Ajouter une intrigue dans votre langueA daredevil photographer, an aspiring swimsuit model, and a midwest girl next door are all looking for the same things from their Instagram accounts -a little love, acceptance and fame- and ... Tout lireA daredevil photographer, an aspiring swimsuit model, and a midwest girl next door are all looking for the same things from their Instagram accounts -a little love, acceptance and fame- and they'll do just about anything to get it.A daredevil photographer, an aspiring swimsuit model, and a midwest girl next door are all looking for the same things from their Instagram accounts -a little love, acceptance and fame- and they'll do just about anything to get it.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 1 nomination au total
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This is a good documentary 👌 we need to see more of this, from a socially psychologically point of view.
This is a well executed look into a few Instagram user's past (and still evolving) relationship with Instagram. It provides insight into many of the trends, motivations and pitfalls associated with what is actually a very complex topic-people's social lives, self-edited and put on display for the world to see in near real-time.
It would've been much easier for the director to have made a cynical, Dateline-styled expose that piggybacks off all the easy, negative stereotypes and horror stories that people love to see tried in the (absurdly hypocritical) "court of public opinion." But instead, this documentary works hard at trying to tell full stories, with both the good and the bad.
If you're a parent you'll come away from this better educated than you started out, and in a far more realistic way than if this were a cheap hit piece. I think the same can be said for the generation of kids they're profiling. It seems to build a legitimate consensus of ideas and opinions. What it did leave out are users above the age of 21 and the business side of Instagram (both as a company and its advertisers). The idea of Instagram users becoming "sponsored" or trying to make money off their fame is covered, but not from the point of view of businesses (which would be another film anyway).
What's really interesting to me are the low scores for this film. (As of early May 2019.) I suspect the blonde (Kaylyn) who *seems* to be living a beautiful, happy-go-lucky life provokes some backlash in the form of jealousy, a topic that's covered in the film. But, I think she was a great casting choice, because she seems like a genuinely decent, open and honest person. Also, "females over 45" (i.e., moms and grandmothers) seem to show a strong dislike for this film, unfortunately mistaking their 1 star rating of the movie as a vote against Instagram.
(Also, had this come across as a planted campaign for Instagram-the way many celebrities and other corporations are using documentaries right now-I would've shut it off.)
It would've been much easier for the director to have made a cynical, Dateline-styled expose that piggybacks off all the easy, negative stereotypes and horror stories that people love to see tried in the (absurdly hypocritical) "court of public opinion." But instead, this documentary works hard at trying to tell full stories, with both the good and the bad.
If you're a parent you'll come away from this better educated than you started out, and in a far more realistic way than if this were a cheap hit piece. I think the same can be said for the generation of kids they're profiling. It seems to build a legitimate consensus of ideas and opinions. What it did leave out are users above the age of 21 and the business side of Instagram (both as a company and its advertisers). The idea of Instagram users becoming "sponsored" or trying to make money off their fame is covered, but not from the point of view of businesses (which would be another film anyway).
What's really interesting to me are the low scores for this film. (As of early May 2019.) I suspect the blonde (Kaylyn) who *seems* to be living a beautiful, happy-go-lucky life provokes some backlash in the form of jealousy, a topic that's covered in the film. But, I think she was a great casting choice, because she seems like a genuinely decent, open and honest person. Also, "females over 45" (i.e., moms and grandmothers) seem to show a strong dislike for this film, unfortunately mistaking their 1 star rating of the movie as a vote against Instagram.
(Also, had this come across as a planted campaign for Instagram-the way many celebrities and other corporations are using documentaries right now-I would've shut it off.)
As a mom of a teen girl I expected this movie to go into detail about the dopamine release and other issues that social media represent to children. What I got from this movie was, if you are pretty and have money and not much to complain then you don't have to worry much about what they say in socia media, bad comments can be erased and exposure is good for business, which is partially true. If you end up making someone mad, you better watch your back. Very little about social media over usage and how it can make you feel more lonely than you would ever think. But nothing was strong enough to make kids aware of the consecuences. I am glad I watched it without her first as I don't think it will give her the right message. The positive? Some good artist are finding a way to show the world from a different view.
If your older and want to see what youngster are so intrigued about with their phones then watch this film. It's a view from the Instagram side of social media. The highs can be amazing the lows can be devasting. An in site of a changing world due to technology. Good or Bad it's here.
As a teenager this film helped me to understand the consequences and benefits of instagram without giving a strong view of its own, the film allows you to think on it and raise a question. Social animals shows the different circumstances and examples of failure and success on social media.
Hoping for more work from this director
Hoping for more work from this director
Le saviez-vous
- Générique farfeluThe opening titles identify the director, producers and all other filmmakers via their Instagram usernames (e.g. @bheal, @ignatiusgreen, etc. ) instead of their full names.
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Détails
- Durée
- 1h 26m(86 min)
- Couleur
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