The Liberator

This is a great story. I would have preferred it wasn't cell shaded, but perhaps that allowed them to tell this important story with a reduced budget. In any case, if you can see past the animation style this is a story everyone should watch, especially on our days of thanks for those that sacrificed all so we could be free.

I don't see what the big deal is with the filter. It doesn't take away from the story. I guess some people just have to complain, no matter how petty the reason. I'm a history buff, and it tells an interesting story about an interesting group of men.

Band of Brothers had a $180 million budget in 2020 dollars. This quite obviously, did not.

The filter allows settings to be animated in, CGI vehicles, explosions, etc -- makes the entire miniseries possible. And I'd rather have the story than not, animation and all.

Besides, within 10 minutes of the first episode, I no longer noticed it. Eventually I found it interesting. Great story, engrossing binge, especially for military genre fans and WWII buffs.

Anyone who commented about the filter being the reason they bailed 10-15 minutes into the first of a four episode series, is a simpleton, full-stop. It's like someone bailing on Team America, because they used puppets.

Does it take getting used to? Sure. It takes approximately 5-10 minutes, to do so-as you can see from those reviewers who aren't basic AF

The (true) story is great-and one I hadn't heard about, before. That's enough reason to watch.

So, in summary:

• great story
• interesting approach to the war-genre
• four episodes isn't a huge time investment
• don't listen to simpletons

Like many "based on a true story" accounts, there are compromises that have to be made. I just finished reading The Liberator by Alex Kershaw, and I can see where events were compressed or characters were combined to synthesize a new character, which is fine for the purpose of telling a story. The story of Felix Sparks contains tragedy and loss, yet his will to not only survive but lead has made the leap to the screen. The graphic novel style still allows for nuanced performances, especially by Bradley James. Battle sequences and the hushed silences benefit equally from this style as well. Nothing would likely capture the horror of the liberation of Dachau, yet this production does it justice. Released on Veteran's Day, The Liberator is well worth watching and remembering the sacrifices of others.