Les bandes dessinées prennent vie dans cette série d'anthologies de récits terrifiants, présentés par la goule silencieuse de Creepshow.Les bandes dessinées prennent vie dans cette série d'anthologies de récits terrifiants, présentés par la goule silencieuse de Creepshow.Les bandes dessinées prennent vie dans cette série d'anthologies de récits terrifiants, présentés par la goule silencieuse de Creepshow.
- Prix
- 1 victoire et 13 nominations au total
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Supposedly this show had a budget of 2 million dollars per episode - supposedly. I'm presuming most of that money went to the 15 or 16 producers listed because it surely is not on the screen.
To call the first two episodes tedious is paying them a compliment. In the first one alone literally nothing happens until the last couple of minutes and even then the mood is destroyed by an anti-climax which makes no sense whatsoever. The director makes the typical amateur mistake of never allowing the camera to move - EVER - which adds to the staged phoniness of the piece. Combine that with the obvious lack of money to spend (for example, a massive hurricane which consists of a couple of shots of flashing clouds and a couple of actors hit with a fan - no rain whatsoever anywhere, mind you . .) and you've got a millennial version of the low-rent Tales from the Darkside, which it clearly aspires to be.
The highly publicized "Creep" puppet looks like a fire-sale Spirit Halloween leftover, with cross-eyed mechanics and a barely mobile "ack-ack" mouth as its sole range of movement. According to fan sites, a ton of money was spent on this prop, which could easily have been surpassed by a cheap sock puppet . . the Crypt Keeper has nothing to worry about, (and still, an even WORSE version of the character was computer-generated for the title sequence for some strange reason in a wonderful example of throwing good money after bad.)
Neither story made any sense at all and both had ridiculous endings to tie them up, as though the production said "screw it, we're out of money, just tear the last few pages out." For Stephen King to be associated with this in any way is a travesty.
Still, I'm sure old fanboys will gush over this as it's clearly a love-letter to the 1980s when floppy rubber monsters were considered the height of technology. The fact that the makeup department got credited FOUR TIMES during the course of the end credits is a sure indication that's all they cared about.
Watch the original movie instead and pretend this monstrosity doesn't exist . . it'll only make you weep.
To call the first two episodes tedious is paying them a compliment. In the first one alone literally nothing happens until the last couple of minutes and even then the mood is destroyed by an anti-climax which makes no sense whatsoever. The director makes the typical amateur mistake of never allowing the camera to move - EVER - which adds to the staged phoniness of the piece. Combine that with the obvious lack of money to spend (for example, a massive hurricane which consists of a couple of shots of flashing clouds and a couple of actors hit with a fan - no rain whatsoever anywhere, mind you . .) and you've got a millennial version of the low-rent Tales from the Darkside, which it clearly aspires to be.
The highly publicized "Creep" puppet looks like a fire-sale Spirit Halloween leftover, with cross-eyed mechanics and a barely mobile "ack-ack" mouth as its sole range of movement. According to fan sites, a ton of money was spent on this prop, which could easily have been surpassed by a cheap sock puppet . . the Crypt Keeper has nothing to worry about, (and still, an even WORSE version of the character was computer-generated for the title sequence for some strange reason in a wonderful example of throwing good money after bad.)
Neither story made any sense at all and both had ridiculous endings to tie them up, as though the production said "screw it, we're out of money, just tear the last few pages out." For Stephen King to be associated with this in any way is a travesty.
Still, I'm sure old fanboys will gush over this as it's clearly a love-letter to the 1980s when floppy rubber monsters were considered the height of technology. The fact that the makeup department got credited FOUR TIMES during the course of the end credits is a sure indication that's all they cared about.
Watch the original movie instead and pretend this monstrosity doesn't exist . . it'll only make you weep.
Saw an episode of season 1 and liked it so I subscribed to Shudder, then season 2 wasn't nearly as good but had its moments, Season 3 was painful to watch. The acting was never stellar but season 3 hit a new low in that regard for the series, but more importantly the stories just became simply not entertaining. It's fairly obvious they let a personal agenda take over the stories, and usually when that occurs it becomes more mockable than anything else. It's sad because I'm a fan of horror anthologies, and they ran this straight into the ground. I recommend season 1, recommend season 2 but it's more hit and miss, and season 3 is as enjoyable as the latest Twilight Zone.
First episode reeled me in. Nostalgia is one thing that comes to mind. Easter eggs yes. Its definitely a throwback feature of the original first two. First half is meh. But the second half bravo. A perfect combo of childhood fear and Indian in the cupboard. No pun intended. With the brash overload of b movie horror movies. We now have a home on shudder with episodes to pop some pop corn and crack open some sodas and peel open the candy. If you don't like the original movies from way back dont write a review this is fanfare and hardcore horror film fanatics
I recently got shudder so i could watch this series and the first couple of episodes didnt disappoint, i watched the original series when i was younger so was excited to watch the remake.
I would reccomend to anyone who loves horror and is looking for a series to binge.
I would reccomend to anyone who loves horror and is looking for a series to binge.
First season was generally ok. Had some interesting stories, actors, effects and whole nine yards but season two kinda sucks.
I don't think there is something specifically bad about season two. It's just that the novelty worn off pretty quick and although it's only 3 episodes in season two, there's just no that factor X. So I'm pretty sure I'm tunning out before season ends.
I don't think there is something specifically bad about season two. It's just that the novelty worn off pretty quick and although it's only 3 episodes in season two, there's just no that factor X. So I'm pretty sure I'm tunning out before season ends.
Le saviez-vous
- AnecdotesIn the segment "The House of Head" the Indian is an exact replica of the Indian from Creepshow 2 "Old Chief Wood'nhead." Also the ashtray on the table next to the head is a replica of the murder weapon from "Father's Day" in the original Creepshow.
- ConnexionsFeatured in Double Toasted: GOOD BURGER BAD MOVIE REVIEW (2021)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Калейдоскоп жахів
- Lieux de tournage
- Vancouver, Colombie-Britannique, Canada(season 4)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 44m
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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