Paris est à nous
- 2019
- 1h 23m
ÉVALUATION IMDb
4,6/10
1,5 k
MA NOTE
Après avoir raté un avion qui s'est écrasé, Anna, une jeune Parisienne, se remémore sa vie dans les rues de Paris, prise entre rêve et réalité dans une ville au bord de l'implosion.Après avoir raté un avion qui s'est écrasé, Anna, une jeune Parisienne, se remémore sa vie dans les rues de Paris, prise entre rêve et réalité dans une ville au bord de l'implosion.Après avoir raté un avion qui s'est écrasé, Anna, une jeune Parisienne, se remémore sa vie dans les rues de Paris, prise entre rêve et réalité dans une ville au bord de l'implosion.
- Prix
- 2 nominations au total
Andrew David Bridges
- Greg
- (voice)
- (as Andrew Bridges)
Emily Goss
- Anna
- (English version)
- (voice)
Avis en vedette
Anna meets Greg at a disco and after a whirlwind romance, long enough for him to grow a beard at least, he announces out of the blue his intention to move from their Paris home to Barcelona.
Even during this first section of the film, the narrative thread is hard to grasp with many cuts between different times and places - a beach, a park and an abandoned theatre, for instance.
But as the story approaches the doomed flight to Barcelona, things get really trance-like and surreal. Perhaps it all reflects Anna's increasingly tenuous grasp on a reality, which itself now seems to play out against a backdrop of constant and confused civil unrest.
The camera is mostly hand-held and while some of the shots feel too close, others, especially those with actual riot police apparently completely surrounding the action of the movie are exceptional. The camera follows Anna, well played by Noémie Schmidt, pretty much all the way through.
The final result, though, is just too disjointed and voice-overs used throughout the film aren't quite enough to keep things together. For some too, I guess that the frequent strobe effects (perhaps carried through from the disco at the start), might well feel a bit too much. 5/10
Even during this first section of the film, the narrative thread is hard to grasp with many cuts between different times and places - a beach, a park and an abandoned theatre, for instance.
But as the story approaches the doomed flight to Barcelona, things get really trance-like and surreal. Perhaps it all reflects Anna's increasingly tenuous grasp on a reality, which itself now seems to play out against a backdrop of constant and confused civil unrest.
The camera is mostly hand-held and while some of the shots feel too close, others, especially those with actual riot police apparently completely surrounding the action of the movie are exceptional. The camera follows Anna, well played by Noémie Schmidt, pretty much all the way through.
The final result, though, is just too disjointed and voice-overs used throughout the film aren't quite enough to keep things together. For some too, I guess that the frequent strobe effects (perhaps carried through from the disco at the start), might well feel a bit too much. 5/10
The script is strong. The "pain" of being human in a world that one cannot change the circumstances, being your "self"in a relationship. You can find simple but strong moments about life. The character questions her self being feom childhood. A film about rethinking about the life. I also think that its also a strong film in visual ways and sound.
The movie left me questioning if the later half of the storyline really happened or not. That is quite rare for me of a 21st century movie. This was no movie for a Marvel fan or a once-a-year-cinema type of person. This was a movie for the lover of cinematography and art. Becuase it really doesn't have an exciting storyline. It is all about how it makes you feel. It not only tells a love story, but let's us get in the minds of both protagonists; getting us to attach to them even more.
Conclusion: If you don't like movies like Amelie, Totoro, Eternal Sunshine of the spotless mind; you probably wouldn't like this one either. It is a movie that's not afraid of being controversial and I believe that's what makes it a "hidden gem". I only recommend these types of movies to friends that have good taste in art-movies and has the cinema culture necessary to compare it to similar titles.
The reviews on here urged me to write my own. This is really not as bad as a movie as it is being described and rated as. If you enjoy your movies solely due to their storyline, this won't be one that you will enjoy. It's a movie with beautiful cinematography, outlining the struggles, worries and uncertainty that comes with early adulthood and first fiery loves.
Sorry but... just no. If you'd like to see this movie, acted out live in front of you, read on. Go to your nearest college town. Find the hipster coffee shop that hosts open mic nights. Wait for the hipster girl that always gets up to read/act out her latest poem. There you go.. You've just watched a live version of this movie.
Le saviez-vous
- Générique farfeluAfter the end credits, there's a text that reads: "This movie wouldn't exist without the determination and patience of the people whose names you've just read. It wouldn't have been finished without the support of the following names. Thanks to everybody." More names are credited on screen while a final sequence with the main character is shown.
- ConnexionsReferenced in Flix Forum: Paris Is Us (Paris est a nous) (2021)
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By what name was Paris est à nous (2019) officially released in India in English?
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