ÉVALUATION IMDb
7,1/10
3,9 k
MA NOTE
Alger, 1997. Les terroristes voulant un État islamique sont partout. Les femmes sont opprimées, contrôlant leurs corps, leurs vêtements et l'espace public. La jeune étudiante Nedjma est pass... Tout lireAlger, 1997. Les terroristes voulant un État islamique sont partout. Les femmes sont opprimées, contrôlant leurs corps, leurs vêtements et l'espace public. La jeune étudiante Nedjma est passionnée par l'idée d'un défilé de mode.Alger, 1997. Les terroristes voulant un État islamique sont partout. Les femmes sont opprimées, contrôlant leurs corps, leurs vêtements et l'espace public. La jeune étudiante Nedjma est passionnée par l'idée d'un défilé de mode.
- Director
- Writers
- Stars
- Prix
- 17 victoires et 9 nominations au total
Hilda Amira Douaouda
- Samira
- (as Amira Hilda Douaouda)
Zahra Manel Doumandji
- Kahina
- (as Zahra Doumandji)
Marwan Fares
- Karim
- (as Marwan Zeghbib)
Meriem Medjkane
- Linda
- (as Meriem Medjkrane)
Ahmed Benaïssa
- Hafid
- (as Ahmed Benaissa)
Avis en vedette
Papicha is a powerful movie. Harsh and brutal, yet sometimes sweet and joyful despite the cruelty around the characters.
Papicha tells us never to give up. It's a cry of hope and resistance. A true gem.
Papicha tells us never to give up. It's a cry of hope and resistance. A true gem.
A film about the overwhelming intolerance for the right to live freely as a woman - this outstanding and intelligent piece of cinema reveals the oppression of women in Algeria circa 1997. Lyna Khoudri is incredible, and so it is that women are still treated like this in far too many places in the world today. Vote no and acknowledge your ignorance, prejudice and misogyny.
I get a feeling there are a lot of films about women in islamic societies, this ranks high. I recently watched "Mustang" and that film had almost an ethereal way of depicting the girls' innocence and foreshadowed sexuality. Papicha has a more realistic approach and it nails it just as well, or better.
It depicts many shades of the girls psychology, many levels of fear, worry, nuissance or offense. Their reactions might show humour, stubborness, pride, comformity, disbelief... It really shows the dilemma of wanting to be free, but also safe, wanting to keep hope but without fleeing or depending on anyone, all of it while suffering a reality closing in.
I don't think it can even be labelled as a feminist film with the sort of pressure they had to put up with, things got seriously messed up in a country with a violent past, from the process of independence to the rise of fundamentalism. There's only one scene with a man suffering the fanatism but it's there, an important one that refers to weaponizing language by comformist women, so there you go. One could call it a failed opportunity to broaden the issue but no, I think the film would have lost its rhythm and it does focus so well on the group of students that it pays off, widely.
Strong, confident, liveful film-making that takes you on a ride, makes you feel the pressure but helps the viewer all the way, even when it might get tough to watch. Recommended.
It depicts many shades of the girls psychology, many levels of fear, worry, nuissance or offense. Their reactions might show humour, stubborness, pride, comformity, disbelief... It really shows the dilemma of wanting to be free, but also safe, wanting to keep hope but without fleeing or depending on anyone, all of it while suffering a reality closing in.
I don't think it can even be labelled as a feminist film with the sort of pressure they had to put up with, things got seriously messed up in a country with a violent past, from the process of independence to the rise of fundamentalism. There's only one scene with a man suffering the fanatism but it's there, an important one that refers to weaponizing language by comformist women, so there you go. One could call it a failed opportunity to broaden the issue but no, I think the film would have lost its rhythm and it does focus so well on the group of students that it pays off, widely.
Strong, confident, liveful film-making that takes you on a ride, makes you feel the pressure but helps the viewer all the way, even when it might get tough to watch. Recommended.
The first time I've heard about this movie, and the fact it was Algeria's submission to the Oscars, it caught my attention; the plot reminded me a bit of another amazing algerian movie (I still hide to smoke) and so we went.
And, ladies and gentlemen, what a movie! There is a fine balance between fun/light scenes with others which clearly showcase the political chaos of the time, but even the fun scenes carry at least a bit of anticipation in the back, something could go wrong at any moment, and this is not something this film let the viewer forget (at least, not me).
Despair, in fact, was a feeling I felt a lot of time during the movie. But even more than that clear and raw despair/terror, this film really excels in providing an atmosphere of apparent powerlessness; "everything is changing around me, what I can do?".
Not only the characters were all very realistic, but Papicha herself was the perfect protagonist to this story, and the acting here is superb.
All and all, one of my favorites movies of 2019.
I absolutely loved it. Totally represents algeria back then. Also, it kind of still does until now. I went through a lot too, we want to live not to argue and fight to live.
Le saviez-vous
- AnecdotesOfficial submission of Algeria for the 'Best International Feature Film' category of the 92nd Academy Awards in 2020.
- GaffesThe Algerian song "Madrit Had Papicha Mnin Jatni" was played in the night club at the beginning of the movie, this song wasn't released till the mid 2000s and the events of the film is in the 1990s.
- ConnexionsFeatured in De quoi j'me mêle!: Episode #1.2 (2019)
- Bandes originalesGet Up (Before the Night Is Over)
Written by Jo Bogaert, Manuela Kamosi, Ron Lenhoff, James Brown and Bobby Byrd (as Bobby Bird)
Performed by Technotronic
(C) 1989 ARS Entertainment Belgium (A Division Of Universal Music Belgium)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 女孩要革命
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 2 109 833 $ US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 2.39
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