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The Beatles: Get Back

  • Mini-série télévisée
  • 2021
  • 18
  • 2h 30m
ÉVALUATION IMDb
8,9/10
33 k
MA NOTE
POPULARITÉ
1 920
109
Paul McCartney, John Lennon, George Harrison, Ringo Starr, and The Beatles in Part 1: Days 1-7 (2021)
Original Docuseries Now Streaming
Liretrailer0 min 31 s
22 vidéos
99+ photos
DocuseriesMusic DocumentaryBiographyDocumentaryMusic

Un documentaire sur les Beatles, qui met en vedette le processus créatif du mythique groupe, tourné en janvier 1969 pour le documentaire Let It Be, présenté en 1970.Un documentaire sur les Beatles, qui met en vedette le processus créatif du mythique groupe, tourné en janvier 1969 pour le documentaire Let It Be, présenté en 1970.Un documentaire sur les Beatles, qui met en vedette le processus créatif du mythique groupe, tourné en janvier 1969 pour le documentaire Let It Be, présenté en 1970.

  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,9/10
    33 k
    MA NOTE
    POPULARITÉ
    1 920
    109
    • 345Commentaires d'utilisateurs
    • 48Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Série la mieux cotée no 43
    • A remporté 5 prix Primetime Emmy
      • 19 victoires et 12 nominations au total

    Épisodes3

    Parcourir les épisodes
    HautLes mieux cotés1 saison2021

    Vidéos22

    I've Got a Feeling Clip
    Clip 1:26
    I've Got a Feeling Clip
    The Beatles: Get Back: Learning New Numbers
    Clip 0:58
    The Beatles: Get Back: Learning New Numbers
    The Beatles: Get Back: Learning New Numbers
    Clip 0:58
    The Beatles: Get Back: Learning New Numbers
    The Beatles: Get Back: Get Back In Apple Basement
    Clip 1:23
    The Beatles: Get Back: Get Back In Apple Basement
    The Beatles: Get Back: Something
    Clip 1:28
    The Beatles: Get Back: Something
    The Beatles: Get Back: I've Got a Feeling
    Clip 1:20
    The Beatles: Get Back: I've Got a Feeling
    The Beatles: Get Back: I've Got A Feeling (German Subtitled)
    Clip 1:26
    The Beatles: Get Back: I've Got A Feeling (German Subtitled)

    Photos169

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    Commentaires des utilisateurs345

    8,932.7K
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    Avis en vedette

    9Lejink

    Up On The Roof

    The climactic third segment of Peter Jackson's re-edit on Michael Lindsay-Hogg's raw footage for the original "Let It Be" feature in 1970. In the intervening 51 years, many of the significant characters here are no longer with us, most obviously Lennon and Harrison, but also George Martin, Billy Preston and Linda McCartney (then Eastman) to name but a few. Me, I'm glad I've lived long enough as a lifelong Beatles fan to see this up-close-and-personal glimpse of them in the studio and of course, in the end, playing live for the last time, on the roof of the Apple Studios building on Savile Row, London.

    If the first film of the three showed the group not coping with being expected to work in the cavernous Twickenham Film Studio set to the extent of becoming fractious with one another and not getting a whole lot done and the second their reconciliation and rediscovery of their collective mojo boosted by the drafted-in guest appearance of keyboardist Billy Preston, then this last instalment showed the race against time to complete their elpee's worth of songs (at which they fail) and agreement to an almost ad-hoc suggestion that they perform their new material live above the mostly agog office and shop-workers below (at which they succeed).

    I do hope now that the often upbeat nature of these films and the way they showed the band tightening up, in more ways than one, will replace the perception of these sessions, as portrayed in the original film, as negative and downbeat. Yes, there were disagreements and falling-outs along the way, but when their backs were against the wall, the band always came out fighting, as McCartney states they invariably did when the occasion called. While in the first hour, perhaps the odd extended jam or two could have been cut down or out, these are more than made up for with priceless scenes with the group chemistry very much in evidence, witness George asking for help with his lyric for "Sonething", his own helping of Ringo to knock "Octopus's Garden" into shape or John and Paul hilariously co-singing "Two Of Us" as if they were ventriloquists.

    Best of all though was the music itself. Marvel at their prolific output, setting themselves a 14-song target, this, remember just a few months after they'd unleashed 30 newbies on "The White Album". Also dig how they individually and collectively pull a song together, not stopping until they get it right. Initially trepidatious at witnessing a perceived up-close disintegration of my favourite band, instead I got an insight into the years of gigging and recording which helped them stay together for so long. Yes, at times, it's clear the ends were fraying as they grew apart and would come loose for good after one final magnificent hurrah with "Abbey Road", but this extended window into their world only deepened my love and admiration for this most special band.

    The highpoint of "Get Back" of course was the uncut 40 minutes or so of the rooftop show, again with Billy Preston as their side-man on keyboards, blasting out their new music over the streets of London prompting the attention of the stuffy, out-of-touch local plod to shut them down. All the sometimes ramshackle rehearsals and run-throughs forgotten, on a cold but sunny winter morning, they sing and play magnificently together one last time in a truly Olympian performance, to the mortals below.

    And in the end, borrowing a phrase from a lesser but still very popular band, all I can say is thank you for the music, boys, you were the best.
    10Sunsphxsuns

    GET BACK VS LET IT BE

    On May 13, 1970, in Redondo Beach, California, I stuffed a VW bus with my closest musician friends and drove to Hollywood to see the midnight premier showing of The Beatles: Let It Be. Like many musicians who were professionally involved in the swiftly emerging music industry in the 60s and 70s, John Lennon, Paul McCartney, George Harrison and Ringo Starr had helped to shape and define not only the rock and roll we performed, but also how we socially and culturally defined ourselves in the massive Counterculture Movement.

    After screening the film, we drove back home in deafening silence. It was as if a global blackout had occurred, and when it was over, the music industry landscape had been transformed into a yawning, empty hole, one which would not begin to be filled in for another 51 years. It was true, there was little to say. We had just witnessed the depressing breakup of the world's greatest pop band, and the stunning finality of it all had been dutifully documented in Let It Be. To quote John Lennon: "The dream was over."

    But thanks to director extraordinaire Peter Jackson, and the release of The Beatles: Get Back, the painful wound I thought would never heal was suddenly cleansed, dressed, stitched and repaired. The empty hole left by the original film began to fill in as the first few scenes of Get Back rolled across the television screen. Instead of mourning the demise of this iconic group, I found myself with a renewed sense of celebration, even relief, with the updated knowledge that the Beatles hadn't necessarily "gone down in flames" but rather, were subconsciously beginning the process of launching their solo careers, each of which would flourish for many years following their official breakup.

    Most IMDb fans already know the full story behind Let It Be (1970) and The Beatles: Get Back (2021) so there is no need to duplicate descriptions and comparisons. In both films, it is still the music that efficiently carries the storyline as well as the strong creative processes the Beatles possessed when building new songs in the recording studio.

    Peter Jackson's "retelling" allowed me to enjoy the film for what it was always meant to be: An upbeat and beautiful documentary best described by Greek philosopher Aristotle's timeless phrase, "The whole is greater than the sum of its parts."

    No spoilers here as usual but I will reveal that the process of selecting and restoring the material for the film took New Zealander Peter Jackson a grueling four years.
    10florenciaactis23

    Amazing!!!!

    This is just incredible!!! I can't believe this existed for so long and we are just watching it now. I can imagine all the hours of footage that are left. Just create a serie with the tapes, no need to edit, we will all be happy just hear them talk about anything :D.
    10brimoose

    WOW!!!

    It really doesn't get any better than this. Over 50 yrs ago and I feel like I was in the room watching real magic with 4 magicians. I really don't know how anyone cannot be a Beatles fan.
    10blues9981

    Wow wow and wow

    I don't even know where to start. I subscribed to Disney+ just for this and it is a masterpiece. I've seen the "Let It Be" documentary (everybody knows the historic Paul and George argument and "I'll play anything you want me to play") but this is way beyond that. I related to every single rehearsal scene (from my experiences) and connected mostly with Paul (I don't want to be the leader and songwriter but someone has to do it). But oh Lord I wish I was Lennon. I knew he was hilarious but I had no idea he was the most hilarious human on the planet. (And a great soulful writer and singer, but we already knew that). There are scenes where Paul is trying to get the others to pay attention to some of his greatest songs in creation like Long and Winding Road, Get Back, and Let It Be...and no one cares. Until they do. And it's a really deep dive into the creative process and mumbling nonsense lyrics and playing total garbage until it all comes together. And drunken debauchery (along with other substances) until you have masterpiece level music. And I haven't even mentioned Linda's soulful eyes and camerawork, Ringo's sad silence before he's drawn into the songs, George's classic songs (like All Things Must Pass) that never made the record, the bizarre goofy blues jams, and Yoko. But I've already said too much. Just watch it.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      The producers convinced Disney to allow profanity to be included in the documentary, in contrast to most Disney+ original films. Sir Peter Jackson's reasoning behind it was, "The Beatles are scouse boys and they freely swear but not in an aggressive or sexual way."
    • Gaffes
      Nitpick item. This film starts out saying John met Paul in 1956. They actually met on 6 July 1957 at the Woolton church fete.
    • Connexions
      Edited into The Beatles: Get Back - The Rooftop Concert (2022)

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    FAQ18

    • How many seasons does The Beatles: Get Back have?Propulsé par Alexa
    • Will this simply be a remake of Let It Be, using the original title of the album, with everything McCartney objected to removed?
    • Is there a DVD release?

    Détails

    Modifier
    • Date de sortie
      • 25 novembre 2021 (Canada)
    • Pays d’origine
      • United Kingdom
      • New Zealand
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • 披頭四:Get Back
    • Lieux de tournage
      • Apple Corps, 3 Savile Row, Mayfair, Londres, Angleterre, Royaume-Uni
    • sociétés de production
      • Walt Disney Pictures
      • Apple Corps
      • WingNut Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 30 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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