentino film (after 1922's Blood and Sand), and it would prove to be his next-to-last film. It was a big hit for him after a run of disappointments, and signaled a big comeback which would be cut short after one more film and his death at age 31 in 1926.
I saw "The Eagle" made in 1925 a few years back on video from Nostalgia cable. It had a sound effects addition and a beautiful Tchaikovsky orchestral score by Michael Hoffman. Mr. Valentino played the first of his duel role career as a fearless lieutenant in the imperial Czarina home guard. When Valentino learns of his father's swindle by a crooked neighbor and lawyer, he rushes home to find his father dying and estate forfeitured. He seeks revenge as THE BLACK Eagle, sort of Robin Hood. The crooked neighbor has a lovely daughter who comes between Valentino carrying out his intentions. Will THE BLACK EAGLE EXTRACT his due? The ending straightens out any ill intentions.
Charles Farenga
Charles Farenga
This was the first silent film I'd ever seen, and it immediately captivated me. All the acting is incredible, and Valentino's allure is breathtaking. The story is adventurous and interesting and even humorous at times. I recommend it to anyone interested in seeing a silent film or anyone just looking to see some classic entertainment.
Le saviez-vous
- Anecdotes'Rudolph Valentino' wanted to project a more aggressively masculine image in this film, so in order to establish this with the cast and crew, he sent home stunt double Nicky Caruso and did the spectacular opening stunt - leaping onto a horse and chasing down a runaway carriage - himself.
- GaffesThe story is set during the reign of Catherine the Great, who died in 1796, but the clothing styles are much closer to those worn in the early 19th century. And at one point Vladimir lights a candle with a friction match, which weren't invented until 1826.
- Citations
Vladimir Dubrovsky: Haven't we met before?
Mascha Troekouroff: I think not. I don't associate with masked men as a rule.
- Autres versionsKilliam Shows, Inc. copyrighted a restored, tinted and scored version in 1971, currently available on video with running time of 72 minutes. The restoration was done by Karl Malkames and the theater organ score was by Lee Irwin.
- ConnexionsFeatured in The Beverly Hillbillies: Jed Rescues Pearl (1963)
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- How long is The Eagle?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 323 150 $ US
- Durée1 heure 13 minutes
- Mixage
- Rapport de forme
- 1.33 : 1
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