His New Job

Charlie Chaplin turns up for an interview at the "Lockstone" film studios (they've even got a water cooler!) - desperate for a job... He'll do anything, which is just as well because every task he his assigned by the director he manages to cock up. It's funny for about ten minutes, the timing and precision seems effortless but, despite the introduction of a few new foils for his humour (the leading lady, leading man and a poor old chippie just trying to get the sets built) it gets quite predictably repetitive pretty soon. There are only so many times you can get away with poking someone with a sword, or a stick; or hitting them on the head with a plank - before the performance becomes, well, routine. It shows off the acrobatic talents of the star well, too - but again, as with slapstick in general for me, has no subtlety to keep the humour crisp and fresh.

There is something uniquely charming about the short comedies that Chaplin made that poke fun at his art form or that show us a little bit of the mechanics of how these movies are made. The most notable example other than His New Job is the charming and fun Behind the Screen, although this film is a lot of fun, too.

It starts out in the waiting room, apparently for the opportunity to interview for a job as a film extra. He immediately begins flirting with a woman in the room, and soon does the old hat gag where someone demands that he take it off but he keeps putting it back on, finally doing that cute trick where he flips it up in the air. I feel like I've seen him do that in at least four or five films, although I have to say that he does it best in The Immigrant.

It seems that the characterization is getting pretty developed by this point, and that the little tramp has earned a good following of fans who want to see him in each new Chaplin film. There is less and less effort put into giving him a role in each film, he generally just comes out and plays himself.

There are lots of traditional Chaplin antics in the waiting room as he competes for the film extra position, although when he finally gets into the interview room and blows into that earpiece, it might be the first time I've literally laughed out loud at one of these short comedies in quite a while.

Charlie is dressed as a soldier for his part in the film within the film, although as is to be expected, things soon go wrong and his lack of acting talent becomes abundantly clear. I always find it a little amusing when actors play roles in which, at some point, they lament the fact that they have no acting talent.

But my favorite part of the film is that it shows us behind the scenes, what some of the film sets looked like back in 1915. I always find it fascinating when I catch a glimpse of something real in these old movies, even if it's something tiny, like wafting smoke or the unintentional movement of curtains or a throw rug. It is endlessly fascinating to me to imagine what it was like to really be there, what the set looked like to the naked eye, in real life and in color.

Here, we are treated to some shots of the inside of the soundstage, which I guess is the next best thing. Generally, the movie is clever and fun, but other than some interesting behind the scenes shots there's really nothing new here. The ending is even a little violent, but this is still one of the more fun of Chaplin's earliest work.

This fairly routine farce from Chaplin sees his tramp character apply for a job as a film extra with a talent agency, then subsequently cause havoc on the set. Throughout the film he has a running battle with cross-eyed foe Ben Turpin, who provided a foil Chaplin on a number of occasions during Chaplin's time at Essanay. The slapstick is mostly of the spitefully violent type so often provided by the tramp in his earlier incarnations. Odd, really, how lovable this character was considered when, in nine times out of ten, he initiated violent confrontations with unprovoked attacks on others. This is passable entertainment but is not one of Chaplin's best, and is noticeable only for the glimpse it gives us of the early days of film-making.

This is one of 5 Chaplin that are on the first DVD of Chaplin's Essanay Comedies. In general, compared to volume 2, the shorts on volume 1 aren't as well-made--because the DVDs are arranged chronologically. Chaplin's skill as a film maker and actor appeared to improve through his stay with Essanay Studios.

This short is not particularly memorable in some ways, as there is a very strong reliance on slapstick and very little regard to the development of the plot--something that would change as he made more and more shorts that became more and more plot-driven.

Charlie gets a job working at Lodstone Studios in the short. He is a carpenter but is able to insinuate himself into the films by posing as an actor. The biggest positive of this film is that it gives some insight into the film making process at the time. Other than that, there's little of an great significance to this film.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

The first effort from his Essanay period after leaving Keystone, 'His New Job' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'His New Job'.

'His New Job' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety.

On the other hand, 'His New Job' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

While not one of his funniest or original, 'His New Job' is still very entertaining with some clever, entertaining and well-timed slapstick and a sly satirical element. It moves quickly and there is no dullness in sight.

Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well, including a cameo from Gloria Swanson.

In summary, well worth your time if not a Chaplin classic. 8/10 Bethany Cox