ÉVALUATION IMDb
4,7/10
7,2 k
MA NOTE
Un fou d'amour devient une célébrité accidentelle et perd tout.Un fou d'amour devient une célébrité accidentelle et perd tout.Un fou d'amour devient une célébrité accidentelle et perd tout.
Aixa Maldonado
- Maria
- (as Aixa I. Maldonado)
Avis en vedette
For reference, I think It's Always Sunny in Philadelphia is the funniest show ever made. And I think the character Charlie Kelly played by Charlie Day is one of the funniest characters in TV or movie history. I was ecstatic to see him have a chance to write, direct and star in a theatrically released movie with a great cast.
There's so much about Fool's Paradise I enjoyed. The premise is instantly funny. Charlie Day's performance had me cracking up. Many other parts had me full-volume laughing, especially when it relates to Adrien Brody's character. I loved seeing many of the Always Sunny cast members with random small roles.
There are a few things that, for me, prevent it from being great. The first half of the movie is infinitely funnier than the second half, which had almost no laughs from me. And while I enjoyed the humorous parts, the more serious parts and character moments didn't work for me.
But the biggest issue is that Ken Jeong, who is seemingly the lead of this movie, didn't make me laugh at all. I've found him fairly funny in most of his smaller roles. But it doesn't seem like he can carry a movie.
I still had a good time with Fool's Paradise. I hope it allows Charlie Day more opportunities to create comedy, especially in an age when comedy movies seem to be nearing extinction. I will watch anything he's in. (1 viewing, 5/11/2023)
There's so much about Fool's Paradise I enjoyed. The premise is instantly funny. Charlie Day's performance had me cracking up. Many other parts had me full-volume laughing, especially when it relates to Adrien Brody's character. I loved seeing many of the Always Sunny cast members with random small roles.
There are a few things that, for me, prevent it from being great. The first half of the movie is infinitely funnier than the second half, which had almost no laughs from me. And while I enjoyed the humorous parts, the more serious parts and character moments didn't work for me.
But the biggest issue is that Ken Jeong, who is seemingly the lead of this movie, didn't make me laugh at all. I've found him fairly funny in most of his smaller roles. But it doesn't seem like he can carry a movie.
I still had a good time with Fool's Paradise. I hope it allows Charlie Day more opportunities to create comedy, especially in an age when comedy movies seem to be nearing extinction. I will watch anything he's in. (1 viewing, 5/11/2023)
This film is hard to watch for all the wrong reasons. The slow pace and general unfunniness represent a missed opportunity of such an amazing cast. If Charlie D. Is identifying as Charlie C. These day, he just needs to stop it. If Day put this project on hold to deliver this past season of Philadelphia, he has really just lost his way, and needs to surround himself with some new/fresh talent. Day's recent work (the past 5 years) is formulaic, as usual, but without the charm of his characters as their younger selves. The world seems to be maturing around Day, who struggles increasingly to make audiences laugh.
This was like a very long, 98 minutes long and dragged out failed SNL sketch. I'm a fan of Charlie Day and he's a great comedian, but putting yourself in a funny film and choosing not to use your comedic trademark funny voice is what failed this film. And that's too bad, as it started out good, not laugh out loud good, but constant smiling and entertaining good. But you can only go so far on silent charm, and can only take so much satirical un-funny comedy. It was great to see the lovely Kate Beckinsale, and Jeong was his usual blast as well, and it was also great to see the late Ray Liotta doing his thing in what is probably the last film he made, but it's too bad this film was more of a flop than it was fun. The story was mostly long dragged out and incoherent nonsense that lacked any good comedy or sharp satire. It's a generous 4/10 for all the stars that I'm sure mostly donated their time for this mess.
I shouldn't have paid attention to this movie as long as I did. The premise was kind of interesting and had the potential for a mid to good plot, but it was just so chaotic without actually going anywhere.
The whole movie was just a bunch of stuff happening to this random guy who has no memories, doesn't talk, and has the intelligence of a 5 year old. Charlie Day's character, Latte Pronto, is essentially Charlie Chaplain's The Tramp. Latte has absolutely nothing going on. He doesn't interact with other characters in meaningful ways, and doesn't seem to have any thoughts, opinions, desires about the things happening around him. The plot literally happens to him and he's just along for the ride.
Which, ok, if you're gonna have an entirely blank character, then at least make the plot interesting. But the plot is not interesting. Charlie Day goes from the mental hospital to the streets of LA, then a director picks him up cause he's a dead ringer for his problematic lead, then he gets famous in a very "Step 1. Hit the streets of LA, Step 2. Become famous celebrity" kind of way. And that's essentially how the entire movie goes. He gets married, divorced, loses everything in such quick succession that I almost got whiplash.
This movie just needed something more substantial than it gave. Charlie Day's character was the perfect setup for a self discovery plot line, where he finds out who he is and/or who he wants to be through his experiences. I mean they could have had a moment at the end where he finally talks, and that would have been pretty cool. But the movie ends, and nobody important learns anything important, and nothing was accomplished, and also I didn't laugh once. Actually I did get some cleaning done between confused glances at my TV, so one thing was accomplished I guess.
The whole movie was just a bunch of stuff happening to this random guy who has no memories, doesn't talk, and has the intelligence of a 5 year old. Charlie Day's character, Latte Pronto, is essentially Charlie Chaplain's The Tramp. Latte has absolutely nothing going on. He doesn't interact with other characters in meaningful ways, and doesn't seem to have any thoughts, opinions, desires about the things happening around him. The plot literally happens to him and he's just along for the ride.
Which, ok, if you're gonna have an entirely blank character, then at least make the plot interesting. But the plot is not interesting. Charlie Day goes from the mental hospital to the streets of LA, then a director picks him up cause he's a dead ringer for his problematic lead, then he gets famous in a very "Step 1. Hit the streets of LA, Step 2. Become famous celebrity" kind of way. And that's essentially how the entire movie goes. He gets married, divorced, loses everything in such quick succession that I almost got whiplash.
This movie just needed something more substantial than it gave. Charlie Day's character was the perfect setup for a self discovery plot line, where he finds out who he is and/or who he wants to be through his experiences. I mean they could have had a moment at the end where he finally talks, and that would have been pretty cool. But the movie ends, and nobody important learns anything important, and nothing was accomplished, and also I didn't laugh once. Actually I did get some cleaning done between confused glances at my TV, so one thing was accomplished I guess.
I've probably watched Always Sunny through 10 times and love satirical film, but the pacing was rough. Movie started out great, and then seemed to drag heavily in the last half. Some of the bits just got old and somethings just got played out. Plus, the film just kind of ended and didn't feel resolved at all.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
Le saviez-vous
- AnecdotesFilmed in 2018, this is one of Ray Liotta's last films, before his death in 2022.
- GaffesWhen Lenny takes Latte back to his motel room, he walks down the row of rooms and when he reaches room 3, he points and explains that that is his room. When the shot changes from inside the room, as he opens the door you can clearly see the number 7 on the door. Room 7 was at the top of the row of rooms, which they already passed.
- Bandes originalesWipeout
Written by Robert Berryhill, Jim Fuller (as James Fuller), Patrick Connolly and Ronald Wilson
Performed by The Surfaris
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Détails
Box-office
- Brut – États-Unis et Canada
- 855 173 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 464 259 $ US
- 14 mai 2023
- Brut – à l'échelle mondiale
- 885 712 $ US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 2.39:1
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