Dispatches from Elsewhere

The first 7 episodes of this show were great! It was nice seeing Sally Field in a show again, and I didn't realize how much I'd missed Andre 3000. The diversity of the cast was nice, the plot seemed a little out there but in a fun and interesting way. Unfortunately by episode 8 things start to slide, episode 9 does a poor job of wrapping anything up, and episode 10 is self indulgent, pretentious nonsense best left unwatched. Seriously, if you haven't seen it yet, don't bother, it adds nothing to the show and is not the feel-good, uplifting ending they seemed to think it was going to be. Disappointed.

After watching the first episode i had no idea what it is all about, But i found it intriguing enough that i will watch a few more to see how it goes.

Jason Segal is one of the most fascinating "creatives" in the entertainment industry. He is constantly re-inventing himself and his career, from "Freeks & Geeks" to "How I met your mother," from "Forgetting Sarah Marshall" to re-inventing The Muppets. This is his latest, a limited series based on a mysterious ARG that popped up in San Francisco a few years back (and then, just as mysteriously disappeared.) It's anything but safe. It's funny, clever, disturbing and very addictive. It's anything but boring, concerning 4 people who find themselves caught up in a strange company by the name of The Jejune Institute. A company which may or may not be real and may or may not contain the answers we all seek. Starting created, directed and written by Segal. Co-starring Sally Field, Richard E. Grant and Andre Benjamin (3000). Really interesting, highly recommended.

It started off slow, got to a really interesting place and then meandered....

Off a cliff.

It's based on an interactive game that was played in SF a few years back. See the documentary THE INSTITUTE for more details.

The premise interested Segal enough that he wanted to make a series about it. Kudos for AMC to breaking out of the Zombie and vampire hell they've created for themselves but still.

If only someone had been brave enough to tell him to throw out the last episode, never to be seen again, this would've rated as high as an eight.

Instead it changes into something else entirely.

Now that I have had the opportunity to see the first few episodes, I must say I am properly hooked. The feel of the show is something novel. Dispatches From Elsewhere is also extremely confusing and wildly unpredictable. The main plot often feels impossible to pin down. It's difficult to even describe the series to someone who hasn't watched it in a way that even remotely encompasses what it's about. But the ultimate effect of all this? A sort of narrative alchemy that leaves me wanting more, even as I admit that I'm not entirely sure what it is that I've been watching.

The story of four people brought together by something that's larger than themselves. Granted, we don't know what, precisely, that thing is just yet.

All around, Dispatches from Elsewhere is brilliantly cast. Jason Segel is perfect for the character of Peter, who has been plugging through the doldrums of life and "work stuff." Eve Lindley's Simone gives us an entry point more laden with anxiety. There's Fred Wynn (Andre Benjamin), an awkward genius with an eye for clues and patterns, but no understanding of people or social interactions. There's Janice (Sally Field), a cheery retiree struggling to process her own problems .

It's a whole lot of fun to enter into this world. I'm excited to explore it more and to see where this quirky narrative is going. Innovative storytelling and intriguing, fully-rounded characters make it a must-watch.