Hollywood

The creators of a mini-series have made a significant effort to demonstrate that hardly any straight men existed in Hollywood during the 1940s. While this might be true, there is an ethical dilemma. Using rumors and facts to fill the script with events that happened and using the names of real people while mixing them with wishful fantasies and lies is a lame move. It destroys the tone of the series. For instance, showing Rock Hudson coming out as gay in public in 1946 with a black boyfriend or Ernest Borgnine presenting an Oscar to a non-existent movie with a non-existent cast is unrealistic. Moreover, the series contains extended love scenes that lack gusto, eroticism, or reason, making them redundant. Despite this, six out of seven episodes are watchable. However, the last episode is full of cheesiness and lacks surprise and intensity, making it forgettable.

Full of colors, fun, diverse characters and drama, Hollywood is a mini series (I don't get the current possibility for season 2) worth a watch if you're into historical what-ifs, or you just want to watch a fun "period" drama that is not the real Golden Age Hollywood... So don't expect history lessons, and just enjoy 1940s through rose colored glasses. It would've been a better choice to go full-fiction with all fiction characters though, without terrible Rock Hudson portrayal for example. Or to go 100% factual (it's not that hard) and show how things really happened in Hollywood, with real struggles of aspiring writers, directors, actors, poor, non-white, different sexuality (for example, Rock Hudson's real closet case). As for the quality of the series in general, it started excellent and then just lost itself with unbelievable plot and characters acting forced, unnatural and silly. The cinematography is great. Drama is mostly interesting, something that's usual for Ryan Murphy (I love American Horror story and Scream queens, he should stick to horror comedy). All in all, I gave 7/10 for the first few episodes, cinematography, silly drama and feel-good mindless fun. It would have been much lower if I took it seriously... Or if I judge by last few episodes... Or if they decide to make season 2 (oh no)! P. S. The tune at the end of each episode is so annoying and repetitive!

It started out sooo good. The first 3 episodes were great. I thought for sure this would be Oscar worthy...then, it took a hard dip by episode 4, turning into Make-A-Wish foundation, and by episode 5, it was a PSA announcement. We shut it off mid-episode 'cause we were bored, and I was calling out every plot twist before it happened it had become so predictable. It was like Ryan Murphy and Ian Brennan wrote the first 3 episodes, got bored, and told their 22-year-old writer's assistants to finish the show.

I feel like Ryan Murphy is at that point in his career where he can get anything greenlit so now he's writing entirely for himself and doesn't care what the audience or his fans want. It's a shame. The writing started out so strong. Imagine the first half of this show like Glee season 1 and the second half like Glee, the final years, and you have an idea of where the writing went on this show. Too bad.

I saw the documentary that they ripped the gas station / Dreamland part of the show, and that was fun, despite they took that guy's life and probably didn't pay him. There's zero tension in the show after episode 3. It's just wish fulfillment, where everyone gets what they want, like a pre-school show for kids, so, despite the strength of the first few episodes you stop caring about the characters because you can predict everything that will happen so what's the point of seeing it? No mystery. No struggle after episode three, they suddenly magically get everything they want. There's no reason to watch until episode 7 because mid-episode 5 it's an easy guess where it's going, which we confirmed by reading reviews.

I just don't know how Murphy went from America Crime Story: Versace, to this. Such a great idea, and so magical, and it just fell apart, as if they stopped caring halfway through.

Rock Hudson was great. That was one bright spot in the show, aside from the initial writing and the production value. He was endearing and vulnerable. You really root for him, despite the show falling apart around him. And was interesting to see Jim Parsons as a villain after 12 seasons of him playing Sheldon. I'm sure he loved playing that. The entire cast is likable, it just would have been nice for them to be consistent as opposed to shifting their characters completely and unrealistically halfway though. Again, bad writing.

... this had been true?! I don't understand how so many reviewers can have missed the whole point of this series. I cringed alarmingly during the first couple of episodes, but, I was intrigued and kept watching. I am so glad that I did. I just love this! Great acting, beautiful settings and a wonderful "what if" story, very much needed in this intolerant world.

And then it becomes bitter sweet. Haven't we come further? Why? We, as humans and society has a long, long way to go which is truly worth fighting for. So, in short, this series is all about equality, love and that colour, gender or sexual orientation shouldn't matter.

Ryan Murphy seems to believe that Darren Criss is a talented actor or maybe he just has a soft spot for him. Personally I think he plays EVERY role the exact same way except for a few tweaks here and there.

I didn't think Jim Parsons had the chops to tackle a role like this but he was amazing as real life agent Henry Wilson. I absolutely love Henry Cavill and he will always be Superman (and Geralt) in my mind but I am a little curious to see what David Corenswet (Jack Costello) will do with the Superman role.

Everyone gave a great performance in Hollywood except for Laura Harriet who played Camille and Maude Apatow who played Henrietta. Maude is a nepo-baby so unfortunately I understand why she keeps getting roles but who is Laura related to ?? I haven't seen acting that bad since Selena Gomez in Only Murders in the Building.