Un ingénieur en robotique d'une entreprise de jouets construit une poupée réaliste qui commence à prendre vie.Un ingénieur en robotique d'une entreprise de jouets construit une poupée réaliste qui commence à prendre vie.Un ingénieur en robotique d'une entreprise de jouets construit une poupée réaliste qui commence à prendre vie.
- Prix
- 4 victoires et 31 nominations au total
Jenna Davis
- M3gan
- (voice)
Sommaire
Reviewers say 'M3GAN' is a horror-comedy mix, delving into AI, tech, and parenting themes. Praised for its entertainment and thought-provoking aspects, the performances of Allison Williams and Violet McGraw stand out. However, some critics deem it predictable and unoriginal, drawing unfavorable comparisons to 'Chucky'. Pacing and character development receive criticism, with viewers noting a dragging story and underdeveloped characters. Despite these flaws, 'M3GAN' is generally viewed as a fun, though not groundbreaking, horror genre entry.
Avis en vedette
Solid and, at times, actually entertaining. Like other reviewers have mentioned, this strikes me as another version of the 2019 Childs Play; a fun, doesn't-take-itself too-seriously movie. Nonetheless, it added its own spin to the horror/comedy genre with its intentional and unintentional comedy.
I went into M3GAN with little to no expectation given the only marketing material I could remember was the dance scene. I found that the film accomplished the message it set out on. Parents suck at raising children and having no parental figure could be deadly because they will get attached to anything that shows them affection.
As far as the quality of the film, there wasn't really anything surprising or new I could think of. Most of the elements were very predictable from the beginning. That's not always a bad thing because most people like the predictability and knowing where a film is headed.
Overall, not bad for an early January released PG-13 horror movie.
I went into M3GAN with little to no expectation given the only marketing material I could remember was the dance scene. I found that the film accomplished the message it set out on. Parents suck at raising children and having no parental figure could be deadly because they will get attached to anything that shows them affection.
As far as the quality of the film, there wasn't really anything surprising or new I could think of. Most of the elements were very predictable from the beginning. That's not always a bad thing because most people like the predictability and knowing where a film is headed.
Overall, not bad for an early January released PG-13 horror movie.
Hands down the better reboot of Child's Play than Child's Play (2019). Although it's predictable from start to finish, it was at least a better made movie in terms of production design and cinematography.
And yes when you think about it too much, a lot of it doesn't make any sense. Why are all of the adults dumb or willfully ignorant when it comes to implementing AI into their prototype? Why didn't they have the slightest foresight or precautions in store if something goes wrong? Why does a puppet for kids posses the strength of a Terminator? And if said robot is so dangerous, why not disconnect the brain chip entirely from the body when doing any fail safe tests?
But even with all the predictability and the leaps in logic I was still entertained. Maybe because I haven't seen a trailer, the movie had actually some neat visual ideas in store. I liked some of the cinematography, there were some pretty interesting shots in the forest and towards the end. The choreography of the puppet was pretty well done, it is a blend of animatronics, mo-cap and vfx animation, depending on the shot. The movie is a bit tame in terms of showing actual violence. The actual showdown could have been a bit more creative. It felt like the 7th studio re-write to punch up the final confrontation but it felt somehow weak, I expected a bit more shock value. Basically it's like a glorified Black Mirror episode, but without going too dark unfortunately. It's still a solid horror movie for the average moviegoer or as an introduction into horror movies. But I'm afraid horror fans might be a bit disappointed by the lack of commitment the movie has towards the genre.
And yes when you think about it too much, a lot of it doesn't make any sense. Why are all of the adults dumb or willfully ignorant when it comes to implementing AI into their prototype? Why didn't they have the slightest foresight or precautions in store if something goes wrong? Why does a puppet for kids posses the strength of a Terminator? And if said robot is so dangerous, why not disconnect the brain chip entirely from the body when doing any fail safe tests?
But even with all the predictability and the leaps in logic I was still entertained. Maybe because I haven't seen a trailer, the movie had actually some neat visual ideas in store. I liked some of the cinematography, there were some pretty interesting shots in the forest and towards the end. The choreography of the puppet was pretty well done, it is a blend of animatronics, mo-cap and vfx animation, depending on the shot. The movie is a bit tame in terms of showing actual violence. The actual showdown could have been a bit more creative. It felt like the 7th studio re-write to punch up the final confrontation but it felt somehow weak, I expected a bit more shock value. Basically it's like a glorified Black Mirror episode, but without going too dark unfortunately. It's still a solid horror movie for the average moviegoer or as an introduction into horror movies. But I'm afraid horror fans might be a bit disappointed by the lack of commitment the movie has towards the genre.
Fine, it's a moderately entertaining deadly doll movie but... seriously, it's been a bit overpraised. This is paint by numbers storytelling. A beat by beat remake of every "deadly friend" tale. Also, while I generally find her appealing, Allison Williams looks like she's about to crack up half the time. It's also a little soft on the true horror/scares front. Id actually love to see an R rated sequel that goes as hard as "Child's Play" or "Annabelle." Anyway, it makes me sad to think that there are strong movies out right now ("Babylon," "The Whale") that audiences are ignoring in favor of this January junk.
First hype of 2023 is this horror flick coming from the hands of writer Wan. You know, the guy from Saw and The Conjuring amongst others. So I expected a lot from this flick.
Sorry to say but for me it wasn't what I expected. It was low on horror and it became more of a thriller. And the reason is simple, it used to be a R-rated flick but while editing this flick they agreed to make it a PG-13 flick, so low on horror and the red stuff.
It's not a bad flick, it's what we can expect from the future but even as it is entertaining and the story is okay for me personally it failed to be called a horror.
Gore 0/5 Nudity 0/5 Effects 4/5 Story 2/5 Comedy 0/5.
Sorry to say but for me it wasn't what I expected. It was low on horror and it became more of a thriller. And the reason is simple, it used to be a R-rated flick but while editing this flick they agreed to make it a PG-13 flick, so low on horror and the red stuff.
It's not a bad flick, it's what we can expect from the future but even as it is entertaining and the story is okay for me personally it failed to be called a horror.
Gore 0/5 Nudity 0/5 Effects 4/5 Story 2/5 Comedy 0/5.
A brilliant toy company roboticist uses artificial intelligence to develop M3GAN, a life-like doll programmed to emotionally bond with her newly orphaned niece. But when the doll's programming works too well, she becomes overprotective of her new friend with terrifying results.
This felt super cool and fresh. It carried the comedy without feeling too funny. It had the horror and the spookiness without making it too gory and disturbing for some watchers. This will probably be one of my fav thrillers of the year! Blumhouse did a amazing job making this movie scary but not scary enough for a R rating. It landed a PG-13 Rating. Overall super exciting and I totally would recommend this film!
This felt super cool and fresh. It carried the comedy without feeling too funny. It had the horror and the spookiness without making it too gory and disturbing for some watchers. This will probably be one of my fav thrillers of the year! Blumhouse did a amazing job making this movie scary but not scary enough for a R rating. It landed a PG-13 Rating. Overall super exciting and I totally would recommend this film!
Le saviez-vous
- AnecdotesAmie Donald, a 10-year-old national champion dancer and brown belt in karate who was discovered "at a farm down the road," provided the full body moving shots, including all the stunts, and the dancing scenes for M3GAN. Director Gerard Johnstone said in an interview: "The methodology was essentially to use an animatronic puppet when she's still, and as soon as she starts moving she's a girl in a mask," and that it had only been possible because the "incredible young actress" had physical abilities he hadn't believed anyone would have, and was so completely dedicated she would work out how to do anything he asked of her. Donald received coaching from Luke Hawker, a movement coach used to working in prosthetics, and worked with a stunt team (who she amazed by not needing any wires or rigging to perform the superhuman feats). On set, Donald wore a static silicone M3GAN mask created by Morot FX, which was later animated with CGI for M3GAN to appear to be speaking.
- GaffesThe teacher sends her pupils to the woods to collect chestnuts. Later we learn that the date when all this happened is May 30th. Chestnuts ripen in autumn, around September-October.
- Autres versionsUnrated version restores various scenes which were trimmed/replaced for violence and language to secure a PG-13 rating.
- ConnexionsFeatured in Double Toasted: IS M3GAN'S MARKETING TOO MUCH? (2023)
- Bandes originalesPurrpetual Pets
(Theme)
Written by Madison Davey, Tai Fronzaroli, Gerard Johnstone, and Devin S. Norris
Performed by Devin S. Norris (as dv/sn), Madison Davey, Väärin
Produced by Yellotone Music
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Détails
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 95 159 005 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 30 429 860 $ US
- 8 janv. 2023
- Brut – à l'échelle mondiale
- 180 089 109 $ US
- Durée
- 1h 42m(102 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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