Citadel

There were some undoubtedly good moments as this series set up, unfortunately, the further the series went the less promise it showed.

This is tricky, I really wanted to like Citadel, and I did like the first episode.

It's a little tempting to think that this is what happens when you throw too much money at something and don't make it work hard enough to earn that money and develop.

True there was some classic spy action - but with only a few exceptions this wasn't really groundbreaking stuff. Also true that an element of predictability crept into the show the further it went.

What we ended up with is a show that absolutely looks the part, but that when all is said and done is less the sum of its parts, whereas at a rumored $300 million it should clearly have been more - much more.

Citadel is another sad example of a show that chose form over function - looking good, rather than really getting the razor to the story and whittling and revising until something fresh and entertaining remains - new twists on old tails.

Let's hope they learn the lesson for season 2.

This is an initial review of the first episode of this series.

While this is an intriguing concept in the vein of Jack Ryan/Jason Bourne and the many spy adaptations that have been brought to the big and small screen lately, it fails to live up to the hype.

The first thing that jumped out to me about this series was the cringy-ness of the dialogue and the lazy plot writing. The initial meeting in the trail between the two main characters debuts with very poorly written dialogue that felt like it was trying way too hard to be clever. The action scenes that followed were pretty well executed, but nothing I haven't seen before.

The plot tropes that followed have been seen in a ton of spy movies/series already, it felt like a soft-boiled crowd-sourced spy series where they threw a bunch of heavily-used spy tropes in a blender to make something basic and unimaginative.

The bottom line is that this series has failed to find a unique identity and very much risks being forgotten over time. The action scenes were pretty good but the characters seem to be basic and unmemorable so far. To be fair, it's very early in the series. But unless is seen something unique from a story perspective that captures my attention, I am not going to waste my time watching further. I hope things improve but I'm not optimistic.

Mason Kane (Richard Madden) was once one of the top agents for an independent global spy agency called Citadel that operated outside the controls of any government with its mission being to protect humanity from global threats. During a mission alongside Citadel's other top agent Nadia Sinh (Priyanka Chopra Jonas), the mission turned out to be a trap by insidious organization Manticore which lead to Citadel's collapse and Mason losing his memories believing himself to be an alias Kyle Conroy. 8 years later, Mason/Kyle is now married to Abby (Ashleigh Cummings) with a daughter Hendrix (Caoilinn Springall) with still no memory of his life beyond these 8 years save for flashes in dreams. When Mason/Kyle attempts another DNA test, this brings him to the attention of Bernard Orlick (Stanley Tucci), his former tech support specialist in Citadel who tells him that Manticore are preparing something major and he needs to use his dormant skillset to stop it.

Citdael is the long awaited collaboration between Amazon Studios and producers Joe and Anthony Russo that has spent five years in development with the intention being to create a globe spanning spy franchise consisting of a mothership series along with several planned local language spin-offs with an Indian and Italian series both confirmed at this point with several others in various stages of development. Totaling a six episode first season, Citadel is noted for being one of the most expensive series ever produced with an estimated $300 million production budget that's largely credited with reshoots that were undertaken when the original showrunners were replaced with David Weil. With the first two episodes now available, Citadel certainly has scope and production value to spare, but it's all in service of a very safe and very generic spy thriller that feels like a remix of the "greatest hits" of the past 20 years' worth of spy movies.

It's honestly pretty hard to discuss much regarding Citadel because the first two episodes have basically been very standard scenes of exposition, macguffin chases, and fight scenes with very little that actually gives Citadel much of an identity of its own. While I did like Stanley Tucci giving some personality to his tech expert character Bernard Orlick by adding some punch to his lines, most of the cast aren't really given all that much to work with and as a result Richard Madden and Priyanka Chopra Jonas just feel like placeholders in roles that could've been played by anyone and it'd hardly make a difference who you chose to play them.

Citadel just feels like time filler, albeit handsomely produced and competently made time filler. It's amazing how you have a series that not only has this level of financial backing but is coming from major producing powers and there's just nothing all that much to talk about in what's supposed to be a major hook to get viewers.

I actually thought Citadel was pretty good. I've been looking forward to this ever since I first heard about it and then my expectations grew even more after watching the trailers. Well, I can tell you that without a doubt this show has not only met those expectations but surpassed them in every way. Besides looking great it has A-list stars attached both in front and behind the camera. It's made by the Russo Brothers (Avengers, Captain America: Civil War and Winter Soldier, The Gray Man, etc.) and stars Richard Madden (Game of Thrones, Bodyguard) and Priyanka Chopra Jonas (Baywatch, Quantico). It's a fun series from start to finish. It will grab your attention from the very first episode and bring you into their world. The visuals are beautiful and the story is fast paced. I'm glad to see this series was already renewed because I'm excited see where this show goes.

For now, just a big parade of shallow clichés.

Maybe it's an attempt to bring a teenage audience closer to spy genre. The intended audience would then justify the insubstantial plot, the characters' constant explanations of what's going on, the TikTok editing, and an almost cynical lack of engagement with the real world. By the way, do these plots involving nuclear artifacts still make sense? Why don't screenwriters experiment with contexts closer to the experiences of the new generations, such as pesticides, industrial secrets in medicine and food, disputes over geolocation data, etc.? Why not explicitly place industries and their business interests at the center of the story rather than these government agencies with their political overtones?

Boring.