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IMDbPro

Aumenta que é Rock'n'Roll

  • 2024
  • 1h 52m
ÉVALUATION IMDb
7,1/10
298
MA NOTE
Aumenta que é Rock'n'Roll (2024)
DocudramaComedyDramaMusic

Ajouter une intrigue dans votre langueLuiz Antônio, a clumsy radio host, unexpectedly finds himself in charge of a bankrupt radio station. With a very crazy team, he creates one of the most emblematic radio stations in the histo... Tout lireLuiz Antônio, a clumsy radio host, unexpectedly finds himself in charge of a bankrupt radio station. With a very crazy team, he creates one of the most emblematic radio stations in the history of Brazilian rock, Fluminense FM.Luiz Antônio, a clumsy radio host, unexpectedly finds himself in charge of a bankrupt radio station. With a very crazy team, he creates one of the most emblematic radio stations in the history of Brazilian rock, Fluminense FM.

  • Director
    • Tomas Portella
  • Writers
    • L.G. Bayão
    • Luiz Antônio Mello
  • Stars
    • Johnny Massaro
    • Marina Provenzzano
    • Silvio Guindane
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,1/10
    298
    MA NOTE
    • Director
      • Tomas Portella
    • Writers
      • L.G. Bayão
      • Luiz Antônio Mello
    • Stars
      • Johnny Massaro
      • Marina Provenzzano
      • Silvio Guindane
    • 1Commentaire d'utilisateur
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 9 nominations au total

    Photos6

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    Rôles principaux44

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    Johnny Massaro
    Johnny Massaro
    • Luiz Antônio Mello
    Marina Provenzzano
    Marina Provenzzano
    • Alice
    Silvio Guindane
    • Herval
    Orã Figueiredo
    • Superintendente
    George Sauma
    • Samuca
    Flora Diegues
    • Jaque
    Joana Castro
    • Fabiana
    Clarice Sauma
    • Lucia
    Luana Valentim
    • Nathalia
    Mag Pastori
    • Malu
    Bella Camero
    Bella Camero
    • Lilica
    André Dale
    • Beto
    Felipe Haiut
    • Saulo
    Saulo Arcoverde
    • Jonas
    João Vitor Silva
    • Fábio
    Hamilton Vaz Pereira
    • Dr. Medeiros
    Gillray Coutinho
    • Juarez Franco
    Adriano Garib
    • Editor Jornal
    • Director
      • Tomas Portella
    • Writers
      • L.G. Bayão
      • Luiz Antônio Mello
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs1

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    9Rodrigo_Amaro

    Charming, fun and nostalgic picture. A Maldita is alive!

    Five years on the run and it was worth waiting (I've been hearing about it ever since the pandemic when there was never a year of release attached to it). "Aumenta que é Rock'n'Roll" chronicles the development of radio Fluminense FM with its brodcast of rock music in the early 1980's when the genre wasn't so popular but always had a loyal fanbase. The programming not only included English/American classic rock, but it also launched the careers of Brazilian rock artists such as Cazuza, Blitz, Legião Urbana, Paralamas do Sucesso, among others.

    A Maldita ("The Damned) as it was known, was idealized by two youngsters who wanted to change the music scene, to present what the youth generation of the 1980's liked, thought and consumed. They were Luiz Antonio Mello and Samuel Wainer Filho (Samuca), played by Johnny Massaro and George Sauma, respectively, two rock enthusiasts that were offered the opportunity to bring something new to Radio Fluminense on the FM waves and bring audience and profits to the station which was falling apart both in audience and its precarious installations of broken windows and faulty equipment. As novelty, Luiz has the fixed idea of not repeating songs during broadcast on the course of a day, and he only hired female broadcasters, a rare feat at the time (even today, I must say).

    What comes is a series of humor and drama revolving on Luiz and his team finding ways to charm audience, his boss and potential sponsors doing so much with very little. And also time for a little romance with Alice (Marina Provenzzano), a stubborn but hard-working broadcaster. It serves its cinematic purpose, but I didn't care for it all that much.

    The film's greatest asset comes from the period depicted (1982-1985) and how music, society, culture and politics went through a tremendous multitude of changes, and how that little radio was part of that, later on becoming a phenomenon when they get the opportunity to cover the first Rock in Rio. It's an authentic film, and very idealist when it comes to its depiction of that youth, and it's done in such a charming, nice manner that one would want to be part of that, or have that kind of similar experience where you suffer with countless problems, little to no money yet you have all the best comrades, and you have fun while doing everything.

    It's not like it's showing anything so wildly new to the genre of biopics or the radio media, but it certainly charms the audiences very easily, and once you're invested in it nothing can stop you from enjoyment. The appeal it got me was in witnessing the early days of the many bands I love to hear, the soundtrack from many hits from the decade and the new themes composed by Dado-Villa Lobos; and it's all done with great enthusiasm.

    Plus, it was an untold story that needed to be put on screen.

    You care about the characters even when they're being totally erratic, and there's plenty of room for laughter (my favorite bit is the broadcast with the hot mic on and the female broadcasters are trashing their boss and talking about sex toys, much to the despair of everyone). The wholeheartedly speech made by Massaro when presenting the project to his staff, the importance of being considered "damned", a contrarian, is also another fun highlight, just as the superintendent character played by Orã Figueiredo, the serious guy in the story, who has some funny bits, and he's the one that despite apparent opposition, deep down you know he trusts Luiz and believes in his passion for this new radio.

    To those who lived the era or are enthusiasts of that particular musical scene, it's a must-see film without regrets. But a warning: there are a couple of anachronisms that might bother the most careful viewer, some were done as an artistic licence but others were mistaken done during editing and/or lack of better research; or maybe bother with the cliched acts of the rock artists featured. All in all, a very nostalgic time travel to the colorful dreams and ideals of freedom, expression, love and, obviously, rock n'roll. 9/10.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Final film of Flora Diegues. The end credits contain a dedicatee on her memory, as she passed away in 2019.
    • Gaffes
      The song "Que País É Este?" that appears in the film was the album version released by Legião Urbana in 1987. Though it actually existed by 1984-5, (as it was composed in 1978), it could only make sense if a demo or actors performance was included.
    • Générique farfelu
      While the film was based on a real story and many real events and characters are presented, there's a disclaimer at the end credits that says that the film is a work of fiction.
    • Connexions
      Features Rock in Rio (1985)
    • Bandes originales
      Perdidos na Selva
      Written by Julio Barroso

      Performed by Gang 90 & Absurdettes

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    Détails

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    • Date de sortie
      • 25 avril 2024 (Brazil)
    • Pays d’origine
      • Brazil
    • Site officiel
      • official Facebook
    • Langue
      • Portuguese
    • sociétés de production
      • Luz Mágica Produções
      • Globo Filmes
      • Mistika
    • Consultez plus de crédits d'entreprise sur IMDbPro

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    • Durée
      1 heure 52 minutes
    • Couleur
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