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Pang Ho-cheung’s latest film “Missbehaviour” is a light and bubbly comedy of friends, held together by a downpour of gags, ranging from slapstick, to sarcastic, to toilet humour vulgarity. The Hong Kong director is a bona fide master of grown-up comedy, being responsible of many excellent additions to the genre, from the popular thirty-something romance trilogy to the more extreme “Vulgaria”, “Sdu: Sex Duties Unit” (as writer) and “Va”.

“Missbehavior” is screening at New York Asian Film Festival (Nyaff) 2019

Not a proper Lunar New Year’s movie, “Missbehaviour” is in fact a reminder of the importance of getting together and not neglecting friendship. It is indeed what New Year’s holiday is all about – friends and family – and therefore it fits quite well in the festive spirit. The film focuses on a group of 8 close friends, members of a WhatsApp chat called “Ba Po” that for a series of...

Contemporary Chinese Cinema is a column devoted to exploring contemporary Chinese-language cinema primarily as it is revealed to us at North American multiplexes.Missbehavior This Lunar New Year season, traditionally the highest-grossing period of the Chinese cinema calendar, is lacking many of the big names of years past, especially as regards the films that saw release in the Us. Where in recent years Stephen Chow, Soi Cheang, Jackie Chan, Tsui Hark and others have crafted massive box office hits both here and in China, this year Chow and Chan’s movies didn’t get North American releases, while Ning Hao’s Crazy Alien had its scheduled run severely truncated if not outright cancelled. Gobbling up screens instead was The Wandering Earth, an epic sci-fi disaster film that has been smashing box office records left and right, cruising past $300 million in grosses as I write this with no end in sight.