Le poison qui l'envahit irrémédiablement laisse moins de 24 heures à une criminelle sans scrupule pour se venger de ses ennemis avant de mourir. Mais ce faisant, elle noue un lien inattendu ... Tout lireLe poison qui l'envahit irrémédiablement laisse moins de 24 heures à une criminelle sans scrupule pour se venger de ses ennemis avant de mourir. Mais ce faisant, elle noue un lien inattendu avec la fille de l'une de ses anciennes victimes.Le poison qui l'envahit irrémédiablement laisse moins de 24 heures à une criminelle sans scrupule pour se venger de ses ennemis avant de mourir. Mais ce faisant, elle noue un lien inattendu avec la fille de l'une de ses anciennes victimes.
- Director
- Writer
- Stars
- Prix
- 1 nomination au total
Avis en vedette
Good looking, fast paced movie with good fight choreography and a simple story. Basically, a female John wick. If not for a little too much sentimentality and a plot twist you can see coming from the start I would have given it an even higher score. Keep your expectations low and your gratitude high and you'll enjoy this one.
Netflix is at it again with another algorithm driven "mashup". This movie pulls from: La Femme Nikita, Atomic Blonde, Kill Bill and Crank (among others), but, thanks to slick production and solid acting from Mary Elizabeth Winstead it WORKS MUCH BETTER than I expected. The high contrast, rain-slick neon streets of Osaka and Tokyo are on full display here and the pacing is fast, with just enough back-story to bring the characters to life in a way that was engaging. A couple things of note:
1) The action is more similar to Atomic Blonde in that our female anti-hero is up against an army of dudes, and, instead of some easy one-punch win (a-la Kill Bill) she employs all manner of environmental tools and favors speed over strength. While hyper action movies are always on the low-end of believable - the no-nonsense violence and savagery (and creativity) of the weapons / tools she uses seemed accurate for the character.
2) Mary Elizabeth Winstead nails it. From subtile facial expressions during character moments, to fast action fight-scenes, I bought her in the role. There was zero "cringe" in her approach to the character and I was totally won over.
Finally, a few others have complained that this is yet another "white person kills asians" movies. There's merit to that issue but I would argue that - especially towards the end - the context of western vs eastern (Japanese in this case) crime culture is brought specifically into the plot as topics of honor and loyalty are specifically discussed and contribute to the evolution of the plot in meaningful ways. Personally - as a white guy who spent 7 years in Japan and who speaks Japanese - I thought they did a great job of bringing this stereotype into the plot vs just having another "white action person takes on Asian crime-syndicate" movie...
1) The action is more similar to Atomic Blonde in that our female anti-hero is up against an army of dudes, and, instead of some easy one-punch win (a-la Kill Bill) she employs all manner of environmental tools and favors speed over strength. While hyper action movies are always on the low-end of believable - the no-nonsense violence and savagery (and creativity) of the weapons / tools she uses seemed accurate for the character.
2) Mary Elizabeth Winstead nails it. From subtile facial expressions during character moments, to fast action fight-scenes, I bought her in the role. There was zero "cringe" in her approach to the character and I was totally won over.
Finally, a few others have complained that this is yet another "white person kills asians" movies. There's merit to that issue but I would argue that - especially towards the end - the context of western vs eastern (Japanese in this case) crime culture is brought specifically into the plot as topics of honor and loyalty are specifically discussed and contribute to the evolution of the plot in meaningful ways. Personally - as a white guy who spent 7 years in Japan and who speaks Japanese - I thought they did a great job of bringing this stereotype into the plot vs just having another "white action person takes on Asian crime-syndicate" movie...
There's actually a lot more to like in this new Netflix offering than one would expect: Mary Elizabeth Winstead makes a surprisingly capable action heroine, and the fight scenes are very well-staged and exciting. She goofs enough times, and faces enough adversity, to protect her from any accusations of being a Mary-Sue, and as a result we buy into her journey an awful lot more than we would a Rey, a Captain Marvel or Black Widow.
The dialogue is all filler, and the plot almost a carbon copy of better action films like John Wick, Lucy, Kill Bill, Hanna, Nikita and The Long Kiss Goodnight, but the Tokyo setting and nighttime cinematography look great, and all the actors pull off their roles pretty much faultlessly.
All in all, very predictable and containing nothing original of any kind, but a well-made and decent-enough popcorn-muncher if you're in the mood.
The dialogue is all filler, and the plot almost a carbon copy of better action films like John Wick, Lucy, Kill Bill, Hanna, Nikita and The Long Kiss Goodnight, but the Tokyo setting and nighttime cinematography look great, and all the actors pull off their roles pretty much faultlessly.
All in all, very predictable and containing nothing original of any kind, but a well-made and decent-enough popcorn-muncher if you're in the mood.
When 'Kate' (Mary Elizabeth Winstead), an expert sniper and lethal assassin, botches a job, she learns she has been poisoned and only has about 24hours to live. With her handler, Varrick (Woody Harrelson), she tries to finish her contract before she dies.
This film plays out much like 'Crank' (2006), in that Kate is on the verge of death and has to rely on using stimulants to keep moving. The cinematography is great and the casting is solid, especially with the snarky antics of Ani (Miku Patricia Martineau), but falls a little short in terms of believability. The twist at the end is predictable, but satisfying.
Worth a watch!
This film plays out much like 'Crank' (2006), in that Kate is on the verge of death and has to rely on using stimulants to keep moving. The cinematography is great and the casting is solid, especially with the snarky antics of Ani (Miku Patricia Martineau), but falls a little short in terms of believability. The twist at the end is predictable, but satisfying.
Worth a watch!
I have a major crush on Winsted. Having said that, good fights, bad cgi car chase. Watchable.
Le saviez-vous
- GaffesKate is poisoned by Polonium-204, which the movie seems to suggest is more deadly than Polonium-210 (the more common isotope), but this is wrong. Polonium-210 is an alpha-particle emitter, while Polonium-204 is a beta emitter. Alpha particles (helium nuclei) are far more destructive inside the human body than beta particles (electrons). Kate would probably have survived Polonium-204 poisoning, but not Polonium-210.
- ConnexionsFeatures Uchu kara no messeji: Ginga taisen (1978)
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Détails
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Durée
- 1h 46m(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39:1
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