You won't be alone

Imagine what you'd do, living life without a clue, growing up inside a cave, a mother's one and only slave, until such time does come to pass, you're a fully grown up lass, but there's dust between your ears, years and years devoid of peers; then you're freed by an old maid, a sorceress has come to aid, taking you as an apprentice, the omens are truly portentous, she's a little overcooked, and her talons are quite hooked, quite a disaffected soul, you may well pay, a hefty toll.

Absolutely nothing to do with witchcraft or horror once you've peeled away the skin, but a magnificent and engaging exploration of the influences and effects that take their toll and shape your soul.

I was impressed by the unusual storyline as a woman attempts to fit in with normal people even though she is a witch with abnormal abilities. The cast is excellent and scenery spooky. Rapace leads the ensemble and everyone is up to the task. The film is in Serbian and the subtitles are at times not grammatically correct. Even so, I rank this as a top tier horror movie.

I've never heard of this one - but it's my first Macedonian language film, so I think I can be forgiven for that. As with the last film, I'm not convinced I have the right temperament for a horror film - but things worked out very well last time, so fingers crossed.

We follow Nevena who has a very boring childhood - promised to a witch as a new-born (and made mute at the same time), her mother brings her up in a cave until the age of sixteen when the witch reappears, takes the form of her mother and turns her into a witch as well. I mean, we've all been there, right?!?

Unfortunately, Old Maid Maria (the original witch) isn't too impressed with Nevena's witching skills - she prefers playing with the animals rather than breaking their necks and eating them raw (apparently that's what real witches do). This results in Maria leaving Nevena to fend for herself with no knowledge of the real world - which goes just about as well as you'd imagine it would. To start with anyway, but as time goes on she gets the hang of things and the film manages to conjure up a surprisingly emotional ending.

It's possibly a little too deliberate at times - some of the scenes certainly couldn't be accused of rushing things. For "horror" (it's not really a horror film at all, but it has some horror elements), it's very poetic and beautiful - The Guardian calls it spellbinding, but I can quite imagine that a lot of people would describe it as dull - for me it fell somewhere in between. It was very nice to look at and I was somewhat intrigued as to how it was going to end, but it really could have done with getting there a bit quicker.

It's a very atmospheric film with stylish visuals (and some very cool locations) and a sparse, yet effective soundtrack. It portrays a sense of wonder well - lots of things are being seen through Nevena's eyes for the first time and you get the mix of confusion and awe well. Overall, I'd say it's well written and shot (by Goran Stolevski) but maybe some harsher editing wouldn't have gone amiss - although it's not the sort of film that would benefit from being rushed.

However, because of that sense of wonder, the actors often don't have an awful lot to do other than gaze into the middle distance - Nevena is played by seven different actors across the film (if you include the baby!) and Sara Klimoska, Noomi Rapace, Carloto Cotta and Alice Englert all do a good job as adult Nevena so it feels harsh not to mention Petra Ciric Leontina Bainovic and Anastasija Karanovich as the other incarnations, even if they have less to do. The only other character we really spend any time with is Old Maid Maria who is played well by Anamaria Marinca, but she's rather disguised under tons of make-up (as a result of a rather unfortunate "burning at the stake" incident).

One last thing to talk about is the way that the witches shapeshift because it's really quite something - they take the guts of their intended target and shove them into a cavity which magically opens in their chest. I can assure you that would never have occurred to me, but I guess that just proves I'm not a witch!

WIkipedia tells me that it actually counts as an Australian film and was put forward as their nomination for the Best International Feature Film Academy Award. It also tells me it's shot in IMAX aspect ratio (1.44:1) - which feels like an odd choice but directors do odd things and we've had a lot less weird aspect ratios this year than we had last, so I'm considerably more tolerant of it!

All in all for me, I think it's an "admire" rather than a "like" (although I did like the ending), but is it a recommendation? Probably not to be honest - it has a lot to recommend it but I'm just not sure who'd really "like" it. But if you're in the mood for some fantasy/horror which gives you plenty of time to ponder the very nature of humanity whilst regaling your eyes with some beautiful visuals, then this is just the film for you and it's available to rent in all the usual locations.

Amazingly enough I saw this film at a local AMC during its limited run. This film is very much a cross between The Witch (2015) and Under the Skin (2013). It is very slow moving and methodical but follows a coherent plot. A very visual film and though it has a narrator there isn't as much as emphasis on dialogue. If you enjoy folklore, A24 type horror films then this is worth your time. This film has a very narrow audience and will not appeal to many people. You have been warned.

This is NOT a casual watch, nor is it really a horror film in the traditional sense. You Won't Be Alone is so bizarre, unconventional, and sometimes grotesque that I'm honestly baffled that it got funding. But I'm very glad that it did.

It's technically a witch movie, but it's also kind of an alien movie. Let me explain...

No spoilers here, but the premise follows a young witch in the 19th century who was kept isolated from humanity until adulthood, then experiences what it's like to be human for the first time by taking over the bodies of villagers and living out their lives.

The rest of the film is a soulful meditation that is essentially an alien observing how humans think, feel, and how they treat one another. It gives a very unique perspective on the simple things in life that we often take for granted, both good and bad.

It made me grateful for the full spectrum of human pleasures and pains-happiness and heartbreak.

The weirdness of the witch elements and the story's slow pace will definitely turn a lot of people off. The fact that a good chunk of the film just portrays normal simple lives being lived makes some moments feel rather repetitive. Sometimes I found myself thinking "I get the point, and I like the point, but let's move on now."

Still, this is one of those films that had such ambition that I can't help but admire it-even the small stuff I didn't personally care for.

If you are in a thinking mood, this is a soulful, dark drama that will certainly satisfy.